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Literary evolution in the country of eight islands: Towards a Darwinian understanding of later Japanese narrative.

机译：八个岛屿国家的文学发展：达尔文主义对后来日本叙事的理解。

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摘要

My dissertation can be divided into six major parts. The introduction serves to lay out Stephen Jay Gould's revisions of traditional Darwinian theory on the levels of scope, efficacy and agency; introduce the dualist system of literary development outlined by Franco Moretti (literary history is the interweaving of two wholly independent paths: un-oriented variation as well as directed and directing selection); and appropriate the semiotic rectangle (thought by Frederick Jameson to be an engine of literary production) as the most basic mechanism of selection for long-form narrative. The prologue then uses these methodological insights to analyze one of the most popular late medieval (1333--1600) narratives and its early modern (1600--1868) offshoots. The first chapter focuses on developments in narrative literature and the commercial print industry over the first fifty years of the seventeenth century, arguing that the two phenomena were independent entities over this period. In addition, this chapter touches on the ability of narrative structures to assume new functions as historical and ideological environments change and posits that, although development happens within structures, fortuitous events do occur and can lead to great structural change. The next chapter is centered on the second half of the seventeenth century, a period during which xylographic print reproduction came to assert an important influence on literary evolution. This section argues that text and genre are the agents of evolution and offers a new way of understanding the differences between thread narrative and long-form fiction based on their differing temporal structures. The third chapter discusses the human feelings-correct principles dynamic that served as the basic mechanism of selection for long-form fiction within the early modern period. It posits that, because it was a conflict born of circumstantial factors as opposed to logical irreconcilability, the quality of compromise that marks the modern novel is nowhere to be found, for compromise is itself weak and can only flourish in an environment dominated by a categorical conflict. An extended epilogue closes the dissertation by putting forward a theory linking the rise of the compromised and compromising hero typical of the novel form with the conflict between individuality and socialization that forms the most major fault line within bourgeois capitalist ideology.
机译：我的论文可以分为六个主要部分。引言旨在就范围，功效和代理水平对斯蒂芬·杰伊·古尔德（Stephen Jay Gould）对传统达尔文主义理论的修订进行布局。介绍佛朗哥·莫雷蒂（Franco Moretti）概述的文学发展的二元体系（文学史是两条完全独立的道路的交织：无方向的变异以及有向和有向的选择）；并选择符号矩形（弗雷德里克·詹姆森（Frederick Jameson）认为是文学生产的引擎）作为长篇叙事选择的最基本机制。然后，序言使用这些方法论见解来分析一种最流行的中世纪晚期（1333--1600）叙事及其早期现代（1600--1868）分支。第一章着重于十七世纪前五十年的叙事文学和商业印刷业的发展，认为这两种现象在这一时期是独立的实体。此外，本章还涉及叙事结构随着历史和意识形态环境的变化而承担新功能的能力，并假定，尽管发展发生在结构内部，但偶然的事件的确发生，并可能导致巨大的结构变化。下一章以十七世纪后半叶为中心，在此期间，木版印刷品的复制对文学发展产生了重要影响。本节认为，文本和体裁是进化的媒介，并提供了一种新的方式来理解线程叙事与长篇小说之间的差异，这是基于它们各自的时间结构。第三章探讨了人类情感校正原理的动态性，它是近代早期长篇小说选择的基本机制。它认为，由于这是由环境因素引起的冲突，而不是逻辑上的不可调和，因此找不到标志着现代小说的妥协质量，因为妥协本身是薄弱的，并且只能在以分类为主导的环境中蓬勃发展冲突。扩展的结语通过提出一种将小说形式典型的折衷和妥协英雄的崛起与资产阶级资本主义意识形态中最主要的断层线之间的个性化和社会化之间的冲突联系起来的理论来结束本论文。

著录项

  • 作者

    Scanlon, Michael James.;

  • 作者单位

    Columbia University.;

  • 授予单位 Columbia University.;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 376 p.
  • 总页数 376
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I3;
  • 关键词

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