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The Initiated Pohet: Illumination and Esoteric Aesthetics in Gellu Naum's Work.

机译：发起的Pohet：Gellu Naum作品中的照明和深奥的美学。

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摘要

This thesis, entitled The Initiated pohet1: Illumination and Esoteric Aesthetics in Gellu Naum's work, analyzes three important literary productions by Gellu Naum, the novel Zenobia, his writings The Serpent's Way and Medium, as well as the relationship between Gellu Naum's pictorial poetry and Victor Bruner's narrative painting..;Gellu Naum's works analyzed in this study have many similarities synthetized in the trope of illumination. The notion of illumination is based on esoteric and Surrealist theories, opening an interpretation of the sacred devoid of religious substance. Illumination develops a mystical climate throughout Gellu Naum's writings and Victor Brauner's art productions and consolidates their aesthetic doctrines.;For Naum Gellu, illumination is the ultimate goal of existence. It has to do with the ability to see with the eyes within, revealing a blinding and terrifying alternative to the factual world. Within this esoteric tone, the possibility of reaching the other side -- the invisible, advancing deep to the archaic level -- is real and revealing. According to Gellu Naum, the artist must reach the wild state in order to describe the transcendental state infusing his heroes. This perspective counteracts a severe historical turmoil, since Romanian totalitarianism severely abbreviated life conditions. Naum's writings bear the dark traces of this negative impact.;For Victor Brauner, illumination has an initiation function. It crystallizes the painter's art throughout his quest for identity. Illumination causes and maintains catharsis, with unexpected connotations in the art production. It articulates a form of esotericism that only rarely infuses the Surrealist movement in the West.;Advancing an interdisciplinary approach, my thesis is divided into three parts: The novel Zenobia and the Notion of "Illumination Thinking"; The Transcendental State and Its Variables or The Occult Logic of Writing and Expressions of Pictorial Poetry and of Narrative Painting in the Works of Gellu Naum and Victor Brauner. These chapters analyze the figure of illumination and establish the aesthetic invariants grounding the works of the two Surrealists.;In their quest for new forms of artistic representations, Gellu Naum and Victor Brauner employ a mainly cognitive form of Surrealism. Both appeal to rationality, to cruel lucidity, which often Surrealists strongly rejected.;1 Gellu Naum often used lexemes in his writings such as pohete, culthure, nathure, rohman and pohesie. The use of these added words is at the same time ironic and subversive.
机译：这篇题为《 The initiated pohet1：照明与深奥的美学》的论文，分析了凝胶鲁·纳姆（Gellu Naum），小说《芝诺比亚》（Zenobia），他的著作《蛇的方式与媒介》等三部重要的文学作品，以及凝胶鲁·纳姆的绘画诗与维克多之间的关系。布鲁纳（Bruner）的叙事绘画..本研究中分析的盖鲁·纳姆（Gellu Naum）的作品在照明的单相中具有许多相似之处。照明的概念是基于深奥和超现实主义的理论，对神圣的，没有宗教实质的解释进行了解释。照明在Gellu Naum的所有作品和Victor Brauner的艺术作品中发展出一种神秘的气氛，并巩固了他们的审美学说。对于Naum Gellu而言，照明是生存的最终目标。它与内部眼睛看到的能力有关，揭示了事实世界的另一种令人眼花and乱的选择。在这种深奥的语调下，到达另一端的可能性-无形的，深入到古朴的水平-是真实而具有启示性的。根据盖鲁·纳乌姆（Gellu Naum）的观点，艺术家必须达到野外状态，才能描述注入英雄的先验状态。这种观点抵消了严重的历史动荡，因为罗马尼亚极权主义严重缩短了生活条件。瑙姆（Naum）的著作带有这种负面影响的黑暗痕迹。对于维克多·布劳纳（Victor Brauner），照明具有启动功能。在画家追求身份的过程中，它使画家的艺术更加具体。照明引起并保持导泻，在艺术品生产中具有意想不到的含义。它提出了一种神秘主义的形式，这种形式只很少注入西方的超现实主义运动。推进跨学科研究，我的论文分为三个部分：小说《芝诺比亚》和《照明思想》。 Gellu Naum和Victor Brauner作品中的先验状态及其变量或绘画诗歌，叙事绘画的表达和表达的神秘逻辑。这些章节分析了照明的图形，并建立了以两位超现实主义者的作品为基础的美学不变性。在寻求新形式的艺术表现形式时，格卢·纳姆和维克托·布劳纳采用了主要的认知形式的超现实主义。两者都诉诸于理性和残酷的清醒，而超现实主义者经常强烈反对。1盖卢·纳姆（Gellu Naum）在他的作品中经常使用词素，例如pohete，culthure，nathure，rohman和pohesie。这些增加的单词的使用同时具有讽刺意味和颠覆性。

著录项

  • 作者

    Esianu, Cristina.;

  • 作者单位

    Universite de Montreal (Canada).;

  • 授予单位 Universite de Montreal (Canada).;
  • 学科 Literature Comparative.;Literature Romance.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 247 p.
  • 总页数 247
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 肿瘤学;
  • 关键词

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