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首页> 外文学位 >The geopolitics of cultural difference: Locating the spatial poetics of Ezra Pound, H.D., and Langston Hughes (Hilda Doolittle).
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The geopolitics of cultural difference: Locating the spatial poetics of Ezra Pound, H.D., and Langston Hughes (Hilda Doolittle).

机译：文化差异的地缘政治学：定位埃兹拉·庞德（H.D.）和朗斯顿·休斯（Hilda Doolittle）的空间诗学。

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摘要

This dissertation investigates representations of space and place in modernist long poems by Ezra Pound, H.D., and Langston Hughes in order to analyze depictions of the transnational Other. Drawing upon recent work in cultural geography as well as anthropological ideas of intercultural contact, I argue that these long poems reveal what I call an "uneven geopolitics" that are imperialistic or primitivizing at the same time that they are resistant to these discourses of Otherness. Though traditionally modernism has been seen as responding to new ideas about time and temporality, my project illuminates modernism's awareness of space as an epistemological and conceptual category and the explorations of cultural and national difference that modernist long poems stage.; Ezra Pound's The Cantos, H.D.'s Trilogy, and Langston Hughes's Montage of a Dream Deferred rewrite conventional geography through their experiments with collage and montage. From Pound's superposition of Japan onto Italy to Hughes's layering of Africa onto Harlem, formal juxtapositions on the space of the page allow different places and cultures to clash and blend, enabling modernist poets to expand their sense of home through imagined intercultural contact. While montage and collage strategies disrupt narrative form, this poetics of juxtaposition, I suggest, is also a politics of juxtaposition. Reading geographical and architectural locale in modernist long poems as a metonym for culture and nation, I examine the geographical, cultural, and historical contexts each text navigates and trace in personal correspondence and autobiographical writing each poet's engagement with global culture. The transnational connections produced by each poet's juxtapositional poetics are simultaneously progressive and regressive.; In Pound's Cantos and H.D.'s Trilogy, these connections across geographical space and across national boundaries both support imperialist discourses and resist them. For Langston Hughes's Montage, the connections between Harlem and Africa constitute a strategic form of ethnic nationalism in the quest for oppositional African-American politics. But they also participate in primitivist discourses that construct Africa as a monolith. Attention to the significance of space and place reveals these contradictory representational strategies and serves to strengthen the formal and political connections between the Harlem Renaissance and Anglo-American modernism.
机译：本文研究了埃兹拉·庞德（Ezra Pound），H.D。和兰斯顿·休斯（Langston Hughes）在现代主义长诗中对空间和位置的表现形式，以分析对“跨国他者”的描绘。我借鉴文化地理学的最新研究成果以及人类学中跨文化交往的思想，认为这些长诗揭示了我所谓的“不均衡的地缘政治学”，它们是帝国主义的或浮夸的，同时又抵制了对异性的这些论述。尽管传统上现代主义被认为是对时间和时间的新观念的回应，但我的项目却阐明了现代主义对空间作为认识论和概念范畴的认识以及对现代主义长诗所处的文化和民族差异的探索。埃兹拉·庞德（Ezra Pound）的《 Cantos》，博士的《三部曲》和兰斯顿·休斯的《梦的蒙太奇》（Montage of Dream Deerred）通过拼贴和蒙太奇的实验重写了传统的地理。从庞德的日本叠加到意大利到休斯的非洲叠加到哈莱姆，页面空间上的正式并置允许不同的地方和文化发生冲突和融合，使现代派诗人可以通过想象中的跨文化接触来扩大他们的家园感。虽然蒙太奇和拼贴策略破坏了叙事形式，但我认为，这种并置诗学也是一种并置的政治。通过阅读现代主义长诗中的地理和建筑环境，作为文化和民族的代名词，我研究了每种文本所处的地理，文化和历史背景，并以个人书信和自传形式描写了每位诗人对全球文化的参与。每个诗人的并置诗学所产生的跨国联系是渐进的和回归的。在庞德（Pound）的《坎托斯（Cantos）》和法学博士（H.D.）的三部曲中，跨越地理空间和跨越国界的这些联系都支持并反对帝国主义话语。对于兰斯顿·休斯（Langston Hughes）的《蒙太奇》（Montage）而言，哈林与非洲之间的联系构成了民族民族主义的战略形式，以寻求对立的非裔美国人政治。但是他们也参加了将非洲视为一个整体的原始主义者的话语。注意空间和地点的重要性揭示了这些相互矛盾的代表策略，并有助于加强哈林文艺复兴时期和英美现代主义之间的形式和政治联系。

著录项

  • 作者

    Walsh, Rebecca.;

  • 作者单位

    The University of Wisconsin - Madison.;

  • 授予单位 The University of Wisconsin - Madison.;
  • 学科 Literature Modern.; Geography.; Literature American.; Black Studies.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 233 p.
  • 总页数 233
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;自然地理学;人类学;
  • 关键词

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