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The Visionary Landscape of Wutai Shan in Tibetan Buddhism from the Eighteenth to the Twentieth Century.

机译：十八至二十世纪藏传佛教五台山的远景。

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摘要

The sacred mountain range of Wutai Shan (known in Tibetan as Riwo Tsegna) on the northern frontier of China offers a unique site for examining the religious culture of the Qing empire. Not only did it become one of the most important pilgrimage sites for Tibetans and Mongolians, it is also the location where Tibetan and Chinese Buddhist cosmographies converged. While surviving texts and images of Wutai Shan from medieval China have attracted considerable scholarly attention, artistic and literary representations of the mountain range in the later periods have rarely been studied. Drawing on a panoply of textual, pictorial, and architectural sources from Qing dynasty (1644-1912) onward, this dissertation explores the shifting dynamics of this holy site as a geographical, visual, and visionary destination in Tibetan Buddhism. Primary objects of my analysis include pilgrims' maps, mural programs that include Wutai Shan, praise poems, travel narratives and guidebooks, as well as sculptural and architectural replicas of the mountain range by Tibetan Buddhists in Tibet, Mongolia, the Manchu court in Beijing, and at Wutai Shan itself.;Each chapter coheres around individual(s) responsible for producing knowledge about Wutai Shan. Taken together, these case studies reveal the building blocks of Wutai Shan's visionary landscape: the discourse of visionary encounters, memories of previous masters, rituals, travel, and cosmography. I show that representations of these seemingly ephemeral or intangible histories, concepts, and experiences constitute the core of the mountain's religious identity, defining the ways Wutai Shan came to be viewed in the Tibetan Buddhist world with a potency and persistence that outstrips its physical topography and material structure or holdings. I argue that these ideas and visions of the mountain range significantly reconfigured sacred cosmography and political identities of the Qing empire and beyond.
机译：位于中国北部边境的五台山的神圣山脉（藏语叫Riwo Tsegna）为考察清帝国的宗教文化提供了独特的场所。它不仅成为藏人和蒙古人最重要的朝圣地之一，还是藏传佛教和中国佛教宇宙学汇聚的地方。虽然幸存的来自中国中世纪的五台山文字和图像引起了学术界的广泛关注，但后期对山脉的艺术和文学表现却很少进行研究。本文借鉴了清朝（1644-1912年）以后的大量文字，图片和建筑资源，探讨了该圣地作为藏传佛教地理，视觉和远景目的地的变化动态。我分析的主要对象包括朝圣者的地图，包括五台山的壁画计划，赞美诗，旅行叙事和指南，以及西藏，蒙古，北京的满族朝廷的藏族佛教徒对该山脉的雕塑和建筑复制品， ；每一章都围绕负责产生有关五台山知识的个人。综合起来，这些案例研究揭示了五台山有远见的景观的构成要素：有远见的相遇话语，往届大师的记忆，仪式，旅行和宇宙摄影。我发现，这些看似短暂或无形的历史，概念和经验的表述构成了该山宗教身份的核心，从而以其强大的力量和持久性超越了其自然地形和地貌，定义了五台山在藏传佛教世界中被看待的方式。物质结构或馆藏。我认为，这些关于山脉的想法和愿景极大地重新构造了清帝国及其以外地区的神圣宇宙论和政治身份。

著录项

  • 作者

    Chou, Wen-Shing Lucia.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Religion History of.;Art History.;History Asia Australia and Oceania.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 347 p.
  • 总页数 347
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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