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The ritual functions of processional equipment in the Temple of Seti I at Abydos (Egypt).

机译：埃及阿比多斯塞提一世神庙中游行装备的仪式功能。

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This study coordinates analysis of iconographic, textual, and architectural evidence from the Temple of Seti I at Abydos with comparable material from other contexts to explore the meanings and functions of processional equipment. Palanquins, statues, and other ritual objects were rearranged in the course of ritual. A particularly compelling example is the Osiris Fetish, which was depicted in three different configurations in areas of the Seti Temple dating to the same decorative phase.; Material often ignored in studies of temple ritual was also valuable. For example, some rubrics to BD 133 and 134 describe rituals in which twt-images and bowls were placed in solar barques. Some of these bowls, which were to be decorated with very specific motifs, were found in the area of the so-called Portal Temple of Ramesses II at Abydos. This material indicates that ritual manipulation of processional images may have occurred on the barques of solar deities, like Re-Horakhte.; This interdisciplinary approach led to insights into how to read records of ritual. In ancient Egypt, temple ritual was organized in a flexible way, comparable to the running of an elite household. According to this model, various “servants” would undertake different tasks concurrently, their duties overlapping at various points. Applying this structure eliminates many of the problems that previous studies have encountered in trying to reconstruct ritual cycles as unified sets of step-by-step instructions. Furthermore, festivals, rather than being discreet cycles set apart from the day-to-day temple ritual, were often woven into the daily ritual cycles.; Iconographic differences between depictions of Amun-Re's Abydene and Theban barques dating to the time of Seti I reflect regional variation in the way deities formed syncretic relationships. These differences are also apparent in temple architecture and the organization of ritual. At Thebes, divine multiplicity was expressed primarily by depicting deities as aspects of the primary deity, Amun-Re or in subordinate familial relationship to him. At Abydos, the divine multiplicity was expressed by depicting deities side-by-side in almost equal relationship, as in the parallel barque chapels devoted to Osiris, Amun-Re, Re-Horakhte and Ptah.
机译：这项研究协调了来自阿比多斯（Abydos）塞提一世神庙（Temple of Seti I）的图像，文字和建筑证据的分析，并结合了其他背景下的类似材料，以探索游行装备的意义和功能。在仪式过程中重新布置了轿，雕像和其他仪式物品。一个特别引人注目的例子是《奥西里斯恋物癖》（Osiris Fetish），它以三种不同的形态在塞提神庙（Seti Temple）的区域中描绘，可追溯到同一装饰阶段。在寺庙礼仪研究中经常被忽略的材料也很有价值。例如， BD 133和134的一些标题描述了将 twt 图像和碗放在太阳巴洛克式的仪式。在阿比多斯的所谓的拉美西斯二世门神殿地区发现了其中一些碗，这些碗要饰有非常特殊的图案。该材料表明，在像Re-Horakhte这样的太阳神的木刻上，可能已经对游行影像进行了仪式操纵。这种跨学科的方法导致了对如何阅读仪式记录的见解。在古埃及，庙会仪式的组织方式很灵活，堪比精英家庭的经营方式。根据这种模式，各种“仆人”将同时承担不同的任务，其职责在各个点上重叠。应用这种结构消除了以前的研究在试图将仪式循环重建为统一的逐步说明集时遇到的许多问题。此外，节日通常不是每天的庙宇仪式中所设置的谨慎周期，而是经常融入日常的仪式周期中。可以追溯到Seti I时期的Amun-Re's Abydene和Theban巴克刻画之间的图像学差异反映了神在形成合相关系方面的区域差异。这些差异在寺庙建筑和仪式的组织中也很明显。在底比斯（Thebes），主要通过将神描绘为主要神的某些方面来表达神性，即阿蒙瑞（Amun-Re）或与他的从属家庭关系。在阿比多斯（Abydos），神灵的多样性是通过以几乎相等的关系并排描绘神灵来表达的，就像在献给奥西里斯（Osiris），阿蒙-里（Amun-Re），里霍拉赫特（Re-Horakhte）和帕塔（Ptah）的平行小教堂中。

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