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首页> 外文学位 >Sound from Start to Finish: Professional Style and Practice in Modern Hollywood Sound Production.
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Sound from Start to Finish: Professional Style and Practice in Modern Hollywood Sound Production.

机译：从头到尾的声音：现代好莱坞声音制作中的专业风格和实践。

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摘要

This dissertation addresses changes in modem Hollywood sound practices by exploring how the art and craft of sound production are tied to current institutional demands, commercial expectations, stylistic norms, and technological options. It does so by examining how sound editors, mixers, designers, Foley artists, engineers, and recordists in the "sound chain" go about the job of creating sound for film from the earliest stages of pre-production to the final mix in post-production. This project offers a comprehensive investigation of the major roles in the sound chain, each one examining different practitioners and their various working styles, task structures, and aesthetic goals.;By examining the professional and creative constraints and possibilities faced by modem sound professionals, this study foregrounds the social, occupational, and aesthetic factors that continue to shape this facet of the Hollywood production complex. Sound practitioners draw on a range of conventional techniques and innovative strategies to contribute something original and fresh to the well-worn traditions of classical Hollywood storytelling. Crucially, this project adopts an interdisciplinary approach that incorporates theories of symbolic interaction and film poetics in addition to original field and archival research.;In addressing the social organization of the contemporary sound industry, this study considers a triumvirate of interrelated factors that have essentially reshaped the professional task structures of sound practitioners and the aesthetic character of films produced in the last two decades. First, the transition from analog editing and mixing machines to digital platforms such as Pro Tools in the 1990s and 2000s had a profound effect on labor practices, workflow, and the social organization of sound practitioners and the stylistic textures of modem sound tracks. Second, the freelance structure of the sound industry has forced many practitioners to redefine their professional identities to better reflect their status as "artists" and "designers" of sound. Third, this study examines how digital workflow and the social structure of the industry have impacted the aesthetic demands of sound tracks.
机译：本文探讨了声音制作的艺术和手法如何与当前的制度需求，商业期望，风格规范和技术选择联系起来，从而解决了好莱坞现代声音实践的变化。它通过检查“声音链”中的声音编辑，混音，设计师，Foley艺术家，工程师和录音师是如何完成从电影制作的早期阶段到后期的最终混合过程中为电影创建声音的工作的。生产。该项目对声音链中的主要作用进行了全面的调查，每个人都检查了不同的从业人员及其不同的工作风格，任务结构和审美目标。通过研究现代声音专业人员所面临的专业和创造性限制以及可能性，该研究提出了继续塑造好莱坞生产综合体这一方面的社会，职业和审美因素。音响从业人员借鉴了一系列常规技术和创新策略，为经典好莱坞讲故事的破旧传统贡献了一些新颖而新颖的东西。至关重要的是，该项目采用了跨学科的方法，除了原始领域和档案研究之外，还融合了符号互动和电影诗学的理论。在解决当代音响行业的社会组织问题时，本研究考虑了相互影响的因素，这些因素已在本质上得以重塑声音从业者的专业任务结构和最近二十年来制作的电影的美学特征。首先，从模拟编辑和混合机到1990年代和2000年代的Pro Tools之类的数字平台的转变对劳动惯例，工作流程和声音从业者的社会组织以及现代音轨的风格产生了深远的影响。第二，音响行业的自由职业结构迫使许多从业者重新定义其职业身份，以更好地反映其作为音响“艺术家”和“设计师”的地位。第三，本研究考察了数字工作流程和行业的社会结构如何影响音轨的美学要求。

著录项

  • 作者

    Wright, Benjamin A.;

  • 作者单位

    Carleton University (Canada).;

  • 授予单位 Carleton University (Canada).;
  • 学科 American Studies.;Cinema.;Sociology Organizational.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 449 p.
  • 总页数 449
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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