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Grounds for Telling It: Transnational Feminism and Canadian Women's Writing.

机译：讲述的理由：跨国女性主义与加拿大女性写作。

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摘要

This dissertation explores connections between contemporary Canadian women's writing and transnational feminism. The category of the transnational is increasingly important within Canadian literary criticism, but it is infrequently evoked in relation to feminism. Throughout this thesis, I develop a transnational feminist reading methodology that can be brought to bear on Canadian women's writing, even as the literature itself participates in and nuances transnational feminist mobilizations of concepts such as complicity, collaboration, silence, and difference. Furthermore, my transnational feminist reading strategy provides a method for the rehistoricization of certain texts and moments in Canadian women's writing that further allows scholars to trace a genealogy of anti-essentialist feminist expression in Canadian literature.;In all of these close textual readings, my dissertation asks how Canadian women writers represent, theorize, and critique the kinds of collaboration across differences that lie;at the heart of transnational feminist action. My research is therefore located at the crossroads of Canadian literature, contemporary feminist theory, and postcolonial and globalization studies. The vibrant field of transnational feminist theory is relevant to this disciplinary intersection and, furthermore, contemporary Canadian women's writing provides important interventions from which to imagine transnational feminist collaboration.;Keywords : Canadian literature, transnational feminism, collaboration, essentialism, women, race, Dionne Brand, Daphne Marlatt, Suzette Mayr, Telling It;To this end, I read texts by Daphne Marlatt, Dionne Brand, and Suzette Mayr, alongside Tessera, a collectively-edited journal, and conference proceedings from the 1988 Telling It conference; these texts speak to national and colonial critique, post-colonial and diasporic identities, and the potentials of feminist collaboration across various borders. In the first chapter, I situate my reading methodology by arguing for a transnational feminist understanding of Tessera, a bilingual feminist journal that began publishing in 1984. My second chapter examines the collectively-edited publication that emerged from Telling It in the context of North American feminist evocations of difference in recent decades. Notably, my research on Telling It benefits from rarely-accessed archival material that grounds my discussion of the gaps and silences of collective work. In my third chapter, I perform a close reading of Daphne Marlatt's 1979 multi-genre text "In the Month of Hungry Ghosts" as it explores the complex connections between colonialism, post-colonialism, complicity and globalization. The subject of my fourth chapter is the 1994 film Listening for Something..., a transnational feminist collaboration between Dionne Brand and Adrienne Rich. Finally, my fifth chapter discusses the place of the transnational in relation to the regional, the national -- and the monstrous in the context of Suzette Mayr's Venous Hum.
机译：本文探讨了当代加拿大女性写作与跨国女性主义之间的联系。在加拿大的文学批评中，跨国的类别越来越重要，但在女性主义方面却很少被提及。在整个论文中，我开发了一种跨国女权主义的阅读方法，即使文学本身参与并细化了跨国女权主义对诸如共谋，合作，沉默和差异之类的概念的动员，也可以借鉴加拿大女性的写作方法。此外，我的跨国女权主义阅读策略提供了一种对加拿大女性写作中某些文本和时刻进行历史化的方法，这进一步使学者们能够追溯加拿大文学中反本质主义女权主义表达的家谱。论文询问了加拿大女性作家如何跨越跨国女权主义行动的核心，对跨越种种差异的合作进行代表，理论化和批判。因此，我的研究位于加拿大文学，当代女性主义理论以及后殖民和全球化研究的十字路口。跨国女权主义理论的生机勃勃的领域与此学科交叉点有关，此外，当代加拿大女性的写作为想象跨国女权主义合作提供了重要的干预手段。关键词：加拿大文学，跨国女权主义，合作，本质主义，妇女，种族，狄昂Brand，达芙妮·玛拉特（Daphne Marlatt），苏泽特·梅尔（Suzette Mayr），讲述这件事；为此，我阅读了达芙妮·玛拉特（Daphne Marlatt），狄昂·布兰德（Dionne Brand）和苏泽特·梅尔（Suzette Mayr）的文字，以及集体编辑杂志Tessera，以及1988年Telling It会议的会议记录。这些文字谈到了国家和殖民地的批判，后殖民地和流放的身份以及跨境女权主义合作的潜力。在第一章中，我通过对跨国女权主义者对Tessera（一种双语女权主义期刊，1984年开始出版）的跨国女性理解来提出我的阅读方法。第二章，探讨了在北美背景下从Telling It衍生出来的集体编辑出版物。近几十年来女权主义的召唤有所不同。值得注意的是，我对“讲故事”的研究得益于很少访问的档案资料，这些资料奠定了我对集体工作的空白和沉默的讨论的基础。在我的第三章中，我仔细阅读了达芙妮·马拉特（Daphne Marlatt）的1979年多流派著作《饿鬼月》，探讨殖民主义，后殖民主义，同谋与全球化之间的复杂联系。我第四章的主题是1994年的电影《听某事...》，这是狄昂·布兰德（Dionne Brand）和艾德丽安·里奇（Adrienne Rich）的跨国女权主义合作。最后，在第五章中，我们讨论了跨国公司在苏塞特·梅尔（Suzette Mayr）的《静脉嗡嗡声》（Venous Hum）中的地位，在地区，国家和巨大方面。

著录项

  • 作者

    Beverley, Andrea.;

  • 作者单位

    Universite de Montreal (Canada).;

  • 授予单位 Universite de Montreal (Canada).;
  • 学科 Literature Canadian (English).;Womens Studies.;Cinema.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 335 p.
  • 总页数 335
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 肿瘤学;
  • 关键词

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