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首页> 外文学位 >The Dominican decima of popular tradition: An anthology, a classification of types and a study of its distinguishing features (Spanish text).
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The Dominican decima of popular tradition: An anthology, a classification of types and a study of its distinguishing features (Spanish text).

机译：多米尼加流行传统的十进制：选集，类型分类及其独特特征的研究（西班牙语）。

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摘要

My thesis constitutes a study of traditional Dominican poetic forms. I begin with an introduction to the traditional Spanish romances (ballads) and to the espinela, a verse form which is a later development. I provide examples of these verse forms from their medieval beginnings to the present, and then I compare them with traditional Dominican decimas .; Decimas in the Dominican Republic are part of Dominican tradition and, to compare them with traditional Spanish verse forms, I traveled to the Dominican countryside to interview modern practitioners of the Dominican oral tradition. In these interviews, I asked them how they were able to learn these decimas, on what occasions and for what purposes they performed them, whether there had been noticeable changes from past practices to the present time, and whether they believed that these oral traditions were as strong now as in the past, or in danger of disappearing.; Gathering hundreds of decimas and other popular verse forms from different individual poets or groups in different regions of the country, I classified the poetry according to type and poetic structure. My dissertation consists of (1) a theoretical-historical background; (2) an anthology of Dominican popular verse of oral tradition.; In Chapter one I discuss theories regarding oral tradition and folklore, comparing the romance and the decima.; In Chapter two I review the genesis and evolution of the romance and the espinela, providing examples of both poetic forms to substantiate my observations.; In Chapter three I review the scholarship in this area and provide a critical analysis and clasification of the various oral poetic forms, rhyms and meter as well as the stylistic devices of oral Dominican poetry from the 16th to the 20th century.; Chapter four treats the question of the disappearance of folk/oral tradition in the modern world. I review scholarship on this question and add my own observations based on my study of Dominican oral tradition.; There are two appendices: an anthology of Dominican poetry exemplifying the oral tradition, which I recorded and transcribed; and interviews in the field with poets and practitioners of this vanishing art.
机译：我的论文构成了对传统多米尼加诗歌形式的研究。我首先介绍传统的西班牙浪漫史（民谣）和espinela（一种后来发展的诗歌形式）。我提供了从中世纪开始到现在的这些诗句形式的示例，然后将它们与传统的多米尼加分贝进行了比较。多米尼加共和国的Decimas是多米尼加传统的一部分，为了将它们与传统的西班牙诗歌形式进行比较，我前往多米尼加的乡村，采访了多米尼加口述传统的现代从业者。在这些访谈中，我问他们如何学习这些十进制，在什么场合和目的下执行它们，从过去的实践到现在是否有明显的变化，以及他们是否认为这些口头传统是与过去一样强大，或有消失的危险。我收集了来自该国不同地区的不同诗人或群体的数百种提法和其他流行诗歌形式，并根据类型和诗歌结构对诗歌进行了分类。本文的主要内容包括：（1）理论历史背景； （2）多米尼加流行口述诗集。在第一章中，我讨论了关于口头传统和民俗的理论，比较了浪漫史和十进制。在第二章中，我回顾了浪漫史和espinela的起源和演变，并提供了两种诗歌形式的实例来证实我的观察。在第三章中，我回顾了该领域的学术研究，并对16世纪至20世纪各种多米尼加诗歌的各种口头诗形式，韵律和计量方法以及风格手段进行了批判性分析和分类。第四章论述了现代世界中民间/口头传统的消失问题。我回顾了有关该问题的奖学金，并根据对多米尼加人的口头传统的研究，添加了自己的看法。有两个附录：多米尼加诗歌选集，以口述传统为例，由我录制并抄录。并与这种消失的艺术的诗人和从业者进行实地访谈。

著录项

  • 作者

    Payano, Hector.;

  • 作者单位

    City University of New York.;

  • 授予单位 City University of New York.;
  • 学科 Literature Latin American.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 466 p.
  • 总页数 466
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I73;
  • 关键词

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