This paper explores aspects of Sir Charles Villiers Stanford's life and music, with an emphasis on his sacred works for solo voice, choir, and organ, and an analysis of the Six Bible Songs and Hymns or Chorales (to follow the Bible songs), Opus 113 for baritone solo, SATB choir, and organ. The second chapter is a brief biography of significant events and major accomplishments in Stanford's life. The third chapter provides an overview of his compositional style, with an emphasis on the defining characteristics of his vocal music. The fourth chapter focuses on Stanford's sacred vocal music, particularly his contribution to the liturgy and service of the Anglican Church. In chapter four, a discussion of Stanford's works for solo voice, choir, and organ will include: (1) the Evening Service in G, Opus 81, for soprano and baritone soloists, choir, and organ, (2) the virtually unknown cantata Awake my heart, Opus 16, for baritone, choir, and organ, and (3) an introduction to Stanford's Six Bible Songs and Hymns, Opus 113, discussing the genesis of the work, and its unique position within the repertoire of the Anglican Church. The fifth chapter is a detailed analysis of the Six Bible Songs and Hymns that investigates musical aspects of Stanford's score, but also the history of the cycle's texts and hymn tunes, as well as performance and other extra musical considerations. A concluding sixth chapter will discuss the publication history and performance practices of the Six Bible Songs and Hymns , Opus 113.
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机译：本文探讨了查尔斯·维利尔斯·斯坦福爵士的生活和音乐方面，重点介绍了他的个人声音，合唱团和管风琴的神圣作品，并分析了《六本圣经之歌》，《赞美诗》或《合唱》（跟随圣经之歌），《作品》。 113个男中音独奏，SATB合唱团和风琴。第二章简要介绍了斯坦福大学生活中的重大事件和重大成就。第三章概述了他的作曲风格，并着重于他的声乐的定义特征。第四章侧重于斯坦福大学的声乐，特别是他对圣公会礼拜仪式和圣公会的贡献。在第四章中，对斯坦福关于独奏声音，合唱团和风琴的作品的讨论将包括：（1）G，Opus 81晚间音乐会，为女高音和男中音独奏家，合唱团和风琴，（2）几乎不为人知的颂赞曲唤醒我的歌剧16号男中音，合唱团和风琴，并且（3）斯坦福大学的《六首圣经之歌和赞美诗》 Opus 113简介，讨论该作品的起源及其在圣公会教堂曲目中的独特地位。第五章详细分析了《六本圣经歌曲和赞美诗》，调查了斯坦福大学乐谱的音乐方面，以及自行车文本和赞美诗曲调的历史，以及演奏和其他音乐方面的考虑。最后的第六章将讨论《六本圣经之歌和赞美诗，作品113》的出版历史和表演实践。
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