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Collingwood on re-enactment: Understanding in history and interpretation in art (R. G. Collingwood).

机译：重演时的科林伍德：历史的理解和艺术的诠释（R. G.科林伍德）。

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In this thesis, I aim at an interpretation of some central parts of the philosophy of R. G. Collingwood. My fundamental hypothesis is that in his writings in the philosophy of history and in the philosophy of art, Collingwood developed a general theory of understanding. This theory, which is based on his views on mind and language, is meant to apply to both cases: the understanding of actions of historical agents, or re-enactment, and the interpretation of the work of art.; In chapter 1, I present, after some biographical remarks, some of the intellectual sources of Collingwood. My main thesis is that Collingwood retained one element essential to the epistemology of his Oxford predecessors, idealists and realists alike, namely their opposition to subjective idealism. This is the origin of what I have called Collingwood's objectivism.; In chapter 2, I examine Collingwood's philosophy of mind, which forms the basis of his general theory. I show that it is not at all obsolete, as he anticipated Ryle's well-known critique of Cartesian dualism and he moved gradually to a full linguistic philosophy, not far from Wittgenstein's.; In chapter 3, I examine Collingwood's notion of re-enactment in the philosophy of history. I show that it is not to be understood as a psychological notion, akin to either Croce's intuizione or Dilthey's Verstehen . I also show that, according to Collingwood, in re-enactment it is the literally same thought that is grasped by the historian, not a copy of it. This objectivist element is a distinguishing feature of Collingwood's theory of understanding. Furthermore, I argue that Collingwood develops an anti-realist epistemology, which blends this objectivism with an ontological realism, while rejecting a strong conception of historical truth, which would transcend available evidence.; In chapter 4, after a careful definition of the terms, I argue that Collingwood's position amounts to a minimal form of historicism and relativism. I reject the so-called “radical conversion” hypothesis.; In chapter 5, I examine Collingwood's aesthetic theory and philosophy of art. I argue that it differs in essential ways from Croce's, it is not a form of ‘ideal theory’. I also show that Collingwood argues for objectivity in art by extending his remarks about understanding in language to the interpretation of the work of art. He thus allows for the sharing of the emotions expressed by the artist. I finally point out that this sharing of emotions by the artist and the audience is at the basis of Collingwood's anti-individualistic philosophy of art, whose central claim is that art is the community's struggle against the corruption of consciousness.; In the conclusion, I situate Collingwood's theory of understand within the current panorama, half way between the post-Quinean analytic philosophers, whose naturalism he rejects, and the continental philosophers, whose relativism he also rejects.

机译：在本文中，我旨在解释R. G. Collingwood哲学的一些核心部分。我的基本假设是，科林伍德在其历史哲学和艺术哲学著作中发展了一种普遍的理解理论。这种理论基于他对思想和语言的看法，旨在适用于两种情况：对历史主体的行为的理解或重演，以及对艺术品的解释。在第一章中，我经过一些传记性介绍之后，介绍了科林伍德的一些知识来源。我的主要论点是，科林伍德保留了他的牛津前辈，唯心主义者和现实主义者的认识论必不可少的要素，即他们对主观唯心主义的反对。这就是我所谓的科林伍德的 objectivism 的起源。在第二章中，我研究了科林伍德的思维哲学，这构成了他的一般理论的基础。我表明这还不是完全过时的，因为他期待着赖尔对笛卡尔二元论的著名批评，并且他逐渐转向一种完整的语言哲学，距离维特根斯坦不远。在第3章中，我研究了科林伍德关于历史哲学的重演概念。我表明，这不应被理解为类似于Croce的 intuizione 或Dilthey的 Verstehen 的心理概念。根据科林伍德的说法，我还表明，在重新制定时，历史学家抓住的是字面上的相同思想，而不是它的副本。客观主义元素是科林伍德理解理论的一个显着特征。此外，我认为科林伍德发展了一种反现实主义的认识论，它将这种客观主义与本体论现实主义相结合，同时又拒绝了对历史真理的强烈理解，而这种观念会超越现有的证据。在第4章中，对术语进行了仔细的定义之后，我认为科林伍德的立场相当于历史主义和相对主义的最小形式。我拒绝所谓的“激进转换”假说。在第5章中，我研究了科林伍德的美学理论和艺术哲学。我认为它与Croce的本质上有所不同，它不是“理想理论”的一种形式。我还表明，科林伍德通过将他对语言理解的论述扩展到对艺术作品的诠释来主张艺术的客观性。因此，他允许分享艺术家表达的情感。我最后指出，艺术家和观众之间的情感共享是科林伍德反个人主义艺术哲学的基础，他的核心主张是艺术是社区与意识形态腐败作斗争。最后，我将科林伍德的理解理论置于当前全景图的中间，介于后奎纳分析哲学家（他拒绝了自然主义）和大陆哲学家（他也反对相对论）之间。

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作者
Kobayashi, Chinatsu.;
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作者单位

University of Ottawa (Canada).;

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授予单位 University of Ottawa (Canada).;
学科 Philosophy.; Fine Arts.
学位 Ph.D.
年度 2003
页码 287 p.
总页数 287
原文格式 PDF
正文语种 eng
中图分类哲学理论;艺术;
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6. Obituary: J. C. COLLINGWOOD-STEWART M.S. F.R.C.S [O] . 1959

机译：itu告：J. C. COLLINGWOOD-STEWARTM.S.F.R.C.S
7. Reviews: The Study of History: A Bibliographical Guide, the English Idea of History from Coleridge to Collingwood, the Changing Face of English Local History, Arthur and the English: The Arthurian Legend in Medieval English Life and Literature, Enacting Gender on the English Renaissance Stage, Shakespeare's Feminine Endings, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660, New Stories for Old: Biblical Patterns in the Novel, Catholicism and Anti-Catholicism in Early Modern English Texts, Primogeniture and Entail in England: A Survey of Their History and Representation in Literature, the English Civil War Through the Restoration in Fiction: An Annotated Bibliography, Diana, Self-Interest, and British National Identity, Dryden and the Traces of Classical Rome, between the Ancients and the Moderns: Baroque Culture in Restoration England, Bacchus in Romantic England: Writers and Drink, 1780–1830, Misogynous Economies: The Business of Literature in Eighteenth-Century Britain, the House of Forgery in Eighteenth-Century Britain, the Clothes That Wear Us, An Oxford Companion to the Romantic Age: British Culture, 1776–1832, Domestic Space: Reading the Nineteenth-Century Interior, Victorians in Theory: From Derrida to Browning, the Age of Virtue: British Culture from the Restoration to Romanticism, Woeful Afflictions: Disability and Sentimentality in Victorian America, Women Writers of the First World War: An Annotated Bibliography, the Pub in Literature, British Industrial Fictions, the Insatiability of Human Wants: Economics and Aesthetics in Market SocietyRichardsonR. C., The Study of History: A Bibliographical Guide , 2nd ed., Manchester University Press, 2000, pp. xiv + 140, £40.00.ParkerChristopher, The English Idea of History from Coleridge to Collingwood , Ashgate Publishing, 2000, pp. vii + 244, £45.RichardsonR. C. (ed.), The Changing Face of English Local History , Ashgate, 2000, pp. viii + 218, £45.00.BarronW. R. J. (ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. (ed.), Catholicism and Anti-Catholicism in Early Modern English Texts , Macmillan, 1999, pp. xvii + 266, £47.50; ShellAlison, Catholicism, Controversy and the English Literary Imagination, 1558–1660 , Cambridge University Press, 1999, pp. xi + 309, £37.50.JamoussiZouheir, Primogeniture and Entail in England: A Survey of their History and Representation in Literature , Centre de Publication Universitaire, Tunis, 1999, pp. 293, 8 DT.MurphRoxane C., The English Civil War through the Restoration in Fiction: An Annotated Bibliography , Greenwood Press, Westport, CT., 2000, pp. viii + 349, £63.95.HammondPaul, Dryden and the Traces of Classical Rome , Clarendon Press, Oxford, 1999, pp. 305, £45.00.LevineJoseph M., Between the Ancients and the Moderns: Baroque Culture in Restoration England , Yale University Press, 1999, pp. xiv + 279, £27.50.TaylorAnya, Bacchus in Romantic England: Writers and Drink, 1780–1830 , Macmillan, 1999, pp. xi + 264, £47.50.MandellLaura, Misogynous Economies: The Business of Literature in Eighteenth-century Britain , University of Kentucky, 1999, pp. x + 228, $42.00.BainesPaul, The House of Forgery in Eighteenth-century Britain , Ashgate, 1999, pp. viii + 195, £47.50.MunnsJessica and RichardsPenny (eds), The Clothes that Wear Us , Newark, University of Delaware Press, 1999, pp. 362, £37.McCalmanIain (ed.), An Oxford Companion to the Romantic Age: British Culture, 1776–1832 , Oxford University Press, 1999, p. xii + 780, £85.BrydenInga and FloydJanet (eds), Domestic Space: Reading the Nineteenth-century Interior , Manchester University Press, 1999, pp. xii + 219, £40.00; KiddAlan and NichollsDavid (eds), Gender, Civic Culture and Consumerism: Middle-class Identity in Britain 1800–1940 , Manchester University Press, 1999, pp. xiv + 223, £46.00, pb. £14.99.SchadJohn Victorians in Theory: From Derrida to Browning , Manchester University Press, 1999, pp. x + 180, £40.MorseDavid, The Age of Virtue: British Culture from the Restoration to Romanticism , Macmillan, 2000, pp. viii + 330, £45.KlagesMary, Woeful Afflictions: Disability and Sentimentality in Victorian America , University of Pennsylvania Press, 1999, pp. 211, $36.50.OudittSharon, Women Writers of the First World War: An Annotated Bibliography , Routledge, 2000, pp. 230, £75; TyleeClaire with TurnerElaine and CardinalAgnes (eds), War Plays by Women: An International Anthology , Routledge, 2000, pp. 225, £16.99 pb.TaylorJohn A., Diana, Self-Interest, and British National Identity , Praeger, 2000, pp. 169, £44.95.EarnshawSteven, The Pub in Literature , Manchester University Press, 2000, pp. x + 294, £45 and £15.99 pb.KlausH. 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机译：点评：历史的研究：一个书目指南，历史的英语理念从柯勒律治到科林伍德，英国当地历史，亚瑟和他的英语变脸：亚瑟王传说中中世纪英国生活和文学，在英国文艺复兴时期颁布性别舞台上，莎士比亚的女性结局，写英文共和国：诗歌，修辞学和政治学1627年至1660年，对旧的新故事：在小说中，天主教和反天主教在早期现代英语文本，长子继承权和继承权在英国圣经模式：综述文学中的历史和代表，通过对小说恢复的英语内战：一个注释的参考书目，戴安娜，自我利益和英国国家身份，古人与现代人之间的古典罗马的痕迹和古典罗马：巴洛克文化在恢复英格兰，浪漫英格兰的Bacchus：1780-1830，厌恶经济学的作家和饮料：十八世纪的文学业务ritain，伪造的房子在十八世纪的英国，穿着我们的衣服，牛津伴侣的浪漫时代：英国文化，1776 - 1832，国内空间：阅读十九世纪的内部，维多利亚人理论上：从德里达到布朗，美德的年龄：英国文化从恢复到浪漫主义，悲惨的痛苦：维多利亚州的残疾和感情，妇女作家第一次世界大战：一个注释的书目，文学中的酒吧，英国工业小说，人类的缘故想要：市场苏格里希第德森市场的经济和美学。 C.，历史的研究：一个书目指南，第二版，曼彻斯特大学出版社，2000，第十四+ 140，£40.00.ParkerChristopher，历史的英语从理念到柯勒律治科林伍德，Ashgate出版社，2000，页。 VII + 244，£45.Richardsonr。 C.（ed。），英语当地历史的变化面孔，ashgate，2000，pp。viii + 218，£45.00.00.00.Parronw。 RJ（编辑），亚瑟和他的英文：亚瑟王传说中中世纪英国生活和文学，威尔士出版社，1999年大学，第398，£35.00.ComensoliViviana和RussellAnne（EDS），英国文艺复兴舞台上颁布性别，伊利诺伊大学出版社，1999，第270页，18.95英镑; SaunderseVe Rachel，在早期现代英格兰舞台上的雷切尔，性别和识字，剑桥大学出版社，1999，PP。260，£35.BerringPhilippa，莎士比亚的女性化的遗址，Routledge，1999，PP。197，£15.99 PB。 Bellilona，伊丽莎白裔女性和甲师诗歌，剑桥大学出版社，1998，PP。262，£35.00.norbrookdavid，写英国共和国：诗歌，修辞和政治1627-1660，剑桥大学出版社，1999，PP。XIII + 509 ，£40.FischHarold，对于旧的新故事：在小说，Macmillan出版社，1998年，第圣经模式X + 236，£42.50; Fischharold，Shakespeare，Milton和Blake的圣经存在，1999年，PP。Xi + 330，£45.marottiarthur F.（Ed。），天主教和早期现代英语文本，Macmillan，1999，PP的天主教和反天主教。XVII + 266，£47.50; Shellalison，天主教，争议和英国文学想象，1558-1660，剑桥大学出版社，1999，PP。XI + 309，£37.50.Jamoussizouheir，Punigoghts和Envland在英国：他们在文学中的历史和代表调查，中心出版大学，突尼斯，1999，PP。293,8 DT.Murphorn Xane C.，英语内战通过虚构的恢复：一个注释书目，格林伍德出版社，韦斯特波特，CT，CT。，2000，PP。VIII + 349，£63.95 .HammondPaul，德莱顿和古典罗马，克拉伦登出版社，牛津，1999年的痕迹，第305，£45.00.LevineJoseph M.，古人和现代人之间：巴洛克文化恢复英格兰，耶鲁大学出版社，1999，页。 XIV + 279，£27.50.50.50.5.50.Tayloranya，浪漫英格兰的Bacchus：作家和饮料，1780-1830，Macmillan，1999，PP。Xi + 264，£47.50.Mandelllaura，罕有内容：十八世纪英国的文学业务，肯塔基州大学，1999，PP。X + 228，$ 42.00.Bainespaul，在十八世纪的英国伪造之家，阿什捷，1999年，PP。第八次+ 195，£47.50.50.50.50.Munnsjessica和Richardspenny（EDS），穿着我们，纽瓦克，特拉华大学出版社，1999，PP。362，£ 37.McCalmanIain（编辑），牛津伴侣对浪漫的年龄：英国文化，1776年至1832年，牛津大学出版社，1999，页。 XII + 780，£85.Brydeninga和Floydjanet（EDS），国内空间：阅读十九世纪内部，曼彻斯特大学出版社，1999，PP。XII + 219，£40.00; KiddAlan和NichollsDavid（EDS），性别，公民文化和消费：在英国，1800年至1940年中产阶层的身份，曼彻斯特大学出版社，1999年，第十四+ 223，£46.00，PB。 14.99英镑的理论上，从Derrida到Browning，曼彻斯特大学出版社，1999年，PP。X + 180，£40.Moreedavid，富于浪漫主义，2000，2000，PP。八+ 330，£45.Klesmary，悲惨的痛苦：宾夕法尼亚大学的维多利亚州美国的残疾和感情，1999年，第211次，第一次第一次世界大战的妇女作家：一名注册参考书目，rutledge，2000，pp。230，75英镑; TyleeClaire与Turnerelaine和Cardinalagnes（EDS），战争扮演妇女：国际选集，Routledge，2000，PP。225，£16.99 PB.Taylorjohn A.，戴安娜，自身利益和英国国家身份，Praeger，2000，PP 。169，£44.95.EARNShawsteven，文学中的酒吧，曼彻斯特大学出版社，2000，PP。X + 294，£45和15.99英镑PB.Klaush。古斯塔夫和骑士。（EDS），英国工业小说，威尔士大学出版社，2000，PP。VIII + 212，£14.99 PB。 Balchjack S.，伊利诺伊大学高中中午的灯，2000年，PP。XL + 404，$ 19.45 PB。康罗伊士队，伊利诺伊大学的世界胜利，2000年，PP。XXXV + 348，17.95磅PB.Gagnierregenia，人类想要的缘故：市场学会的经济学和美学，芝加哥大学出版社，2000，PP。352，£ 10.50 PB。

Collingwood on re-enactment: Understanding in history and interpretation in art (R. G. Collingwood).

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