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首页> 外文学位 >The conceptions of freedom in contemporary Chinese and Chinese American fiction: Gish Jen, Yan Geling, Ha Jin, Maureen F. McHugh.
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The conceptions of freedom in contemporary Chinese and Chinese American fiction: Gish Jen, Yan Geling, Ha Jin, Maureen F. McHugh.

机译：当代华裔和美国华裔小说中的自由概念：詹ish仁，严格J，哈金，莫琳·麦克休。

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摘要

While Chinese are commonly characterized as "inferior" in European American fiction, exotic or socially determined in Chinese American fiction, Gish Jen, Yan Geling, Ha Jin, and Maureen F. McHugh represent Chinese and Chinese Americans as typical human beings. These writers recreate specific Chinese and Chinese American histories to explore the individual's role in intercultural, interclass, and interpersonal relations. Focusing on the link between individual behavior and social injustices and inequalities, the writer reconceptualizes the significance of individual behavior for social freedom.; In Typical American, Jen accentuates the importance of intellectual independence to personal freedom through the immigrant protagonist's worshipping of America's rugged individualism, an act as detrimental to his life as is American racism. The Chinese American adolescents in Jen's Mona in the Promised Land indiscriminately employ Western philosophies and theories of social reformation to resolve cultural and inter-personal conflicts. But the philosophies and theories are not helpful for their purposes. In Yan's Fu Sang, the mental and physical freedom enjoyed by a Chinese prostitute in San Francisco originates from her primordial mental state that makes her invulnerable to the normalized concepts of femininity and sacrifice. The lifetime inquiry of her European American boyfriend into her moral character leads to his self-knowledge. Ha Jin's characters in the Cultural Revolutionary China lose freedom not in its political supervisions but in their pursuits of the Revolutionary ideology for personal gains. McHugh's Chinese American protagonist, living in the future America as a colony of China, challenges the dominant Chinese ideology by coming to terms with his inferior Chinese American identity.; For these writers, the eradication of racism, imperialism, and totalitarianism depends on individual freedom from systemized ways of thinking and from self-centered and egotistic worldviews.
机译：华裔在欧美小说中通常被称为“劣等”，而在华裔小说中则以异国情调或社会决定性为特征，吉什·詹，颜格林，哈金和莫琳·麦克休代表着华裔和华裔美国人作为典型的人类。这些作家再现了特定的中美两国历史，以探讨个人在文化间，阶级间和人际关系中的作用。着眼于个人行为与社会不公和不平等之间的联系，作者重新概念化了个人行为对社会自由的意义。在《典型美国人》中，詹通过移民主角崇拜美国崎s的个人主义来强调知识独立对人身自由的重要性，这对他的生活和美国种族主义都是有害的。在应许之地的仁纳莫娜的华裔美国青少年不加区别地运用西方哲学和社会改革理论来解决文化和人际冲突。但是哲学和理论对他们的目的没有帮助。在严复生的作品中，旧金山的一名中国妓女享有的身心自由来自她原始的心理状态，这使她不受女性化和牺牲的正常化观念的侵害。她的欧洲男友一生对她的道德品格的询问导致了他的自知之明。哈金在“文化大革命”中的角色失去自由不是因为其政治监督，而是因为他们为了自己的利益而追求革命意识形态。麦克休的华裔美国主角生活在未来的美国作为中国的殖民地，他以劣等的华裔美国人身份来挑战华人的主要意识形态。对于这些作家而言，根除种族主义，帝国主义和极权主义，取决于个人从系统化的思维方式以及以自我为中心和利己主义的世界观中获得自由。

著录项

  • 作者

    Zhou, Yupei.;

  • 作者单位

    Kent State University.;

  • 授予单位 Kent State University.;
  • 学科 Literature Modern.; Literature Asian.; Literature American.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 246 p.
  • 总页数 246
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

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