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首页> 外文学位 >Ruined Maps: The Urban Revolution in Japanese Fiction, Documentary, and Photography of the 1960s and 1970s.
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Ruined Maps: The Urban Revolution in Japanese Fiction, Documentary, and Photography of the 1960s and 1970s.

机译：损毁的地图：1960年代和1970年代日本小说，纪录片和摄影作品中的城市革命。

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摘要

This dissertation examines a period of profound social and historical change in Japan from the vantage points of fiction, documentary, and photography during the 1960s and 70s. This dissertation provides an interdisciplinary exploration of the lived experience of Japan's Cold War urbanization as depicted in works which offer critical perspectives on the transformative possibilities of cultural practice during moments of radical change. Literary and historical accounts of Japanese cultural production during the years of "rapid economic growth" describe a decline in social and political engagement, and at the same time, the demise of literature as the privileged medium of national culture in the face of diverse new forms of visual and other media. I argue in these chapters that rather than "decline" and "demise," the definitive aspect of cultural production in these decades was a diversification of political and cultural alternatives which disclosed an uncharted topography of resistance and contested the reconstructive vision of nation-state and capital.;Chapter one outlines the magnitude of the social historical transformations wrought by Japan's urbanization and integration into the Cold War geopolitical order to outline the relationship between urban revolution and critical media practice as found in Oe Kenzaburo's 1967 novel, Silent Cry and Ogawa Productions's 1972 documentary, Sanrizuka -- Construction of Iwayama Tower. Chapter two explores the methods of counter-mapping depicted in Tsuchimoto Noriaki's 1964 documentary, On the Road: A Document and Abe Kobo's 1967 novel, Ruined Map, which contested the reconstructive vision of nation-state and capital heralded by the 1964 Tokyo Olympic spectacle. Chapter three examines photographer and critic Nakahira Takuma's engagement with the landscape to outline the intersections between the expanding urban terrain, media, and language that were mobilized in his work from 1970's For a Language to Come to 1973's Why an Illustrated Botanical Dictionary . Chapter four charts the resistant topography of exposure and exchange between polarized worlds which Nakahira excavated through his critique of Japan's homogenized social space after Okinawa's "reversion" to Japanese sovereignty in 1972.;Together, these chapters reconsider the dynamic forms of exchange between social historical transformation and cultural production which defined Japan's passage from the postwar to the contemporary periods.
机译：本文从1960年代和70年代的小说，纪录片和摄影的有利角度考察了日本一段深刻的社会和历史变革时期。本论文对日本冷战城市化的现实经验进行了跨学科的探索，其作品描绘了在急剧变化的时刻对文化实践的变革可能性提供批判性的观点。在“快速的经济增长”期间，日本文化生产的文学和历史叙述描述了社会和政治参与度的下降，与此同时，面对多种多样的新形式，文学消亡成为民族文化的特权媒介视觉和其他媒体。我在这些章节中认为，在过去的几十年中，文化生产的决定性方面不是“衰落”和“消亡”，而是政治和文化选择的多样化，它揭示了未知的抵抗地形，并质疑民族国家和民族的重建构想。第一章概述了日本城市化和融入冷战地缘政治秩序所造成的社会历史变革的规模，概述了大江健三郎（Oe Kenzaburo）1967年的小说，《无声的哭泣》（Silent Cry）和小川制作所（Ogawa Productions）的1972年发现的城市媒体与批评性媒体实践之间的关系。纪录片，三冢-岩屋大厦的建设。第二章探讨了Tsuchimoto Noriaki 1964年的纪录片《在路上：一份文件》和Abe Kobo 1967年的小说《毁灭的地图》中描述的反制图方法，该书与1964年东京奥运会引起的民族国家和首都的重建愿景相抗衡。第三章考察摄影师和评论家中平隆（Nakahira Takuma）对景观的参与，概述了他在1970年代的《为了一种语言来到1973年的为什么是植物插图词典》中动员的不断扩大的城市地形，媒体和语言之间的交集。第四章绘制了中平良在1972年冲绳“回归”日本主权后对日本同质化社会空间的批判中挖掘出的两极世界之间暴露和交流的抗力地形图；这些章节一起重新考虑了社会历史转型之间的动态交流形式​​。文化生产决定了日本从战后到当代的过渡。

著录项

  • 作者

    Prichard, Franz K.;

  • 作者单位

    University of California, Los Angeles.;

  • 授予单位 University of California, Los Angeles.;
  • 学科 Literature Asian.;Cinema.;Art Criticism.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 268 p.
  • 总页数 268
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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