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Sustained Authorship: Digital Writing, Self-Publishing, and the Ebook.

机译:持续的著作权:数字写作,自我出版和电子书。

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摘要

This dissertation is a digital ethnography that examines writing, authorship, and self-publication in an online niche market. It focuses on the writing practices that have supported the production, distribution, and sanction of thirteen ebooks self-published by online poker players. The dissertation advances an understanding of authorship as sustained interaction among writers and readers as the work of publishing becomes absorbed into online networks as literate activity. In lieu of the capital investment of publishers that produces the materiality of the book, participants in these spaces have manufactured valued texts through collective literacy practices, coming to a loose consensus on what constitutes a book, and working together to enable proprietorship over texts, even amidst environments of mass collaboration.;Working from the perspective of writing studies, the dissertation weds ethnographic data collection with grounded theory analysis to create a theory of sustained authorship, a concept that accounts for the literate activity that supports self-publishing as writers manage the production and distribution of their ebooks. The data was collected over a period of two years and includes web texts such as discussion forums, blog posts, and websites, as well as interview data from participants such as writers, editors, and contributors to the ebooks. The core of the dissertation addresses how the dynamics of digital environments manifest themselves in the composing lives of ebook authors. The first chapter provides the framework and methodology. Chapter two documents how writers manage textual production without the help of formal publishers. Chapter three argues that when writers work without recourse to law, localized intellectual property regimes surface in the literate activity that supports textual distribution. Chapter four examines peer review processes that lend credibility to ebooks, and the conclusion broadens the analysis and concentrates on the significance of self publishing for the "future of the book."
机译:本文是一种数字人种志,旨在研究在线利基市场中的写作,作者身份和自我发表。它侧重于支持在线扑克玩家自行出版的13本电子书的生产,发行和批准的写作实践。随着出版工作作为文学活动被吸收到在线网络中,论文进一步提高了对作者身份的理解,作者和读者之间的这种持续互动。代替产生书籍实质性的出版商的资本投资,这些领域的参与者通过集体扫盲实践制造了有价值的文本,对构成书籍的内容达成了宽松的共识,并共同努力实现对文本的所有权,甚至从写作研究的角度出发,本论文将人种学数据收集与扎根的理论分析结合起来,以创建一个持续的作者身份理论,该概念解释了文学活动,该活动在作家管理作家时支持自我出版。生产和发行其电子书。数据收集了两年时间,其中包括讨论论坛,博客文章和网站之类的网络文本,以及来自作家,编辑和电子书投稿人等参与者的访谈数据。论文的核心是数字环境的动态如何在电子书作者的创作生活中体现出来。第一章提供了框架和方法。第二章介绍了作家如何在没有正式出版者帮助的情况下管理文本制作。第三章认为,当作家在不诉诸法律的情况下工作时,本地化的知识产权制度就会出现在支持文本分布的文化活动中。第四章考察了同行评议过程,这些评议过程使电子书具有可信度,其结论扩大了分析范围,并集中讨论了自我出版对于“书的未来”的重要性。

著录项

  • 作者

    Laquintano, Timothy Paul.;

  • 作者单位

    The University of Wisconsin - Madison.;

  • 授予单位 The University of Wisconsin - Madison.;
  • 学科 Multimedia Communications.;Language Rhetoric and Composition.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 194 p.
  • 总页数 194
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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