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首页> 外文学位 >Romanian folkloric influences on George Enescu's artistic and musical development as exemplified by his Third Violin Sonata.
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Romanian folkloric influences on George Enescu's artistic and musical development as exemplified by his Third Violin Sonata.

机译：罗马尼亚民俗主义对乔治·埃内斯库的艺术和音乐发展的影响，以他的第三把小提琴奏鸣曲为例。

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摘要

For a long time Romania was culturally and politically isolated and the country's borders would have been closed to all but a trickle of closely monitored official delegations. Now the cultural life of Romania is flourishing once again and the rest of the world is discovering the riches it contains. Among those riches is a shining priceless diamond, an unjustly neglected treasure in the inheritance not only of Romania, but of Europe too---the music of George Enescu.; Enescu often stressed that the culture to be promoted among the broad masses should be of the highest class which would require prolonged educational work. He believed that the art for the people must precede popular art. He realized the need to gather and study popular music not as a result of pure scientific curiosity, but in direct consequence of the essence of his activities. Enescu was convicted that a thorough knowledge of the artistic wealth accumulated by the people was essential for the development of a progressive professional art. He saw in folklore, and particularly in its rural specimens, a force which could counteract the growing commercialization of the Romanian bourgeois art in the thirties. Enescu's Third Violin Sonata is a chining proof of this credo. The melodic themes he created represent an amalgamation of folk intonations generalized in his own individual manner.; Enescu chose three main elements of the Romanian folklore, and composed a unique, original work, that combined the rhythmical and intonational characteristics of the Romanian folk music with the structural features of the genre sonata. These elements are: the doina, the pastoral shepherd's song, and the dance hora. In this sonata, Enescu as an expert violinist with fine artistic taste and great ingenuity, also makes extensive use of other characteristic features of the popular interpretative tradition, such as placing the bow in various sections of a string, and expressive portamento, notes without vibrato and, finally, an increase of intonational intensity as a result of a given note being heightened or lowered in accordance with the modal structure of the music.
机译：长期以来，罗马尼亚在文化和政治上都是孤立的，该国的边界本应封闭，但只有一小部分受到严密监视的官方代表团。现在，罗马尼亚的文化生活再次蓬勃发展，世界其他地方也正在发现其中蕴藏的财富。在这些财富中，有一颗闪闪发光的无价钻石，不仅在罗马尼亚而且在欧洲的遗产中，这也是乔治·埃内斯库的音乐中不被忽视的宝藏。恩尼斯库经常强调，要在广大人民中推广的文化应是最高等级的，这需要长期的教育工作。他认为，为人民服务的艺术必须先于大众艺术。他意识到有必要收集和研究流行音乐，这并不是纯粹出于科学好奇心，而是其活动本质的直接结果。 Enescu被判有罪，认为透彻了解人民积累的艺术财富对于发展先进的专业艺术至关重要。他在民间文学艺术中，特别是在其乡村标本中看到了一种力量，该力量可以抵消罗马尼亚资产阶级艺术品在30年代的日益商业化。 Enescu的第三小提琴奏鸣曲就是这一信条的有力证明。他创作的旋律主题代表了以他自己的方式概括的民间语调的融合。 Enescu选择了罗马尼亚民俗的三个主要元素，并组成了独特的原创作品，将罗马尼亚民间音乐的节奏性和民族性特征与风格奏鸣曲的结构特征相结合。这些元素是：doina，牧羊人的歌和舞步。在这首奏鸣曲中，埃内斯库作为专业小提琴手，具有优良的艺术品味和独创性，还广泛利用了流行解释传统的其他特征，例如，将弓形置于弦的各个部分中，以及富有表现力的滑音，没有颤音的音符。最后，由于给定的音符根据音乐的模态结构而升高或降低，从而增加了国际化的强度。

著录项

  • 作者

    Zlateva, Maria Zlateva.;

  • 作者单位

    The University of Texas at Austin.;

  • 授予单位 The University of Texas at Austin.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2003
  • 页码 95 p.
  • 总页数 95
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 音乐;
  • 关键词

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