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The hieratic and the homely: Philippe Jaccottet's and Elizabeth Bishop's poetry of place.

机译：寓教于乐的家庭：菲利普·雅科特（Philippe Jaccottet）和伊丽莎白·毕晓普（Elizabeth Bishop）的诗歌。

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摘要

The Hieratic and the Homely: Philippe Jaccottet's and Elizabeth Bishop's Poetry of Place demonstrates that the postwar French and American poetry of place, represented by the work of Jaccottet and Bishop, recreates a relationship between the lyric self and the external, material world lost to post-Romantic poetry. The dissertation is based on the discovery of two intellectual sources of contemporary poetry: first, Romantic poets' inauguration of the relationship between self and nature as a major subject for all modern poetry secondly, the disintegration of this relationship manifested as a rarefied and recondite Symbolist interiority alienated from the external world. Encumbered by this Symbolist legacy, Jaccottet's and Bishop's poetic paths, which I respectively term the way of transparency and way of opacity, compose a passage from Symbolist alienation, through a willing suspension of interiority and assiduous observation of transient material phenomena, to a reintegration of the inner and outer worlds. Shunning the flight into the abstract or the absolute, this poetic reintegration relies on an appreciation of and participation in the transience, mutability, and inexhaustibility of external phenomena. As a poetry of place founded on an ethics-poetics of observation in the midst of quotidian life, Jaccottet's and Bishop's poetry is committed to the specificity of geographical places and historical circumstances, but it is also a poetry that searches for place, or le lieu, as a center, however provisional, in an age of internalized historical trauma and spiritual void. This poetry locates the true place, or vrai lieu , in a world of the mutable and the possible, not a realm of the permanent and the absolute, in which to observe, meditate, and act.
机译：教养家常：菲利普·雅科特和伊丽莎白·毕晓普的《地方诗歌》表明，以雅科特和毕晓普的作品为代表的战后法国和美国地方诗歌再现了抒情自我与失去的外部物质世界之间的关系。 -浪漫主义诗歌。本文是基于发现当代诗歌的两个知识渊源：首先，浪漫主义诗人就自我与自然之间的关系开创了所有现代诗歌的主要主题；其次，这种关系的瓦解表现为一种稀有的和重新确立的象征主义。内在性与外部世界疏远。雅克科特和毕晓普的诗意之路被象征主义的传统所充斥，我分别称其为透明性和不透明性，构成了从象征主义异化，通过内在的中止和对瞬时物质现象的刻苦观察到重新整合的通道。内部世界和外部世界。这种诗意的重新融合避免了对抽象或绝对的逃避，它依赖于对外部现象的短暂性，可变性和无穷无尽的欣赏和参与。雅各布和毕晓普的诗歌是在quotidian生活中建立于伦理学-诗学基础上的地方诗歌，它致力于地理和历史环境的特殊性，但它也是一种寻找地方或le lieu的诗歌。在一个内部历史创伤和精神空虚的时代，作为中心，无论是临时的。这首诗在一个可变的世界和可能的世界中定位了真实的地方，而不是在其中进行观察，冥想和行动的永久和绝对世界。

著录项

  • 作者

    Su, Weixing.;

  • 作者单位

    Rutgers The State University of New Jersey - New Brunswick.;

  • 授予单位 Rutgers The State University of New Jersey - New Brunswick.;
  • 学科 Literature Comparative.Literature American.Literature Romance.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 318 p.
  • 总页数 318
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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