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首页> 外文学位 >Carnivalizing Sinai A Bakhtinian reading of Exodus 32.
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Carnivalizing Sinai A Bakhtinian reading of Exodus 32.

机译：狂欢的西奈半岛巴赫丁语的出埃及记32。

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摘要

The story of the golden calf in Exodus 32 bewilders and bewitches. With fast paced episodes, inverted characterizations, mayhem, laughter, and improbable violence, this topsy-turvy tale of a community's response to trauma suddenly interrupts a long stretch of priestly text detailing instructions for building a tabernacle and ordaining a priesthood. Traditional readings of the story foreground the people's sin of idolatry which occasions the wrath and forgiveness of their deity YHWH. However, the laughter in the story-world and the narrative's inverted characterizations suggest the potential for alternative readings. Applying Henri Bergson's theory of laughter and Mikhail Bakhtin's literary concepts of polyphony and carnival to Exodus 32 reveals that the story bears the marks of comedy and a literary carnival. Bergson's premise for comedy, "something mechanical encrusted on the living," illuminates how a formal priestly structure that denies the vitality of the body sets up a comic situation. As the story of the calf interrupts a serious priestly landscape that is anxious about the body, the tension inherent in its system of regulations resolves into a comic story about people, priests, a mediator, and a deity whose bodies have been set free and are now caught up in the joyful relativity of all things that is carnival. Through applying Bakhtin's literary notion of polyphony to the literary landscape of Exodus 20-40, we see that the intrusion of carnival into the priestly world of laws upends its serious and hierarchical nature and creates polyphony. In this polyphonic space, two unmerged voices, one priestly the other story, move in counterpoint to each other as together they explore the idea of the special YHWH-human relationship. In reading Exodus 20-40 polyphonically, we experience a literary carnival that continues to turn an isolated priestly world inside out thereby opening up new vistas for exploring the nature of the human-divine relationship. Carnivalizing Sinai provides insights into the relationship between comedy, carnival, and trauma and how the Bible reflects on approaches to the human-divine relationship that attempt to control the vibrancy and unpredictability of human experience. For every law, there is a calf.
机译：出埃及记32中的金牛犊的故事使人迷惑不解。伴随着快节奏的情节，倒置的性格特征，混乱，笑声和难以置信的暴力，这个关于社区对创伤反应的麻木怪异的故事突然打断了长长的牧师文字，详细说明了建造帐幕和任命圣职的指示。传统的故事读法凸显了人们对偶像崇拜的罪过，这使他们的神灵YHWH愤怒与宽恕。然而，故事世界的笑声和叙述的倒置特征暗示了替代阅读的潜力。将亨利·柏格森的笑声理论和米哈伊尔·巴赫金的复调与狂欢节文学概念运用到出埃及记32中，可以发现这个故事带有喜剧和文学狂欢节的印记。伯格森喜剧的前提是“某种机械性地包裹在生活上的东西”，阐明了否认身体活力的正式牧师结构如何构成喜剧情境。当小牛的故事打断了一个严重的祭祀活动，使人担心身体时，其规章制度内在的紧张关系化为一个漫画故事，讲述了人们，牧师，调解人和神灵的尸体已被释放并被释放。现在正陷入狂欢节所有事物的欢乐相对之中。通过将巴赫金的复调文学概念应用到出埃及记20-40的文学景观中，我们可以看到狂欢节对祭司法律世界的入侵颠覆了它的严肃和等级性，并创造了复调。在这个复音空间中，两个未合并的声音（一个是祭司的另一个故事）彼此对立，因为他们一起探索了特殊的YHWH人与人之间的关系。在复读出埃及记20-40时，我们经历了一场文学狂欢节，该狂欢节不断地将一个孤立的牧师世界翻出来，从而为探索人与神之间关系的本质开辟了新的前景。狂欢的西奈半岛提供有关喜剧，狂欢节和创伤之间关系的见解，以及圣经如何反映人与人之间关系的方法，这些方法试图控制人类经历的活力和不可预测性。对于每条法律，都有一头小牛。

著录项

  • 作者

    Rix, Charles M.;

  • 作者单位

    Drew University.;

  • 授予单位 Drew University.;
  • 学科 Religion Biblical Studies.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 189 p.
  • 总页数 189
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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