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Successful stage directors: Journeys in talent development and creative process.

机译:成功的舞台导演:人才开发和创作过程中的旅程。

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摘要

Talent development and creativity have been topics of interest to researchers, yet few studies have investigated the performing arts, and still fewer have examined talent development and creativity in the stage director. This mixed methods study examined the role of the stage director's journey to a place of distinction in the field, and his/her approach to the creative process in the performing arts. Research literature from the study of talent development, creativity, and theatre studies provided theoretical background for this investigation.;A questionnaire was completed by 71 stage directors who have achieved acclaim in recognized venues, gathering information related to demographics, family background, educational and early theatre experiences, personality traits, and perceived obstacles to advancement in the career. The respondents ranged in age from 27--72 with an average age of 51. Twice as many males responded as females. The respondents had achieved high levels of education and reported having received strong parental support and encouragement for their interest in theatre. Most began in acting, but found that they were better suited to directing early in their careers.;Seven directors were chosen through purposive sampling for in-depth interviews and observations of rehearsals and performances providing data for a multiple case study. Qualitative data analysis techniques were used to determine categories in creative process of performance and creative leadership encompassing five stages: personal traits, conditions nurturing development, solitary preparation, collaborative preparation, and transformation and transcendence achieved through the creative product. Achievement in the field of theatre requires continued perseverance despite obstacles such as financial pressure and family obligations. Implications are suggested for those working with talented student performers as well as those in mentorship, teaching, or leadership roles.
机译:人才发展和创造力一直是研究人员关注的话题,但很少有研究调查表演艺术,而在舞台导演中研究人才发展和创造力的研究也很少。这项混合方法的研究考察了舞台导演前往该领域的重要地位的作用,以及他/她对表演艺术创作过程的态度。来自人才发展,创造力和戏剧研究的研究文献为该调查提供了理论背景。;由71位舞台导演完成了问卷调查,这些导演在公认的场所获得了好评,收集了有关人口统计,家庭背景,教育程度和早期的信息。剧院经验,个性特征和职业发展障碍。受访者的年龄介于27-72岁之间,平均年龄为51岁。男性的回应率是女性的两倍。受访者接受了较高的教育,并报告说他们对剧院的兴趣得到了父母的大力支持和鼓励。大多数人是从演戏开始的,但发现他们更适合在职业生涯的早期进行导演。;通过有目的的抽样选择了七名导演进行深入的访谈和对彩排和表演的观察,从而为多案例研究提供数据。定性数据分析技术用于确定绩效和创造性领导力的创造过程中的类别,包括五个阶段:个人特征,培养发展的条件,单独准备,协作准备以及通过创造产品实现的转变和超越。尽管有经济压力和家庭责任等障碍,戏剧领域的成就仍需要坚持不懈。建议对那些与优秀学生表演者一起工作的人以及在指导,教学或领导角色中的人意味着影响。

著录项

  • 作者

    Berman, Kristin Beall.;

  • 作者单位

    University of Connecticut.;

  • 授予单位 University of Connecticut.;
  • 学科 Educational psychology.;Theater.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 165 p.
  • 总页数 165
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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