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Jean-Blaise Martin and the opera-comique: A studyof selected airs sung by the original baryton Martin.

机译：吉恩·布莱斯·马丁（Jean-Blaise Martin）和歌剧明星：对原先的巴里顿·马丁（Baryton Martin）演唱的精选音乐进行研究。

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摘要

(Nicolas) Jean-Blaise Martin (1768--1837) created numerous roles in operas-comiques by many of the most notable composers in Paris spanning the periods of the French Revolution, Consulate, Empire, and Restoration in a stage career that endured from 1789 to 1834. The outgrowth of his popularity was the creation of the voice type named for him, the baryton Martin, which at first represented the roles for which he was known, but later was developed by numerous French composers who expanded the high lyric baritone repertoire, including Bizet and Ravel.;A discussion of the life of Martin is followed by more specific chapters discussing his voice and select roles sung by him. Works discussed include Les Visitandines (1792) by Francois Devienne, Joconde (1814) by Nicolo Isouard, Les Voitures versees (1808/1820) by Francois-Adrien Boieldieu, and Les Souvenirs de Lafleur (1833) by Fromental Halevy.;The voice of Martin is described as to range, weight and timbre, as well as vocal characteristics that were identified with him, including his famous use of fioratura, the use of head voice for passages extending up into the tenor range, "patter" singing, and a frequent use of wide leaps. In addition, reviews are cited later in Martin's career to illuminate his vocal condition at the end of his career.;Each opera-comique is discussed regarding the composer, the librettist(s), the work, including a brief plot summary, as well as a more specific discussion of one air from each that was sung by Martin. Various observations of these airs will attempt to give a more complete picture of the artist and singer.;A brief discussion detailing the baryton Martin throughout the century will follow the summary of the document, and will detail singers of this voice type and roles written for them.;The career of Martin is detailed in an appendix that lists many works in which the baritone sang, with pertinent information as available, as well as a listing of the theaters in which be performed.
机译：尼古拉斯·让·布赖斯·马丁（Jean-Blaise Martin，1768--1837）在巴黎的许多最著名的作曲家的歌剧表演中都扮演了许多角色，跨越了法国大革命，领事馆，帝国主义和恢复时期， 1789年至1834年。他的受欢迎程度是创建了一种以他命名的配音类型，巴里顿·马丁（Baryton Martin），起初代表他所熟知的角色，但后来由众多法国作曲家开发，扩展了高抒情男中音。包括Bizet和Ravel在内的所有曲目。在讨论Martin的生活之后，有更具体的章节讨论了他的声音和他所唱的角色。讨论的作品包括Francois Devienne的Les Visitandines（1792），Nicolo Isouard的Joconde（1814），Francois-Adrien Boieldieu的Les Voitures verses（1808/1820）和Fromental Halevy的Les Souvenirs de Lafleur（1833）。马丁描述了他的音域，体重和音色，以及与他一起辨认出的声音特征，包括他著名的fioratura用法，使用头部声音扩展到中音范围，“ p啪”唱歌和经常使用大跃进。此外，马丁的职业生涯后期还会引用评论，以阐明他职业生涯结束时的嗓音状况。讨论每种歌剧喜剧有关作曲家，自由作家，作品的内容，包括简短的情节摘要。更具体地讨论了马丁演唱的每一种空气。对这些声音的各种观察将试图给出艺术家和歌手的更完整的图片。该文件的摘要将详细介绍整个世纪的巴里顿·马丁，并详细介绍这种声音类型的歌手和为附录详细列出了马丁的职业生涯，其中列出了男中音演唱的许多作品，并提供了相关信息，以及执行剧院的清单。

著录项

  • 作者

    Weidlich, Richard Hartley.;

  • 作者单位

    The University of Arizona.;

  • 授予单位 The University of Arizona.;
  • 学科 Music.;Biographies.
  • 学位 D.M.A.
  • 年度 2002
  • 页码 191 p.
  • 总页数 191
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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