• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文学位 >Eroticizing aggression: Power, pleasure, and modernist representation (D. H. Lawrence, Dorothy Sayers, E. M. Forster, Virginia Woolf, William Faulkner, Zora Neale Hurston).
【24h】

Eroticizing aggression: Power, pleasure, and modernist representation (D. H. Lawrence, Dorothy Sayers, E. M. Forster, Virginia Woolf, William Faulkner, Zora Neale Hurston).

机译：色情侵略：力量，愉悦和现代主义代表（D. H. Lawrence，Dorothy Sayers，E。M. Forster，Virginia Woolf，William Faulkner和Zora Neale Hurston）。

获取原文
获取原文并翻译 | 示例
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

The linkage of eroticism and aggression comprises a crucial dynamic in the modernist representation of individual agency and social power that has not yet been recognized in its full force in criticism to date; eroticized violence serves not only as a means of limiting individual agency, but also as a means of destabilizing the categories of identity upon which social hierarchies depend. Both through innovations in narrative form that enact a dynamics of erotic aggression and through narrative representations of sexualized violence, the canonical and non-canonical British and American texts included in this project reveal the complex interrelationship between erotic pleasure and the threat of danger that mediates the individual subject's relation to surrounding social forces of power.; In my introduction, I analyze the various social and historical factors render modernist fiction unique in its representation of erotic aggression, as well as introduce the theories of power and subjectivity that inform my analysis. Chapter two analyzes the displacement of homoerotic repression and gender anxiety onto acts of erotic aggression in D. H. Lawrence's Women in Love and Dorothy Sayers' Gaudy Night. In chapter three, I argue that the fantasies of erotic violence in E. M. Forster's A Passage to India and Virginia Woolf's The Voyage Out work to expose early twentieth-century constructions of gender, sexual, and national identity. Chapter four explores the mythos of sexual violence and racial identity that is confronted in two regional novels of the American South: William Faulkner's Sanctuary and Zora Neale Hurston's Their Eyes Were Watching God. This project aims foremost to suggest new insight into the cultural politics and narrative poetics underlying the unprecedented eruption of erotic aggression in British and American modernism; it will also posit how such insights may contribute to a better understanding of the contemporary debates over representations of sexuality and violence and their impact on concepts of identity.
机译：色情和侵略之间的联系包括个人代理和社会权力的现代主义表现形式中的一个关键动力，这一点至今尚未得到充分的批判。色情暴力不仅是限制个人代理的手段，而且是使社会等级制度所依赖的身份类别不稳定的一种手段。既通过叙事形式的创新实现了色情侵略的动力，又通过对性暴力的叙事表示，该项目中包括的规范性和非规范性英美文本均揭示了色情愉悦与介导人类的危险威胁之间复杂的相互关系。个人主体与周围社会力量的关系。在我的简介中，我分析了使现代主义小说在色情侵略中具有独特性的各种社会和历史因素，并介绍了有助于我的分析的权力和主观性理论。第二章分析了D.H.劳伦斯的恋爱中的女人和Dorothy Sayers的高迪之夜中的同性抑制和性别焦虑对色情攻击行为的替代作用。在第三章中，我认为EM Forster的印度之行和Virginia Woolf的 The Voyage Out 中色情暴力的幻想揭示了20世纪早期的性别结构，性和民族认同。第四章探讨了美国南方的两部地区小说所面临的性暴力和种族认同的神话：威廉·福克纳的《斜体》，《斜体》和佐拉·尼尔·赫斯顿的《斜体他们的眼睛在看着上帝》。该项目的主要目的是为英美现代主义史无前例的色情侵略爆发背后的文化政治和叙事诗学提供新见解；它还将提出这样的见解如何有助于更好地理解当代关于性和暴力表征及其对身份概念的影响的辩论。

著录项

  • 作者

    McFadden, Marya Erin.;

  • 作者单位

    University of Southern California.;

  • 授予单位 University of Southern California.;
  • 学科 Literature Comparative.; Literature English.; Literature American.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 250 p.
  • 总页数 250
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;
  • 关键词

相似文献

  • 外文文献
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号