th century led to an abundance of women's publications. The seventies and eighties in particular saw a subs'/> Die fragwuerdige Zuweisung muetterlicher Schuld in der deutschsprachigen 'Muetterliteratur' der siebziger and achtziger Jahre (German text, Elfriede Jelinek, Gabriele Wohmann, Ingeborg Drewitz, Waltraud Anna Mitgutsch, Austria).
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首页> 外文学位 >Die fragwuerdige Zuweisung muetterlicher Schuld in der deutschsprachigen 'Muetterliteratur' der siebziger and achtziger Jahre (German text, Elfriede Jelinek, Gabriele Wohmann, Ingeborg Drewitz, Waltraud Anna Mitgutsch, Austria).
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Die fragwuerdige Zuweisung muetterlicher Schuld in der deutschsprachigen 'Muetterliteratur' der siebziger and achtziger Jahre (German text, Elfriede Jelinek, Gabriele Wohmann, Ingeborg Drewitz, Waltraud Anna Mitgutsch, Austria).

机译：七十年代和八十年代的德语“母亲文学”中对母亲的内感的归属存在疑问（德国文字，埃尔弗里德·耶利内克，加布里埃莱·沃曼，英格堡·德鲁维茨，瓦尔特洛德·安娜·米特古奇，奥地利）。

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摘要

The emancipatory efforts of the women's movement in the second half of the 20th century led to an abundance of women's publications. The seventies and eighties in particular saw a substantial rise in autobiographies and novels that thematized personal experiences. In particular the female authors took issue with their traditional roles as women and mothers. While they questioned both paternal and maternal authority, the mother was almost always blamed for her daughter's suffering and failure.; The mothers in this thesis are no exception. I will show that they not only blame themselves and are blamed by their daughters, but that they are also scapegoated because they do not fit the ideal of the “good” mother. Although there are differences in the depiction of these mothers and their relationships with their daughters—depending very much on the narrator's perspective—the lack of compassion for the mother's plight is often quite obvious, and it seems that, no matter what she can not do anything right. The tyrannical Mrs. Kohut in Elfriede Jelinek's Die Klavierspielerin smothers her 36-year-old daughter Erika and is blamed for Erika's masochistic and voyeuristic tendencies. The weak and lonely mother in Gabriele Wohmann's Ausflug mit der Mutter is looked down upon by her independent and successful daughter who despises her mother's neediness and lack of independence, and distances herself for fear of becoming like her. The mother in Ingeborg Drewitz' Eis auf der Elbe explores her responsibility for her daughters' fate by telling the story of her failed marriage. And last but not least, the mothers in Waltraud Anna Mitgutsch's novel Die Züchtigung exemplify the vicious cycle of abused daughters turning into abusing mothers.
机译：在20世纪下半叶，妇女运动的解放努力导致大量妇女出版物。尤其是七十年代和八十年代，以个人经历为主题的自传和小说大幅度增长。特别是女性作家对她们作为妇女和母亲的传统角色持怀疑态度。当他们质疑父亲和母亲的权威时，几乎总是把母亲归咎于女儿的痛苦和失败。本文的母亲们也不例外。我将表明，他们不仅责备自己，被女儿责备，而且因为他们不适合“好”母亲的理想而被替代。尽管对这些母亲的描述及其与女儿之间的关系存在差异（很大程度上取决于叙述者的观点），但对母亲的困境缺乏同情心是很明显的，而且似乎无论她做什么都无法做没事。 Elfriede Jelinek的 Die Klavierspielerin 中暴躁的Kohut女士窒息了她36岁的女儿Erika，并因Erika的自虐和偷窥倾向而受到指责。 Gabriele Wohmann Ausflug mit der Mutter 这位脆弱而孤独的母亲被她独立而成功的女儿所鄙视，她鄙视母亲的需要和缺乏独立性，并因为害怕变得像她而疏远了自己。英格堡·德鲁维茨（Ingeborg Drewitz）的《斜体》（Eis auf der Elbe DieZüchtigung中的母亲体现了受虐待的女儿变成虐待母亲的恶性循环。

著录项

  • 作者

    Haelssig, Karin.;

  • 作者单位

    Queen's University at Kingston (Canada).;

  • 授予单位 Queen's University at Kingston (Canada).;
  • 学科 Literature Germanic.
  • 学位 M.A.
  • 年度 2001
  • 页码 108 p.
  • 总页数 108
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I516;
  • 关键词

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