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首页> 外文学位 >Spektakel und Spekulation: Walter Benjamins Pariser Passagen und die Geburt des modernen Kapitalismus aus dem Gieste des Spiels.
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Spektakel und Spekulation: Walter Benjamins Pariser Passagen und die Geburt des modernen Kapitalismus aus dem Gieste des Spiels.

机译：奇观与猜测：沃尔特·本杰明（Walter Benjamin）的巴黎段落和现代资本主义的诞生，源于游戏的吉斯特（Gieste）。

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摘要

This thesis examines Walter Benjamin's lifelong fascination with various concepts of play and the type of the gambler. It shows that Benjamin was equally interested in aleatoric forms of play, such as gambling, and in mimetic forms of play, such as children's play, when he started working on the Arcades Project in 1927. In his attempt to analyze the origins of the modern in nineteenth-century Paris, Benjamin established the gambler/player as one of the emblematic figures of the era. Eventually, the gambler was to become as important as the notorious flaneur for the conception of the Arcades Project. For Benjamin, gambling was one of the most significant phenomenona of the nineteenth century. In Paris this became particularly manifest in the Palais-Royal, which is also where the first arcade was built. The thesis shows how the different forms of play, the aleatoric and the mimetic, are closely connected to the history of the arcades and how these forms of play were constitutive to the creation of what Benjamin called the "phantasmagoric context."; Benjamin planned to include a history of gambling in the Arcades Project and it is this history that this thesis will partially reconstruct, partially rewrite. The thesis reconstructs the history of gambling on the basis of Benjamin's own excerpts and rewrites it on the basis of additional research. I examine Benjamin's hypothesis that by the middle of the nineteenth century people's fascination with gambling shifted to the emerging stock market. As I will show, at the same time the public moralist discourse against gambling developed more and more into a discourse against speculation. While these aleatoric forms of play grew more and more popular, theatrical forms of play became an increasingly visible factor in everyday life. Again, the arcades were the urban setting where these forms of play could be practiced and observed. It is in this context, where phantasmagoria established itself as reality, that the player emerged as the proto-type of the modern individual.
机译：本文研究了沃尔特·本杰明（Walter Benjamin）对游戏的各种概念和赌徒类型的终生痴迷。它表明，本杰明（Benjamin）在1927年开始从事Arcades Project时，同样对赌博等模仿性游戏形式以及对诸如儿童游戏之类的模仿游戏形式同样感兴趣。他试图分析现代游戏的起源在19世纪的巴黎，本杰明（Benjamin）将赌徒/玩家确立为该时代的标志人物之一。最终，赌徒变得与为Arcades项目构想而臭名昭著的flaneur一样重要。对于本杰明来说，赌博是19世纪最重要的现象之一。在巴黎，这在皇家宫殿（Palais-Royal）中尤为明显，皇家宫殿也是建造第一座拱廊的地方。本文论证了无意识的游戏形式和模仿游戏如何与拱廊的历史紧密联系，以及这些游戏形式如何构成本雅明所谓的“幻象情境”。本杰明计划在Arcades项目中纳入赌博历史，因此本文将对此进行部分重构，部分重写。本文根据本杰明自己的摘录重新构建了赌博的历史，并在进一步研究的基础上对其进行了改写。我考察了本杰明的假设，即到19世纪中叶，人们对赌博的迷恋已经转移到新兴的股票市场。正如我将要展示的，与此同时，公众道德主义关于赌博的论述越来越多地发展成一种关于投机的论述。当这些无味的游戏形式变得越来越流行时，戏剧性的游戏形式已成为日常生活中越来越明显的因素。同样，拱廊是可以实践和观察这些游戏形式的城市环境。正是在这种情况下，幻象学家将自己确立为现实，玩家成为了现代个体的原型。

著录项

  • 作者

    Lehnartz, Sascha Archibald.;

  • 作者单位

    Columbia University.;

  • 授予单位 Columbia University.;
  • 学科 Literature Comparative.; Literature Germanic.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 556 p.
  • 总页数 556
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;
  • 关键词

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