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首页> 外文学位 >A religious poetics in contemporary American poetry: Resituating notions of God, the Other, the world, and the self in the Christian faith.
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A religious poetics in contemporary American poetry: Resituating notions of God, the Other, the world, and the self in the Christian faith.

机译：当代美国诗歌中的一种宗教诗学：在基督教信仰中重建上帝，他人，世界和自我的观念。

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摘要

In an age of uncertainty, often characterized as postmodern, one may wonder what contemporary religious poetry might look like, how it might reflect literature of the past and how it might contain nuances unlike religious writing from any other period. In the late twentieth century and up to the present day, a religious poetics of the Christian faith in American poetry is enriched and enlightened by transformative conversations on notions of God, the Other, the world, and the self; furthermore, this poetry contributes to contemporary conversations in ways that challenge and resituate such notions within the Christian faith. In light of much contemporary critique of the notion of selfhood, the poetry in this study suggests resituations of selfhood and Otherness. The poetry asserts a self that is realizable in one's relationship with the divine, which culminates simultaneously in a union with the divine and one's ethical response to the Other. In this study that pays close attention to grace and ethics, gender, and dialogue with the Holy Other, there is a gathering of metaphors of a religious and ethical nature which can speak to the postmodern condition in ways that affirm, value, and critique primarily the religious traditions of Christianity. Maya Angelou, Wendell Berry, John Berryman, Lucille Clifton, Maura Eichner, Louise Erdrich, Jane Kenyon, Robert Lax, Denise Levertov, Marilyn Nelson, Kathleen Norris, Anne Sexton, William Stafford, Alice Walker, Robert Penn Warren, and Richard Wilbur provide insights for how religious faiths can be valued in today's societies and viewed as significant elements of change in the world.; This study focuses on a thematic religious poetics (often illustrated through close readings of the poetry) that is prevalent in contemporary American poetry. Various literary critics discuss religious poetics at the level of individual poets; however, no critic in print focuses on religious poetics as a predominant theme (intersecting with Christianity or otherwise) in contemporary American poetry. This dissertation enacts readings informed by contemporary literary theory, Christian thought, theology, philosophy, feminism, womanism, multiculturalism, as well as historical, material, social, and cultural contexts, primarily in relation to poststructuralism and postmodernity.
机译：在一个不确定的时代，通常被称为后现代时代，人们可能想知道当代宗教诗歌可能是什么样，它可能如何反映过去的文学作品，以及它可能包含不同于其他任何时期的宗教作品的细微差别。在二十世纪后期直到今天，关于上帝，他人，世界和自我的观念的对话性对话丰富了基督教对美国诗歌信仰的宗教诗学，并为之启迪。此外，这首诗以挑战和重新定位基督教信仰中的观念的方式，为当代对话做出了贡献。鉴于当代对自我概念的批判，本研究中的诗歌暗示了自我和他人性的恢复。诗歌主张一种自我，这种自我可以在与神的关系中实现，并在与神的结合以及一个人对他人的伦理回应的同时达到顶点。在本研究中，我们密切关注恩典和伦理，性别以及与圣者的对话，该研究收集了一些具有宗教和伦理性质的隐喻，这些隐喻可以以肯定，重视和批判的方式对后现代环境进行演说。基督教的宗教传统。 Maya Angelou，Wendell Berry，John Berryman，Lucille Clifton，Maura Eichner，Louise Erdrich，Jane Kenyon，Robert Lax，Denise Levertov，Marilyn Nelson，Kathleen Norris，Anne Sexton，William Stafford，Alice Walker，Robert Penn Warren和Richard Wilbur提供关于如何在当今社会重视宗教信仰并将其视为世界变化的重要因素的见解；这项研究的重点是当代美国诗歌中普遍存在的主题宗教诗学（通常通过对诗歌的细读来说明）。各种各样的文学评论家从个人诗人的角度讨论宗教诗学。然而，没有印刷评论家把宗教诗学作为当代美国诗歌的主要主题（与基督教或其他方面相交）。这篇论文主要通过与后结构主义和后现代性有关的当代文学理论，基督教思想，神学，哲学，女权主义，女性主义，多元文化主义以及历史，物质，社会和文化背景来进行阅读。

著录项

  • 作者

    Mizingou, Jeannine Nicole.;

  • 作者单位

    Duquesne University.;

  • 授予单位 Duquesne University.;
  • 学科 Literature American.; Religion General.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 229 p.
  • 总页数 229
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 宗教;
  • 关键词

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