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>The role of language in the construction of identity and the Swiss crime novel in Friedrich Glauser's 'Gourrama', 'Der Tee der drei alten Damen' and 'Schlumpf Erwin Mord'.
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The role of language in the construction of identity and the Swiss crime novel in Friedrich Glauser's 'Gourrama', 'Der Tee der drei alten Damen' and 'Schlumpf Erwin Mord'.
Friedrich Glauser (1896–1938), a German-speaking Swiss author prolific in the 1920s and 1930s, is best known for his protagonist of five crime novels, Wachtmeister Studer. In this project, I consider the role that language plays in multilingual societies and their popular productions in the first novel to feature Wachtmeister Studer, Schlumpf Erwin Mord (Erwin Schlumpf, Murder), and in Glauser's two earlier novels, Gourrama and Der Tee der drei alten Damen (The Three Old Ladies' Tea). I demonstrate here that Glauser's language choice cannot be reduced to expressions of local color, the simple dichotomy of familiar versus foreign or a rejection of one political system over another. Rather, characters engage in performances of language, such as storytelling and translation, as part of their effort to construct identity within their multilingual communities. On a generic level, these explorations of language use challenge the boundaries of the popular forms in which Glauser wrote, the novel of the French Foreign Legion ( Legionsroman) and the crime novel (Kriminalroman).; The cultural and political context in which Glauser was writing similarly influenced what linguistic choices this author made and how his works were then read. In the 1930s, a Swiss dialect literature (Mundartliteratur ) was also gaining a foothold amidst an increasingly conservative cultural atmosphere. Despite inclinations in the media toward associating Glauser with such popular forms of regional literature, Glauser's presentation of language use extends beyond the nostalgic and patriotic use of dialect typical of contemporary Swiss dialect literature, highlighting instead individual performance of Swiss diglossia. Looking at the representation of Schlumpf Erwin Mord as diglossic and therefore itself a performance of the linguistic situation in Switzerland, I argue for a connection between Glauser's construction of linguistic authenticity and Jeremias Gotthelf's almost a century before him. Returning to a presentation of language as part of the performance of identity similar to that in Gourrama, Glauser moreover creates a national hero in his Wachtmeister Studer by depicting a linguistic landscape with which the Swiss reader could identify.
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机译：弗里德里希·格拉瑟（Friedrich Glauser，1896–1938年）是德国德语作家，在1920年代和1930年代多产，他以五本犯罪小说的主人翁瓦特迈斯特·斯图德（Wachtmeister Studer）而著称。在这个项目中，我考虑了语言在多语言社会中的角色及其流行作品中的第一本以Wachtmeister Studer， Schlumpf Erwin Mord （ Erwin Schlumpf，Murder ）为特色的小说，以及格拉瑟（Glauser）的前两部小说中， Gourrama 和 Der Tee der drei alten Damen （三个老妇人的茶）。我在这里证明，格拉瑟的语言选择不能局限于当地色彩的表达，熟悉与外国的简单二分法或对一种政治制度的反对。相反，角色会参与多种语言表演，例如讲故事和翻译，这是他们在多语言社区中树立身份的努力的一部分。从总体上讲，这些语言使用的探索挑战了格拉瑟（Glauser）所写的流行形式，法国外国军团小说（ Legionsroman ）和犯罪小说（ Kriminalroman ）。格拉瑟写作时所处的文化和政治环境同样影响了作者的语言选择以及他的作品的阅读方式。在1930年代，在日益保守的文化氛围中，瑞士方言文学（ Mundartliteratur ）也获得了立足点。尽管媒体倾向于将格劳瑟与这种流行的地区文学形式联系起来，但格劳瑟对语言使用的介绍超出了当代瑞士方言文学典型的方言的怀旧和爱国主义使用，而是强调了瑞士文摘的个人表现。鉴于 Schlumpf Erwin Mord 的代表是消化不良的内容，因此它本身就是瑞士语言状况的表现，我主张说Glauser的语言真实性建构与Jeremias Gotthelf距他将近一个世纪之间存在联系。作为身份表现的一部分，语言的表达与《意大利古尔拉玛》（Gourrama
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