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首页> 外文学位 >Two selected works for solo trumpet commissioned by the International Trumpet Guild: A structural and performance analysis with a history of the commission project, with three recitals of selected works by Arutunian, Haydn, Fasch, Chaynes and others.
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Two selected works for solo trumpet commissioned by the International Trumpet Guild: A structural and performance analysis with a history of the commission project, with three recitals of selected works by Arutunian, Haydn, Fasch, Chaynes and others.

机译：国际小号协会委托的两支小号作品入选：具有委托项目历史的结构和性能分析，其中三篇是阿鲁图尼安，海顿，法施，Chaynes等人的独奏作品。

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摘要

An historical overview of the ITG commission project is presented, as well an analysis of formal organization and significant features for two of the commissioned works: Sonata for Trumpet and Piano by Norman Dello Joio and Sonata for Trumpet and Piano by Eric Ewazen. Complete histories of all works and information concerning their premieres is chronicled. The degree of difficulty of each composition is assessed through an investigation of tessitura, range, melodic contour, endurance factors, articulation, fingerings, and technical features of the accompaniment (when applicable). Analysis of tempi and dynamics, articulation and phrasing, and timbral considerations provides additional points of study.;The thirteen commissioned solo works from 1978 to 1993 are: Sonata for Trumpet and Piano by Norman Dello Joio, Concerto for Trumpet and Wind Orchestra by Bernhard Heiden, Laude by Stan Friedman, Concerto for Trumpet and Strings by Raymond Premru, Chamber Music VII: Ceremonies and Chamber Music VIII by Robert Suderburg, Sonata for Trumpet and Piano by Fisher Tull, Concerto for Trumpet and Orchestra by William Schmidt, Concerto for Trumpet and Wind Ensemble by Jan Bach, Arioso for Trumpet and Woodwind Quintet by Jerzy Sapieyevsky, Invocation of Orpheus by Robert X. Rodriguez, Triptych by David Sampson, and Sonata for Trumpet and Piano by Eric Ewazen.;The importance of these works and their impact on the trumpet repertoire is assessed. Possible reasons for the acceptance of some of these works by trumpeters versus the lack of acceptance of the others are proposed. Through interviews with some of the composers, analyses of the compositions and a comparative survey of performance programs by members of the International Trumpet Guild, conclusions regarding the effectiveness of the commissioning project and its future are drawn.
机译：介绍了ITG委托项目的历史概况，并分析了其中两项委托作品的正式组织和重要特征：诺曼·德洛·乔约（Norman Dello Joio）的《小号奏鸣曲》和钢琴的奏鸣曲，以及埃里克·埃瓦森的《小号奏鸣曲》和钢琴的奏鸣曲。记录了所有作品的完整历史以及有关首映的信息。通过调查tessitura，范围，旋律轮廓，耐力因素，发音，指法和伴奏的技术特征（如果适用）来评估每种组合物的难度。对节奏和动力学，发音和短语的分析以及音色方面的考虑提供了更多的研究要点。1978年至1993年间创作的十三首独奏作品是：诺曼·德洛·乔奥（Norman Dello Joio）的小号和钢琴奏鸣曲，伯纳德·海登（Berhard Heiden）的小号和管弦乐队协奏曲，斯坦·弗里德曼（Stan Friedman）的劳德（Lude），雷蒙德·普雷姆鲁（Raymond Premru）的小号和弦协奏曲，罗伯特·苏德堡（Robert Suderburg）的室内乐VII：仪式和室内乐VIII，费舍尔·图尔（Fisher Tull）的小号奏鸣曲和钢琴，威廉·施密特（William Schmidt）的小号和管弦乐队协奏曲，小号和扬·巴赫（Jan Bach）的《风乐合奏》，小号的阿里奥索（Arioso）和耶尔·萨皮耶夫斯基（Jerzy Sapieyevsky）的《木管五重奏》，罗伯特·罗德里格斯（Robert X. Rodriguez）的《奥菲斯的调用》，大卫·桑普森（David Sampson）的三联画和埃里克·埃瓦森（Eric Ewazen）的《小号和钢琴》奏鸣曲。评估小号曲目。提出了号手接受其中一些作品而不是其他作品接受的可能原因。通过与一些作曲家的访谈，对作品的分析以及国际小号公会成员对表演计划的比较调查，得出了有关调试项目的有效性及其未来的结论。

著录项

  • 作者

    Wurtz, Gary Thomas.;

  • 作者单位

    University of North Texas.;

  • 授予单位 University of North Texas.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2001
  • 页码 171 p.
  • 总页数 171
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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