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首页> 外文学位 >The publishing imagination: The cultural warfare of Alexander Pope and Edmund Curll (William Hogarth).
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The publishing imagination: The cultural warfare of Alexander Pope and Edmund Curll (William Hogarth).

机译：出版的想象力：亚历山大·波普和埃德蒙·库尔（William Hogarth）的文化大战。

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摘要

My dissertation uses as a focal point the obsessive antagonism between Alexander Pope and the “unspeakable” Edmund Curll, the infamous bookseller, to draw a picture of a self-conflicted publishing industry anxious about its own increasingly aggressive commercial practices. This commercialism suggests both new cultural vulnerabilities and new possibilities for the production, control, and dissemination of a national culture in the emerging public sphere. In my study, I not only analyze the rhetorical and metaphorical logic of satires and satirical acts that stigmatize, penalize, and monstrously corporealize the publishing business, but also examine the satires and acts themselves as elements necessarily functioning in the publishing economy—that is, they and their authors or actors participate in the very phenomena that they satirize and condemn.; In my first chapter, I show how the emetic that Pope slipped to Curll and then wrote about in two pamphlets not only displays Curll as a grotesque embodiment of the ills of the book business, but seems aimed at provoking further dubious activity rather than ending, or curing, it.; In Chapter II, I look at the Dunciad in its earlier manifestations both as a mobile, evolving text and as a self-advertised publishing campaign and a sustained media event.; I examine in Chapter III some of the responses to the Dunciad , which have been bibliographically enumerated but not taken seriously themselves as objects for cultural study. Here I read the Grub-street Journal as an conspicuous extension of Pope's satire that keeps the poet's campaign against the Dunces alive during the apparent twelve-year hiatus between the publication of the Dunciad Variorum in 1729 and the New Dunciad in 1742.; My fourth chapter interprets Curll's act of naming his shop and providing it with the sign of Pope's Head as the bookseller's ultimate retort. I place his semiotic act in the context of the poet's audacious scheme to publish his correspondence, Hogarth's satires on sign art, Watteau's extraordinary transcendence of sign art in L'Enseigne de Gersaint, Jacob Tonson's shop name Shakespear's Head, the fine art portraiture of Pope, and anti-Popean graphic satire.; My last chapter considers the rumors about Pope's and Curll's associations with prostitutes and the general equation between prostitution and publishing.; I conclude my examination of Pope and Curll's cultural warfare by proposing as an emblem for the problems of professional identity in the early eighteenth century Hogarth's print-within-the-print in the second state of Distressed Poet. (Abstract shortened by UMI.)
机译：我的论文以亚历山大·波普和臭名昭著的书商“难以言喻”埃德蒙·库尔（Edmund Curll）之间的强烈对立为焦点，描绘了一个自相矛盾的出版业，对自己日益激进的商业行为感到焦虑。这种商业主义暗示着新的文化脆弱性以及在新兴公共领域生产，控制和传播民族文化的新可能性。在我的研究中，我不仅分析讽刺，讽刺和讽刺行为的讽刺和隐喻逻辑，这些讽刺和讽刺行为是对出版业的侮辱，惩罚和极大的虚化，而且还研究了讽刺小说，并将其本身作为出版经济中必不可少的要素-即，他们和他们的作家或演员参与了他们讽刺和谴责的现象。在我的第一章中，我展示了教皇滑向Curll并随后在两本小册子中写出的催吐词，不仅将Curll展示为图书业弊病的怪诞体现，而且似乎旨在激发进一步的可疑活动，而不是结束，或固化。在第二章中，我将 Dunciad 的早期表现形式视为可移动的，不断发展的文字，以及作为自我宣传的出版活动和持续的媒体活动。我在第三章中考察了对 Dunciad 的一些答复，这些答复已按照书目进行了列举，但并未将其作为文化研究的对象来认真对待。在这里，我读了 Grub-street Journal ，这是教皇讽刺作品的一个显着延伸，它使诗人针对Dunces的竞选活动在 Dunciad Variorum发布之间明显的十二年中断期间得以重现。 ; 1729年的和1742年的 New Dunciad 。我的第四章解释了Curll命名商店的行为，并以书店的最终反驳标明了。我将他的符号学行为放在诗人大胆计划的背景下，以发表他的书信，霍加斯的讽刺手稿艺术，瓦特欧在手稿中的非凡超越 L'Enseigne de Gersaint ，雅各布·汤森的店名“莎士比亚的头”，教皇的精美肖像画，以及反Popean的讽刺画。我的最后一章考虑了关于教皇和柯尔与妓女的关系以及卖淫和出版之间的一般关系的传言。最后，我提出了对教皇和柯尔的文化战的考察，作为对18世纪初霍加斯在“苦恼的诗人”第二种状态下的版画内的版画的一种象征，作为职业认同问题的象征。 （摘要由UMI缩短。）

著录项

  • 作者

    Chandler, Eric Van Deventer.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Literature English.; Art History.; History European.
  • 学位 Ph.D.
  • 年度 1998
  • 页码 377 p.
  • 总页数 377
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术史、艺术思想史;欧洲史;
  • 关键词

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