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首页> 外文学位 >Of mind and manner: Association and digression in 'The Seasons', 'The Task', and 'The Prelude'.
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Of mind and manner: Association and digression in 'The Seasons', 'The Task', and 'The Prelude'.

机译：思维方式：“季节”，“任务”和“前奏”中的联想和题外话。

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摘要

This is a study of poetic method and psychological paradigm in three of the most prominent English poems of mixed genre in the eighteenth and nineteenth centuries, namely James Thomson's The Seasons (1726-1746), William Cowper's The Task (1785), and William Wordsworth's The Prelude (1805).;Chapter one addresses the historical and conceptual relationship between digression and association in Aristotle, Thomas Hobbes, John Locke, Jonathan Swift, and Laurence Sterne. Digression came to be identified with the poet's thought processes in the eighteenth century, rather than as a form of ethical transgression, a fault of style, or incoherent thinking.;Chapter two classifies digressions in Thomson's Seasons and links his use of digression to the Great Chain of Being paradigm, which was wedded in Thomson's poem to an early associationist account of dynamic and progressive mental processes, contrasting Pope's interpretation of the Chain of Being and mental processes as static and finished in his Essay on Man. Northrop Frye characterized this distinction as a shift between process and product literature.;Cowper's rejection of a product theme in chapter three, and his corresponding methodological shift through the use of digression, is explained by R. G. Collingwood's distinction between craft and art. The poem is exploratory and definitional in nature, and is consonant with the logic and psychology of Abraham Tucker, Alexander Gerard, and James Beattie.;In chapter four, the two-part digressive practice of memory and reflection in The Prelude is an effect of Wordsworth's response to Godwinian rationalism. The dynamic though non-dialectical relationship between memory and reflection foreshadows William James' theory of consciousness as a stream, and is closest to Tucker's account of mental processes.;In all three poems, there is a tension between preexisting and spontaneous structures which is resolved through their associative, digressive method. Lord Byron's Don Juan would be an appropriate extension of this study, and it also provides a pre-history to later developments in stream of consciousness writing.
机译：这是对18世纪和19世纪三种最杰出的英语混合体诗的诗学方法和心理范式的研究，分别是詹姆斯·汤姆森的《四季》（1726-1746年），威廉·考珀的《任务》（1785年）和威廉·华兹华斯的《前奏曲》（The Prelude，1805年）；第一章论述了亚里士多德，托马斯·霍布斯，约翰·洛克，乔纳森·斯威夫特和劳伦斯·斯特恩在离题与联想之间的历史和概念关系。离题是通过十八世纪诗人的思想过程来确定的，而不是一种道德违背，风格错误或思维不连贯的形式。第二章对汤姆森的季节中的离题进行了分类，并将其对离题的运用与伟大联系在一起。在汤姆森的诗歌中，存在链范式与早期的协会主义者关于动态和进步的心理过程的论述相吻合，这与教皇对存在链和心理过程的静态解释形成了鲜明对比，并在他的《关于人类的论文》中完成了。诺斯罗普·弗莱（Northrop Frye）将这种区别描述为工艺与产品文献之间的转移。第三章，科伯伍德（R. G. Collingwood）对工艺与艺术的区别解释了科珀对产品主题的拒绝，以及他通过使用题外话的相应方法论上的转移。这首诗本质上是探索性和定义性的，与亚伯拉罕·塔克（Abraham Tucker），亚历山大·杰拉德（Alexander Gerard）和詹姆斯·比蒂（James Beattie）的逻辑和心理相吻合。华兹华斯对戈德温主义理性主义的回应。记忆与反射之间的动态但非辩证的关系预示着威廉·詹姆斯的意识流作为一种流，并最接近塔克对心理过程的描述。在所有三首诗中，既有结构与自发结构之间都存在一种张力，这种张力得以解决。通过他们的联想，离题的方法。拜伦勋爵的唐·胡安（Don Juan）是这项研究的适当扩展，它还为意识流的后续发展提供了前史。

著录项

  • 作者

    Colarelli, Margaret Cary.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 Literature English.;Philosophy.
  • 学位 Ph.D.
  • 年度 1996
  • 页码 266 p.
  • 总页数 266
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 宗教;
  • 关键词

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