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首页> 外文学位 >Shock and contemplation: 'Close Up' and the female avant-garde.
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Shock and contemplation: 'Close Up' and the female avant-garde.

机译：震惊与沉思：《 Close Up》与女性前卫。

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摘要

My dissertation explores the literary writing and film criticism of H.D., Dorothy Richardson, Bryher, Gertrude Stein, Virginia Woolf, Nancy Cunard, and Marianne Moore, which appeared in the transnational, feminist film journal Close Up between 1927 and 1933. These writers, I argue, challenged the standard position within the aesthetic debates of the 1920s and 30s, which maintained that film induced shock by creating a state of distraction in the viewer. The contributors to Close Up developed what I term an alternative "contemplative aesthetic"---locating film's shock effect in its capacity to generate states of intense contemplative absorption. Close Up writers' novel critical approach emerged from their interest in psychoanalysis, melodrama, and from their investigation of mysticism and specific "mind-cure" practices which cultivated an active absorption in the image as a means of bringing about psychic healing. Against claims of cinema's pernicious effects (due largely to its dangerous hypnotic influence), Close Up writers offered a critical intervention, describing a mode of viewing which could trigger personal and collective memory in a manner, which rather than re-traumatizing the spectator, facilitated healing by offering structural support for the traumatic memories individuals often carried in isolation.;Bringing together political activism, aesthetic experimentation, and psychoanalysis, Close Up, anticipates the feminist film criticism of the 1970s and provides valuable insight into contemporary theoretical approaches to both feminist and transnational cinema. Written in an era where the cinema spectator was hyperbolically feminized and treated as a repository of bad taste, Close Up writers' polemics were aimed at reorienting conceptions of the female spectator, analyzing and celebrating women viewers' cinematic pleasure, and reclaiming a contemplative, absorptive mode of perception which was denigrated as unsophisticated, uncritical, apolitical, in short as "feminine" in much historical criticism. In espousing an aesthetic of contemplative absorption and empathy within the political avant-garde, Close Up writers diverged from the tradition of Brechtian defamiliarization and anticipated the late writing of Sergei Eisenstein (also a Close Up contributor), who asserted that by enabling a dialectical leap into a radically different social position, empathic absorption could serve as a powerful means of bringing about social and political change.
机译：我的论文探讨了高清的文学写作和电影批评，多萝西·理查森，布赖尔，格特鲁德·斯坦，弗吉尼亚·伍尔夫，南希·库纳德和玛丽安·摩尔，它们出现在1927年至1933年之间的跨国女性主义电影期刊《近距离拍摄》中。的论点挑战了1920年代和30年代美学辩论中的标准位置，后者通过使观众分心而保持影片的震撼。 《 Close Up》的作者开发了一种我称之为“沉思美学”的替代方法，即在产生强烈沉思吸收状态的能力中定位胶片的震动效果。 《特写》作者的新颖批判方法来自对精神分析，情节剧的兴趣，以及对神秘主义和特定“心理治疗”实践的研究，这些实践在图像中培养了积极的吸收，从而实现了心理康复。针对电影的有害影响（很大程度上是由于其危险的催眠作用），近摄作者提供了重要的干预措施，描述了一种观看方式，可以某种方式触发个人和集体记忆，而不是重新使观众伤心。通过为个人经常孤立地进行的创伤记忆提供结构性支持来进行康复。;《政治与行动》将政治行动主义，审美实验和精神分析结合在一起，预见了1970年代的女权主义电影批评，并提供了对当代女权主义和女性主义理论方法的宝贵见解。跨国电影院。写在电影观众被夸张地女性化并被视为不良品味的时代，《 Close Up》作家的论辩旨在重新定位女性观众的观念，分析和庆祝女性观众的电影娱乐性，并恢复沉思，沉迷的态度。在许多历史批评中被贬低为“老练”，“非批判”，“非政治”的感觉模式，简称“女性”。在政治先锋派中拥护沉思吸收和同理心的美学中，Close Up作家背离了布莱希特式的陌生化传统，并期望Sergei Eisenstein（也是Close Up的贡献者）的后期著作，他断言通过实现辩证性的飞跃移入完全不同的社会地位，共情吸收可以作为实现社会和政治变革的有力手段。

著录项

  • 作者

    Troxell, Jenelle.;

  • 作者单位

    Columbia University.;

  • 授予单位 Columbia University.;
  • 学科 Literature Comparative.;Cinema.;Literature English.;Womens Studies.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 235 p.
  • 总页数 235
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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