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The wild and arrogant: Expression of self in Xin Qiji's song lyrics.

机译：狂野与自大：辛弃疾歌曲歌词中的自我表达。

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摘要

In the Twentieth Century, Xin Qiji's XXX (1140-1207) fame as a great patriot and a master of ci XX, or the song lyric, reached its zenith. Critics used the somewhat embellished biography of the poet to systematize and edit his works, to mend the fissures in them and to explain away their contradictions so as to produce from them an ideal, coherent text.;Dissatisfied with this approach, I attempt to interpret Xin Qiji's poetic works by treating them as they are. There is no way to reconstruct with certainty the inner state of the historical figure who created these works, but there are signs in them signifying various aspects of a psychic entity that cannot, and indeed, should not, be summed up with the name Xin Qiji. Looking closely at these signs, I do not only see what they try to express, but also what they try to suppress; and I notice some of them occur and recur, aggressively engaging the reader's attention. In this way I get to the core around which the complexity of Xin's works is knit: the narcissistic self-expression of a restless, wild and arrogant personality.;My study consists of five parts. After surveying briefly in the introduction the situation of the study of Xin Qiji and pointing out problems such a study faces, I proceed to bring out in the first chapter the most important issue in the study of Xin that has hitherto either been misunderstood or simply ignored. Through an analytical definition of the idiosyncratic features of Xin's works that would unmistakably distinguish him from others, I find that, instead of being an expression of the poet's patriotic sentiment, the central issue of Xin's song lyrics is the eccentrically fascinating personality of the poetic protagonist, especially those self expressive and self promoting traits that contrast with the Confusion value of yielding. In the two chapters that follow, by examining closely internal evidence in Xin's works, I try to demonstrate how this fascinating personality expresses itself in a series of wild/arrogant self-images and through an untrammeled masculine voice. In the concluding chapter, by placing Xin Qiji in the context of the development of the Chinese poetic tradition, which is heavily informed by Confucian moral didacticism, I elicit--for the first time, I believe, in the study of this subject--the special significance of Xin's poetic creation: What is projected in Xin's song lyrics is an unruly spirit in the Ruist tradition who dares to test the limits of the concept of self--a passionate and acutely self-conscious individual who aggressively desires to magnify his human potential, who exults in celebrating his individualistic traits, and who takes great delight in expressing what he truly feels, paying little attention to the time-honored ethical-aesthetic principle of "being mild and gentle (wen rou dun hou XXXX).".
机译：在20世纪，辛弃疾的XXX（1140-1207）作为一位伟大的爱国者和ci XX（即歌词）的主人而声名reached起。评论家利用诗人略带点缀的传记来系统化和编辑他的作品，修补其中的裂痕并解释它们的矛盾，从而使他们产生出理想的，连贯的文本；我对这种方法不满意，我试图解释一下辛弃疾的诗意作品是照原样对待的。无法确定地重建创作这些作品的历史人物的内在状态，但是其中有迹象表明，一个心理实体的各个方面无法（而且实际上不应）用“新奇极”这个名字来概括。 。仔细观察这些迹象，我不仅看到他们试图表达什么，而且还看到他们试图抑制什么。而且我注意到其中一些事件反复发生，引起了读者的注意。通过这种方式，我到达了鑫的作品复杂性编织的核心：一种躁动，狂野和自大人格的自恋自我表达。我的研究包括五个部分。在对绪论进行简要介绍后，对辛弃疾研究的现状进行了简要介绍，并指出了此类研究面临的问题。在第一章中，我提出了迄今为止对辛弃疾研究中最重要的一个问题，即被人们误解或完全忽略的问题。 。通过对辛的作品的特质进行分析性定义，使他与众不同，我发现，辛不是他的诗人爱国情绪的表达，而是他的诗词主人公的古怪迷人的个性，而不是他表达诗人的爱国情怀。 ，尤其是那些自我表达和自我促进的特征，与产量的混淆价值相反。在接下来的两章中，我将通过仔细研究辛的作品中的内部证据，来尝试证明这种迷人的性格是如何通过一系列狂野/自大的自我形象以及不受约束的男性声音来表达自己的。在最后一章中，我将信启基置于儒家道德教义论的深厚启发下的中国诗学传统的发展背景下，我首次引出（我相信）是在研究这一主题时-辛的诗歌创作的特殊意义：辛的歌曲歌词中所反映的是Ruist传统中一种不守规矩的精神，他敢于考验自我概念的局限性-一个热情而又敏锐的自我意识的个体，他积极地想要放大自己的思想。具有人类潜力的人，他们狂喜地庆祝自己的个人特质，并且非常高兴地表达自己的真实感受，而很少注意历史悠久的道德美学原则“温和温柔”（文柔敦厚XXXX）。 。

著录项

  • 作者

    Lian, Xinda.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 1995
  • 页码 217 p.
  • 总页数 217
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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