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Jung's incest fantasy and the deleterious nature of pipe dreams in the late plays of Eugene O'Neill.

机译：尤金·奥尼尔（Eugene O'Neill）的后期戏剧中，荣格（Jung）的乱伦幻想和烟斗梦的有害本质。

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摘要

In the late plays of Eugene O'Neill, pipe dreams are characters' wish-fulfillment fantasies of the people they might become if their bad fortunes were reversed. But the frustration of trying to realize an unattainable fantasy erodes the characters' already flawed sense of self and makes more pronounced the painful discrepancy between their real and ideal selves. Pipe dreams thus prove self-defeating because their aggregate effect is to intensify rather than to alleviate the characters' sense of failure.; Through Psychology of the Unconscious, Carl Jung's seminal work on the universal mythological motifs of the psyche (later revised as Symbols of Transformation, Vol. VIII of Jung's Collected Works, we see how pipe dreams are avoidance behaviors similar in cause and effect to the "incest fantasy", the universal desire to return to the mother womb. The term "mother" is understood metaphorically as meaning the depths of the unconscious, and "incest fantasy" as describing the psyche's regressive longing to be reborn through the mother. While regression to the mother can be constructive, Jungian psychology suggests that productive adulthood can be achieved only through a willingness to give up the easy indolence of infantile regressions and to take up again the challenge of forging a destiny in which problems are confronted even if not always resolved.; Because O'Neill's characters typically escape their problems by fleeing into the womb of the past, their pipe dreams inhibit constructive interaction with the present and undermine the emotional wholeness or well-being they were meant to sustain. Continued longing for the mother womb paralyzes their drive toward psychic autonomy and creates a corresponding anxiety every bit as debilitating as that which they initially sought to avoid. The late plays of O'Neill radically question the efficacy of this kind of regressive fantasy and the integrity of a "self" sustained by such a fantasy by implicating pipe dreams as idiosyncratic psychological motifs causing personal, familial, societal, and ultimately universal deleterious effects.
机译：在尤金·奥尼尔（Eugene O'Neill）的后期戏剧中，斗梦是角色实现愿望的幻想，如果他们的厄运得到扭转，他们可能会变成人们。但是，试图实现一个无法实现的幻想的挫败感侵蚀了角色本已有缺陷的自我意识，并使他们在真实和理想自我之间的痛苦差异更加明显。斗梦因此被证明是自欺欺人的，因为它们的综合作用是增强而不是减轻角色的失败感。通过无意识的心理学，荣格（Carl Jung）关于心理学的普遍神话主题的开创性工作（后来修订为荣格（Jung's）作品的第八卷，转变的象征（Symbols of Transformation），我们看到了异梦是在回避行为上与“乱伦幻想”，即回到母体子宫的普遍愿望。“母亲”一词在隐喻上被理解为无意识的深度，而“乱伦幻想”被描述为灵魂通过母体重生的回归渴望。对母亲而言，这可能是有建设性的，荣格心理学认为，只有通过愿意放弃婴儿退缩的简单性，并愿意承担即使无法始终解决问题也要面对的命运的挑战，才能实现成年成年。;因为奥尼尔的角色通常逃避过去的子宫而逃脱了他们的问题，所以他们的烟斗梦抑制了与当下的互动，破坏了他们本应维持的情感整体性或幸福感。对母亲子宫的持续渴望使他们走向精神自主的动力陷入瘫痪，并产生相应的焦虑，就像他们最初试图避免的那样令人沮丧。奥尼尔的后期戏剧从根本上质疑这种回归幻想的功效以及这种幻想所维持的“自我”的完整性，因为这种幻想牵连异想天开，成为造成个人，家庭，社会乃至普遍的有害影响的特质心理图案。 。

著录项

  • 作者

    Meade, Robert F.;

  • 作者单位

    Fordham University.;

  • 授予单位 Fordham University.;
  • 学科 Literature American.; Psychology General.; Theater.
  • 学位 Ph.D.
  • 年度 1994
  • 页码 261 p.
  • 总页数 261
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 心理学;公共建筑;
  • 关键词

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