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首页> 外文学位 >Comrades in (each other's) arms: Male bonding in select novels of World War I.
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Comrades in (each other's) arms: Male bonding in select novels of World War I.

机译：彼此的同志：第一次世界大战精选小说中的男性交往。

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摘要

This study of selected American, British, and French World War I novels examines male bonding as a psychosexual and class dynamic emerging from the cultural alienation surrounding the Great War. Placed within the context of turn-of-the-century models of masculinity, this examination probes why comradeship arising out of this wartime experience transcended class, age, gender and political differences, ultimately revealing how the war disrupted not only established definitions of politics and class, but also notions of gender, masculine representation, and male homosocial relations.; Chapter 2, for example, reveals how John Dos Passos's One Man's Initiation: 1917 and Three Soldiers, as representative of post-war writing about the war, served as a referendum on late 19th-century romanticized conceptions of national and personal masculine self-assertion. These 19th-century constructions of masculine identity persuaded men, in part, to accept warfare as a viable method of proving their masculinity. As the analysis in this chapter asserts, post-war writing about the war argued for a radical and necessary reexamination of traditional locations of male identification, including warfare, and of male homosocial relations.; Similarly, Chapters 3 and 4, respectively, examine the relationship between national self-interest and masculine identity found in British and French motivation for fighting the war. An analysis of Richard Aldington's critique of British empire-making and "stiff upper lip" mentality reveals not only the ambivalence many men experienced about their culturally defined male role, but also the inherent contradictions in British conceptions of male homosocial and homoerotic relations exposed by the war. Moreover, an analysis of French involvement in World War I reveals how the mounting gender anxiety of men spurred on by the demoralizing defeat in the Franco-Prussion war and changes in the French social fabric which threatened an already weakened masculine identity pushed France into the forecasted showdown with Germany. In this study, the assessment of French war novels by Henri Barbusse (Under Fire) and Roland Dorgeles (Wooden Crosses) shows how concerns for regaining masculine bravado rapidly dissolve in favor of insuring the survival of oneself and one's comrades.
机译：这项针对精选的美国，英国和法国第一次世界大战小说的研究考察了男性联结，这种联结是从大战前后的文化异化中涌现出来的一种心理和阶级动态。在本世纪初的男性气概模型的背景下，本次调查探讨了为何战时经历所产生的同志超越了阶级，年龄，性别和政治差异，最终揭示了战争如何不仅破坏了既定的政治和政治定义。阶级，还有性别，男性代表和男性同性社会关系的概念。例如，第2章揭示了约翰·多斯·帕索斯（John Dos Passos）的《一个人的创始：1917年》和《三名士兵》，作为战后关于战争的著作的代表，如何作为19世纪晚期对民族和个人男性自我主张的浪漫化概念的全民公决。这些19世纪的男性身份结构在一定程度上说服了男人接受战争作为证明其男子气概的可行方法。正如本章的分析所断言，战后关于战争的文章主张对包括战争在内的男性认同的传统位置和男性同社会关系进行彻底和必要的重新审查。同样，第3章和第4章分别研究了英国和法国抗战动机中发现的国家自身利益与男性身份之间的关系。理查德·阿尔丁顿（Richard Aldington）对英国帝国建立和“僵硬的上唇”心态的批评的分析表明，不仅许多男人在文化定义的男性角色上经历了矛盾情绪，而且还揭示了英国人对男性同性社会和同性关系的观念所固有的矛盾。战争。此外，对法国卷入第一次世界大战的分析表明，法国和普鲁士战争中令人沮丧的失败以及法国社会结构的变化（已经威胁到已经弱化的男性身份）引发了越来越多的男性性别焦虑，这使法国成为了预测的对象。与德国摊牌。在这项研究中，对亨利·巴布斯（Henri Barbusse）（Under Fire）和罗兰·多吉莱斯（Roland Dorgeles）（Wooden Crosses）的法国战争小说的评估表明，对于重新获得男性勇敢主义的担忧如何迅速消散，从而有利于确保自己和同志的生存。

著录项

  • 作者

    Graves, Mark Alan.;

  • 作者单位

    Bowling Green State University.;

  • 授予单位 Bowling Green State University.;
  • 学科 Literature Modern.; Literature American.; Literature English.; Literature Romance.
  • 学位 Ph.D.
  • 年度 1992
  • 页码 285 p.
  • 总页数 285
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;世界文学;
  • 关键词

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