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Time in pre-T'ang poetry.

机译：唐诗前的时间。

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摘要

This study examines the varied expressions of time in Chinese poetry from Shang and Chou to the end of Sui dynasty (12th cent. B.C.-7th cent. A.D.). It hypothesizes that man's desire for immortality derives from his awareness of the passage of time, and his conception of time is the result of his observation of changes that occur in the universe. In addition, temporal duration varies as man's emotion changes. In other words, it depends on the emotional state of the individual in question. Time can also be measured through movement in space.; Chapter one is a background discussion, introducing first, the evolution of the concept of time in the West, then, a history of the concept of time in ancient China.; Chapters two and three present a discussion of time and physical immortality. Chapter two treats the controversy over immortality in the Chinese classics and philosophical works. This lays the foundation for the discussion to follow. In chapter three, I try to show how pre-T'ang poets, in writing poems on roaming immortals, reveal their desire for physical immortality and their inconsistent belief in physical immortality.; Chapter four deals with symbolic immortality in pre-T'ang poetry. Individual achievements such as moral virtue, merit, and literary works were considered immortal by the Chinese. Realizing the impossibility of physical immortality, the Chinese turned to symbolic immortality. For men of letters, this meant eternal literary fame.; Chapter five takes up the issue of cyclic time and rhythmic changes, changes such as seasons, years, and the movement of certain heavenly bodies. Man's concept of cyclic time originates from the observation of these recurring changes.; Chapter six examines the question of linear time and permanent change. The fading of flowers, the flow of a stream, and graying hair, all irrevocable changes, gave man a sense of the linear passage of time.; The last chapter includes a discussion of subjective time and spatial time. Examples of both these concepts of time are given not only from pre-T'ang poetry but also from Western poetry.
机译：这项研究考察了从商代，周代到隋朝末期（公元前十二世纪至公元七世纪）中国诗歌的各种时间表达方式。它假设人对永生的渴望源于他对时间的流逝的认识，而他对时间的概念是他对宇宙中发生的变化的观察的结果。另外，时间持续时间随着人的情感变化而变化。换句话说，这取决于所讨论个体的情绪状态。时间也可以通过空间运动来衡量。第一章是背景讨论，首先介绍西方时间概念的演变，然后介绍古代中国时间概念的历史。第二章和第三章讨论了时间和身体永生。第二章论述了中国经典著作和哲学著作中关于不朽的争论。这为后续讨论奠定了基础。在第三章中，我试图说明唐代以前的诗人如何在游仙中写诗时，揭示出他们对肉体永生的渴望以及对肉体永生的不一致信念。第四章论述唐代以前诗歌中的象征性不朽。中国人认为诸如道德美德，功绩和文学作品之类的个人成就是不朽的。中国人意识到不朽的不朽，因此转向象征性的不朽。对于文人来说，这意味着永恒的文学名声。第五章讨论周期时间和节奏变化，季节，年份等变化以及某些天体的运动等问题。人类对循环时间的概念源自对这些周期性变化的观察。第六章探讨了线性时间和永久变化的问题。花朵的褪色，溪流的流动以及白发的变化，这些都是不可挽回的变化，给人一种线性的时间流逝的感觉。上一章讨论了主观时间和空间时间。这两种时间观念的例子不仅从唐代以前的诗歌中给出，而且从西方诗歌中给出。

著录项

  • 作者

    Chai, Jen-nien.;

  • 作者单位

    The University of Wisconsin - Madison.;

  • 授予单位 The University of Wisconsin - Madison.;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 1992
  • 页码 595 p.
  • 总页数 595
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I3;
  • 关键词

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