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Anti-Judaism and the medieval Prophet Plays: Exegetical contexts for the 'Ordines Prophetarum'.

机译：反犹太教和中世纪先知戏剧：“先知先知”的训tical背景。

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摘要

The liturgical Prophet Play or Ordo Prophetarum uses as its primary source a polemical adversus Judaeos sermon by Quodvultdeus, Contra Judaeos, paganos et arrianos, in which biblical prophets testify to the veracity of Christ's divinity and the Christian faithful as God's chosen people. While historians of the drama have acknowledged the origin of these liturgical celebrations in the pseudo-Augustinian Contra Judaeos sermon, no critic has considered the anti-Judaic polemical context of this sermon or the extent to which that context renders either the early liturgical Ordo Prophetarum or its later episodic manifestations potential lyrical vehicles for expressing changes in Christian doctrinal attitudes about the presence of Jews within contemporary Europe.;The earliest Ordines Prophetarum, those most fully influenced by Augustinian anti-Judaism, focus on Jews as benevolent witnesses to the veracity of the Christian faith. This almost exclusive focus on a typological, biblical Judaism prepared to testify to the truth of Christianity ultimately gives way in later episodic versions of the Ordo Prophetarum. The authors of the prophet episodes in both the Jeu d'Adam and the Benediktbeuern Ludus de Nativitate dramatize the increasing awareness among Christian exegetes of the implications of contemporary Jewish exegesis. In their plays they respond directly to the interpretive cruxes that result from competing twelfth- and thirteenth-century Christian and Jewish readings of the Hebrew prophets, especially Isaish. These dramatists' stereotyped representations of Jews reflect both greater awareness of and intensified anxiety about the influence of post-biblical Jewish communities in European Christendom.;The earliest liturgical Ordines Prophetarum, like the adversus Judaeos literature from which they in part derive, are traditionally aimed at Christian audiences and intended to reaffirm the spiritual convictions of the faithful, not to convert pagans or Jews. During the thirteenth century, however, a growing impetus towards conversion of both Jews and pagans begins to color the anti-Judaic polemic or northern Europe. Given the close association of the exegetical adversus Judaeos tradition with the liturgical Ordines Prophetarum, the influence of the polemic's changing dynamics inevitably begins to register in the dramatic representations of Jews in prophet processions from this period.
机译：礼拜式的先知戏或鄂尔多斯人的先知书以Quodvultdeus，Contra Judaeos，paganos et arrianos的具有争议性的犹太教布道为主要来源，在其中圣经的先知们证明了基督神性的真实性和基督教信徒作为上帝的选民。尽管该剧的历史学家已经承认这些礼拜式庆祝活动的起源是在伪奥古斯丁《 Contra Judaeos》讲道中，但没有评论家考虑过该讲道的反犹太派辩论​​背景，或该背景在多大程度上使早期礼拜式的Ordo Prophetarum或其后来的情景表现形式可能成为抒情表达基督教教义的关于当代欧洲犹太人存在的态度的抒情工具。基督教信仰。这种几乎完全专注于准备证明基督教真理的类型学，圣经犹太教最终在后来的《鄂尔多斯先知》（Ordo Prophetarum）版本中被取代。杰达姆和贝尼迪克特伯恩·纳蒂维特的《先知》集的作者戏剧化地表达了基督教徒对当代犹太训ege的影响的意识日益增强。在他们的戏剧中，他们直接回应了十二世纪和十三世纪基督教和犹太人对希伯来先知，尤其是伊萨什的读本的竞争而产生的解释性症结。这些戏剧家对犹太人的刻板印象既反映出人们对欧洲基督教世界中后圣经犹太社区的影响的认识加深，也加剧了焦虑。;最早的礼节性的奥迪涅斯先知，如他们部分地从中得到的对抗犹太人文学，传统上是针对的在基督徒的听众面前，并打算重申信徒的精神信念，而不是convert依异教徒或犹太人。然而，在十三世纪，犹太人和异教徒conversion依的日益增长的动力开始使反犹太的争论或北欧充满色彩。鉴于训诫的对抗犹太人的传统与礼拜式的先知Ordines Prophetarum之间有着密切的联系，论战不断变化的动力的影响不可避免地开始体现在这一时期犹太人在先知游行队伍中的戏剧性表现。

著录项

  • 作者

    Evitt, Regula Meyer.;

  • 作者单位

    University of Virginia.;

  • 授予单位 University of Virginia.;
  • 学科 Literature Medieval.;Religion History of.;Theater.;Literature Comparative.
  • 学位 Ph.D.
  • 年度 1992
  • 页码 324 p.
  • 总页数 324
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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