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首页> 外文学位 >Historicity, lyricism, and the homosexual imperative of the Kuzminian text.
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Historicity, lyricism, and the homosexual imperative of the Kuzminian text.

机译：库兹米尼语文本的历史性，抒情性和对同性恋的要求。

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摘要

This study focuses on the definitive role of homosexuality in the early poetry (1904-1914) of the Russian Silver Age poet, prosaist, and dramatist Mixail Kuzmin (1872-1936). By defining the homosexual imperative of the Kuzminian text according to historicist and lyrical criteria, rather than biographical and thematic, I suggest both its divergence from the norms of contemporary European and American Modernist homoerotic literature, and its place in the specifically Russian discourse of sexual difference in the Symbolist period. This dissertation enlists intertextual, post-structuralist, and historical readings to establish the accessibility and difference of the Kuzminian homosexual imperative.Chapter I, "The Atopia of Desire and the Figuration of the Body," elaborates generalized, atopic desire as textual motive, and the problematics of its specification as homosexual in Kuzmin's earliest poetry. An allegorical presentation of the Narcissus myth obliquely prefaces the lyric sexual self-disclosure which informs later autobiographical poems. Chapter II, "Solace in Nostalgia: Stylization and the Homoerotics of Culture," and Chapter III, "The Retreat from Transcendence," clarify how the Kuzminian text negotiates the pressures brought to bear on it by discursive precedents such as Hellenist erotics and Neo-Platonic mystic transcendence by asserting the desiring, suffering sexual body as the sole site of lyric and communal affirmation.Chapter IV, "The Discourse of Pothos," and Chapter V, "The Poems of Himeros," invoke Roland Barthes' distinction between desire for the absent being and desire for the present being to define the two expressive modes informing the poet's progress towards naming the specificity of his love, and overcoming its atopic origin in a new topography. The discourse of pothos engages the doxological decadent and dandified stereotypes, and exploits the iconic Other's absence to its own purpose of discursive reflexivity and verbal self-portraiture. The poems of himeros posit a socially affirmed reciprocity to the erotic relationship between male Lovers, and demystify the site of sexual fulfillment without losing sight of its metaphysical relevance. The concluding chapter, "Cosmography and the Hypostasis of the Homosexual Body," suggests the axiomatic function of the imperative in Kuzmin's metaphysically concerned later poetry.
机译：这项研究的重点是同性恋在俄罗斯银器时代的诗人，平淡主义者和戏剧家米歇尔·库兹敏（1872-1936）的早期诗歌（1904-1914）中的确定作用。通过根据历史学家和抒情准则而不是传记和主题来定义库兹米语文本的同性恋要务，我建议其既不同于当代欧洲和美国现代主义同性恋文学的规范，又应指出其在俄罗斯关于性别差异的论述中的地位在象征主义时期。本论文采用互文性，后结构主义和历史性读物，以建立对库兹米亚同性恋势力的可及性和差异性。第一章，“欲望的Atopia和身体的形象化”，阐述了作为文本动机的广义特应性欲望，以及库兹明最早的诗歌将其规范为同性恋的问题。对水仙神话的寓言表达偏向于抒情性自我披露，这为后来的自传诗提供了信息。第二章“怀旧中的孤独：风格化与文化的同质性”，以及第三章“超越的退缩”，阐明了库兹米尼亚文本如何应对诸如希腊化色情和新古典主义之类的话语先例带来的压力。柏拉图式的神秘超越，断言欲望的，遭受痛苦的性身体是抒情和公共肯定的唯一场所。第四章，《波托斯的话语》和第五章，《希梅罗斯的诗》，唤起了罗兰·巴特对欲望的区分。现在的缺席和对当前的渴望定义了两种表达方式，从而为诗人命名爱的特殊性和在新的地形中克服其特有的起源提供了进步。 Pothos的话语充满了学问上的and废和陈旧的刻板印象，并利用标志性“他人”的缺席来达到其自身的目的，即话语反身性和言语自我美化。 hiseros的诗歌在社会上肯定了男性情人之间的色情关系，并揭开了性满足的神秘面纱，而又没有忽视其形而上的相关性。最后一章，“同性恋的宇宙学与性功能减退”，提出了库兹明的形而上学与后来的诗歌有关的命令性的公理功能。

著录项

  • 作者

    Watton, Lindsay F., III.;

  • 作者单位

    University of Pennsylvania.;

  • 授予单位 University of Pennsylvania.;
  • 学科 Literature Comparative.Literature Slavic and East European.
  • 学位 Ph.D.
  • 年度 1991
  • 页码 323 p.
  • 总页数 323
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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