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An analysis of the selected music of Chou Wen-Chung in relation to Chinese aesthetics.

机译:对周文中入选音乐与中国美学的关系进行分析。

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摘要

The purpose of this study is to examine the possible relationships that exist between the selected works of Chou Wen-Chung and Chinese aesthetics in order to provide perspective on the influence of Chinese aesthetics on contemporary composers. The three selected compositions are "The Willows are New", "And the Fallen Petals" and "Pien."Chinese aesthetic principles that are most related to Chou Wen-Chung's music are selected and applied in the analysis. They are the basic aesthetic principles that govern the creation of the Chinese ideogram, calligraphy, qin music and I-Ching. These aesthetic principles are incorporated into the four phases of musical analysis suggested by Cogan and Escot in the Sonic Design.The research concludes that Chou Wen-Chung's music is closely related to Chinese aesthetics in concept and practice. In order to better grasp the essence of Chou Wen-Chung's music one must understand the relationships that exist between his works and the Chinese aesthetic principles.
机译:这项研究的目的是检验周文中作品与中国美学之间可能存在的关系,以便为中国美学对当代作曲家的影响提供观点。入围的三首作品分别是《柳树是新的》,《坠落的花瓣》和《片仔》。选择与周文忠音乐最相关的中国美学原理,并将其应用于分析中。它们是控制中国表意文字,书法,秦音乐和易经创作的基本美学原则。这些美学原则被纳入了Cogan和Escot在《音速设计》中提出的音乐分析的四个阶段。研究得出的结论是,周文中的音乐在概念和实践上与中国美学紧密相关。为了更好地把握周文忠音乐的精髓,人们必须了解他的作品与中国美学原则之间的关系。

著录项

  • 作者

    Chew, Seok-Kwee.;

  • 作者单位

    New York University.;

  • 授予单位 New York University.;
  • 学科 Music.Education Music.
  • 学位 Ph.D.
  • 年度 1990
  • 页码 239 p.
  • 总页数 239
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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