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Narratives of sexuality and embodiment: Performative identities and abject agency in contemporary fiction and poetry by Japanese women writers.

机译：性与体现的叙事：日本女性作家在当代小说和诗歌中的表演身份和过失代理。

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This study examines poetry and fiction by three contemporary Japanese women authors within feminist theoretical frameworks concerned with the performativity of gender and sexual identities. One of the goals of this study is to examine narrative strategies which construct alternative visions not only of "femininity" or "womanhood," but also of the female body itself. A chapter on the centrality of the physical body in the early poetry of It o Hiromi explores the points of intersection and divergence between Ito's poetics and contemporaneous feminist theory, and considers the possibilities for feminist readings of the abject female bodies Ito depicts. This dissertation also takes up recent theoretical approaches to performativity and the body, arguing that contemporary Japanese women writers create performative texts that foreground and perform the body as a means of destabilizing rigid gender norms that persist in Japan. A chapter on Matsuura Rieko's The Apprenticeship of Big Toe P demonstrates how her sophisticated use of citation and parody makes the novel a performative text that subverts hetero-normative approaches to the body and sexuality. A third chapter on the short stories of K ono Taeko discusses Kono's focus on female sexuality, in particular masochistic desire, and takes up questions of abjection, masochistic agency, and performative masochism that can be traced in Kono's stories. The common thread linking each of these chapters is the argument that the centrality of the body in these texts problematizes dominant constructions of the female body as the locus of reproduction and maternal instinct, and that through the granting of agency to abject bodies these authors reclaim the body as a performative site for the exploration of non-normative identities, sexualities, and embodiments.

机译：这项研究在有关性别和性认同表现力的女权主义理论框架内，考察了三位当代日本女性作家的诗歌和小说。这项研究的目标之一是考察叙事策略，这些叙事策略不仅可以构建“女性气质”或“女性气质”，还可以构建女性身体本身的替代视觉。关于伊藤裕美早期诗歌中身体的中心性的一章探讨了伊藤诗学与当代女性主义理论之间的交汇点和分歧点，并考虑了女权主义阅读伊藤描绘的女性身体的可能性。本论文还采用了关于表演和身体的最新理论方法，认为当代日本女作家创作的表演性文本以前景和表演为主体，以此破坏在日本持续存在的僵化的性别规范。关于松浦理惠子（Matsuura Rieko）的《大脚趾学徒》（The Apprenticeship of Big Toe P）一章，展示了她如何巧妙地运用引文和模仿来使小说成为一种表演性文本，从而颠覆了对身体和性行为的异性规范。关于小野太子短篇小说的第三章讨论了科诺对女性性行为的关注，特别是受虐狂的欲望，并探讨了可诺诺的故事中存在的性欲，受虐倾向和表演性受虐狂的问题。这些章节中的每一章都有共同的线索，即论点是，这些文本中的身体中心化使作为再生和母性本能的女性身体的主导结构受到质疑，并且这些作者通过授予代理人以弃绝身体的方式，重新宣称了女性的主导地位。身体作为探索非规范性身份，性行为和体现方式的表演场所。

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作者
Quimby, Joanne.;
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Indiana University.;

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授予单位 Indiana University.;
学科 Literature Comparative.;Womens Studies.;Asian Studies.;Literature Asian.
学位 Ph.D.
年度 2010
页码 157 p.
总页数 157
原文格式 PDF
正文语种 eng
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机译：点评：历史的研究：一个书目指南，历史的英语理念从柯勒律治到科林伍德，英国当地历史，亚瑟和他的英语变脸：亚瑟王传说中中世纪英国生活和文学，在英国文艺复兴时期颁布性别舞台上，莎士比亚的女性结局，写英文共和国：诗歌，修辞学和政治学1627年至1660年，对旧的新故事：在小说中，天主教和反天主教在早期现代英语文本，长子继承权和继承权在英国圣经模式：综述文学中的历史和代表，通过对小说恢复的英语内战：一个注释的参考书目，戴安娜，自我利益和英国国家身份，古人与现代人之间的古典罗马的痕迹和古典罗马：巴洛克文化在恢复英格兰，浪漫英格兰的Bacchus：1780-1830，厌恶经济学的作家和饮料：十八世纪的文学业务ritain，伪造的房子在十八世纪的英国，穿着我们的衣服，牛津伴侣的浪漫时代：英国文化，1776 - 1832，国内空间：阅读十九世纪的内部，维多利亚人理论上：从德里达到布朗，美德的年龄：英国文化从恢复到浪漫主义，悲惨的痛苦：维多利亚州的残疾和感情，妇女作家第一次世界大战：一个注释的书目，文学中的酒吧，英国工业小说，人类的缘故想要：市场苏格里希第德森市场的经济和美学。 C.，历史的研究：一个书目指南，第二版，曼彻斯特大学出版社，2000，第十四+ 140，£40.00.ParkerChristopher，历史的英语从理念到柯勒律治科林伍德，Ashgate出版社，2000，页。 VII + 244，£45.Richardsonr。 C.（ed。），英语当地历史的变化面孔，ashgate，2000，pp。viii + 218，£45.00.00.00.Parronw。 RJ（编辑），亚瑟和他的英文：亚瑟王传说中中世纪英国生活和文学，威尔士出版社，1999年大学，第398，£35.00.ComensoliViviana和RussellAnne（EDS），英国文艺复兴舞台上颁布性别，伊利诺伊大学出版社，1999，第270页，18.95英镑; SaunderseVe Rachel，在早期现代英格兰舞台上的雷切尔，性别和识字，剑桥大学出版社，1999，PP。260，£35.BerringPhilippa，莎士比亚的女性化的遗址，Routledge，1999，PP。197，£15.99 PB。 Bellilona，伊丽莎白裔女性和甲师诗歌，剑桥大学出版社，1998，PP。262，£35.00.norbrookdavid，写英国共和国：诗歌，修辞和政治1627-1660，剑桥大学出版社，1999，PP。XIII + 509 ，£40.FischHarold，对于旧的新故事：在小说，Macmillan出版社，1998年，第圣经模式X + 236，£42.50; Fischharold，Shakespeare，Milton和Blake的圣经存在，1999年，PP。Xi + 330，£45.marottiarthur F.（Ed。），天主教和早期现代英语文本，Macmillan，1999，PP的天主教和反天主教。XVII + 266，£47.50; Shellalison，天主教，争议和英国文学想象，1558-1660，剑桥大学出版社，1999，PP。XI + 309，£37.50.Jamoussizouheir，Punigoghts和Envland在英国：他们在文学中的历史和代表调查，中心出版大学，突尼斯，1999，PP。293,8 DT.Murphorn Xane C.，英语内战通过虚构的恢复：一个注释书目，格林伍德出版社，韦斯特波特，CT，CT。，2000，PP。VIII + 349，£63.95 .HammondPaul，德莱顿和古典罗马，克拉伦登出版社，牛津，1999年的痕迹，第305，£45.00.LevineJoseph M.，古人和现代人之间：巴洛克文化恢复英格兰，耶鲁大学出版社，1999，页。 XIV + 279，£27.50.50.50.5.50.Tayloranya，浪漫英格兰的Bacchus：作家和饮料，1780-1830，Macmillan，1999，PP。Xi + 264，£47.50.Mandelllaura，罕有内容：十八世纪英国的文学业务，肯塔基州大学，1999，PP。X + 228，$ 42.00.Bainespaul，在十八世纪的英国伪造之家，阿什捷，1999年，PP。第八次+ 195，£47.50.50.50.50.Munnsjessica和Richardspenny（EDS），穿着我们，纽瓦克，特拉华大学出版社，1999，PP。362，£ 37.McCalmanIain（编辑），牛津伴侣对浪漫的年龄：英国文化，1776年至1832年，牛津大学出版社，1999，页。 XII + 780，£85.Brydeninga和Floydjanet（EDS），国内空间：阅读十九世纪内部，曼彻斯特大学出版社，1999，PP。XII + 219，£40.00; KiddAlan和NichollsDavid（EDS），性别，公民文化和消费：在英国，1800年至1940年中产阶层的身份，曼彻斯特大学出版社，1999年，第十四+ 223，£46.00，PB。 14.99英镑的理论上，从Derrida到Browning，曼彻斯特大学出版社，1999年，PP。X + 180，£40.Moreedavid，富于浪漫主义，2000，2000，PP。八+ 330，£45.Klesmary，悲惨的痛苦：宾夕法尼亚大学的维多利亚州美国的残疾和感情，1999年，第211次，第一次第一次世界大战的妇女作家：一名注册参考书目，rutledge，2000，pp。230，75英镑; TyleeClaire与Turnerelaine和Cardinalagnes（EDS），战争扮演妇女：国际选集，Routledge，2000，PP。225，£16.99 PB.Taylorjohn A.，戴安娜，自身利益和英国国家身份，Praeger，2000，PP 。169，£44.95.EARNShawsteven，文学中的酒吧，曼彻斯特大学出版社，2000，PP。X + 294，£45和15.99英镑PB.Klaush。古斯塔夫和骑士。（EDS），英国工业小说，威尔士大学出版社，2000，PP。VIII + 212，£14.99 PB。 Balchjack S.，伊利诺伊大学高中中午的灯，2000年，PP。XL + 404，$ 19.45 PB。康罗伊士队，伊利诺伊大学的世界胜利，2000年，PP。XXXV + 348，17.95磅PB.Gagnierregenia，人类想要的缘故：市场学会的经济学和美学，芝加哥大学出版社，2000，PP。352，£ 10.50 PB。

Narratives of sexuality and embodiment: Performative identities and abject agency in contemporary fiction and poetry by Japanese women writers.

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