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首页> 外文学位 >EL TIEMPO DE LOS OBJETOS O LOS SERES EN LA LUZ: LA POESIA DE BECQUER. (SPANISH TEXT) (GUSTAVO ADOLFO BECQUER).
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EL TIEMPO DE LOS OBJETOS O LOS SERES EN LA LUZ: LA POESIA DE BECQUER. (SPANISH TEXT) (GUSTAVO ADOLFO BECQUER).

机译：物体或物体出现的时间：贝克勒的诗歌。 （西班牙文）（GUSTAVO ADOLFO BECQUER）。

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摘要

I propose to study the internal dialectics of Gustavo Adolfo Becquer's Rimas (1868), analyzing the structural and philosophical elements of his work.; In this study, I closely examine the Rimas in the light of the fundamental metaphors which lead to organizational unity in Becquer's work. That is, my interest centers upon explaining the internal logic of Becquer's poetry and prose by means of the fundamental concepts: light, space and time. I take as my point of departure, the dialectics of "yes/but no" ("s(')i/pero no") which Antonio Machado refers to in his brief commentary on Becquer.; I begin from the premise that Becquer's work must be considered as a whole, from which no single component may be altered or displaced. In this sense, Becquer's prose as well as his poetry, seem to exist in relation to the total effect, while at the same time the whole depends upon its various parts for survival. My first chapter, which serves as an introduction and synthesis, attempts to find the structural unity of Becquer's theory and poetic praxis through the topics of love, feeling and poetry. I take as my point of departure, the famous prologue to Ferran's Soledad, as well as other texts in prose and poetry (some of which have already been analyzed by Ben(')itez and D(')iaz), relating these works to other similar poetic theories (particularly Poe and Baudelaire).; After Chapter I, I go on to study the problem of light and its relation to time and space. Light is a metaphor which, in my opinion, explains the internal coherence of Becquer's work. If in Chapter II it affects the objects and transforms the feelings and the imagination of the poet, then in Chapter III it uncovers the game of illusions and deceptions which characterizes the organic rhythm of the poet's work. Becquer always sees the double source of reality (illusion/deception) behind the fundamental metaphoric interplay of the star and the lamp. One of the mainstreams of this game is the problem of perspective and ironic distance which come from the German romantics (Schlegel, Tieck, Solger). Through the metaphor of light, he proposes also that there exists a duality between the world of imaginative observation and the false world of analysis and scientific explanation. . . . (Author's abstract exceeds stipulated maximum length. Discontinued here with permission of author.) UMI
机译：我建议研究古斯塔沃·阿道夫·贝克勒的《里马斯》（1868年）的内部辩证法，分析其工作的结构和哲学要素。在这项研究中，我根据导致隐喻的基本隐喻，仔细研究了里马斯。也就是说，我的兴趣集中在通过基本概念：光，空间和时间来解释贝克勒的诗歌和散文的内部逻辑。我以安东尼奥·马查多（Antonio Machado）在对贝克勒的简短评论中提到的“是/不是”（“ s（'）i / pero no”）的辩证法为出发点。我从前提出发，那就是必须将贝克勒的作品视为一个整体，从这个整体上不能改变或置换任何一个组成部分。从这个意义上说，贝克勒的散文以及他的诗歌似乎与整体效果有关，而同时整体取决于生存的各个部分。我的第一章是导论和综合，试图通过爱情，情感和诗歌主题来寻找贝克勒理论和诗学实践的结构统一。我的出发点是费兰的《 Soledad》的著名序言，以及其他散文和诗歌文本（其中一些已经由Ben（'）itez和D（'）iaz分析过），将这些作品与其他类似的诗歌理论（尤其是坡和鲍德莱尔）。在第一章之后，我继续研究光的问题及其与时间和空间的关系。在我看来，光是一个隐喻，可以解释贝克勒作品的内在连贯性。如果在第二章中它影响了对象并改变了诗人的感觉和想象力，那么在第三章中，它揭示了幻想和欺骗的游戏，这些游戏和游戏表现了诗人作品的有机节奏。贝克勒总是在恒星和灯的基本隐喻相互作用背后看到现实的双重来源（错觉/欺骗）。该游戏的主流之一是视角和讽刺意味的距离问题，这些问题来自德国浪漫主义者（施莱格尔，蒂克，索尔格）。通过光的隐喻，他还提出，在想象的观察世界与虚假的分析和科学解释世界之间存在着双重性。 。 。 。 （作者的摘要超出了规定的最大长度。经作者许可，在此处停产。）UMI

著录项

  • 作者

    BRASCHI, GIANNINA.;

  • 作者单位

    State University of New York at Stony Brook.;

  • 授予单位 State University of New York at Stony Brook.;
  • 学科 Literature Romance.
  • 学位 Ph.D.
  • 年度 1981
  • 页码 257 p.
  • 总页数 257
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

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