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首页> 外文学位 >Tapestry of tears: An autoethnography of leadership, personal transformation, and music therapy in humanitarian aid in Bosnia Herzegovina.
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Tapestry of tears: An autoethnography of leadership, personal transformation, and music therapy in humanitarian aid in Bosnia Herzegovina.

机译：眼泪挂毯：波斯尼亚和黑塞哥维那人道主义援助中的领导力，个人转变和音乐疗法的民族志。

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摘要

In the fall of 2003 I was invited to lead a team of music therapists in Bosnia and Herzegovina (BiH), a country that had been recently savaged by two brutal inter-ethnic wars. The program operated out of the Pavarotti Music Centre on the East side of Mostar, a divided city in the southwest region of BiH. My journey over the next four years was epically challenged by my immersion into the complexities of post-conflict recovery, and the cultural confusion that followed the atrocities of those wars. Transformation and change not only characterized the world in which I worked, but also paralleled internal processes proceeding silently within me. As a music therapist I have always worked within a framework of cultural constancy. In post-conflict societies, we become involved in a colossal moving fray of change. This dissertation is an autoethnography that uses heartfelt, reflective writing with the purpose of gaining a deeper understanding of my identity as a leader, as a music therapist, and as a cultural being in these sometimes difficult, but life-enhancing, four years. Together with academic perspectives and performative writing techniques, it explores a trail of thematic material that emerged during a confusing, ambiguous repatriation period in the years following my time in Bosnia. The autoethnography, an evocative expression of phenomenological research, is a conversation with "self" and with distant others who inhabit a time frame in the past, and thus informs an emergent narrative that carves its own path throughout the eight chapters. Ultimately, the dissertation aims toward a deeper understanding of my own culpability as a leader of a small multi-ethnic team in Mostar, BiH, and the implications this may have for arts-based fieldwork practice in post conflict regions. This dissertation is accompanied by seven supplemental files: 1 Mp4 video and 6 blog post pdf files. The electronic version of this Dissertation is at Ohiolink ETD Center, http://etd.ohiolink.edu and AURA http://aura.antioch.edu/.
机译：2003年秋天，我受邀领导波斯尼亚和黑塞哥维那（BiH）的一个音乐治疗师小组，该国最近遭到两次残酷的民族间战争的摧残。该程序在位于波黑西南地区分裂城市莫斯塔尔东侧的Pavarotti音乐中心之外运作。我沉迷于冲突后恢复的复杂性以及这些战争暴行之后的文化混乱，给我未来四年的旅程带来了极大的挑战。变革和变化不仅是我工作的世界的特征，而且还与我内部默默进行的内部流程平行。作为音乐治疗师，我一直在文化稳定的框架内工作。在冲突后的社会中，我们卷入了巨大的变化中。这篇论文是一部使用民族志的自传民族志作品，目的是要加深对我作为领导者，音乐治疗师和文化人的身份的深刻理解，这些人在这有时困难但又能改善生活的四年中。它与学术观点和表演写作技巧一起，探索了在我进入波斯尼亚后的几年中，在一个混乱，模棱两可的遣返时期出现的一系列主题材料。自发民族志学是现象学研究的一种令人回味的表达，它是与“自我”以及与过去居住在某个时间范围内的遥远其他人的对话，因此传达了贯穿八章的崭新叙事，它们刻画了自己的道路。最终，论文旨在加深对我作为波黑莫斯塔尔市一个多族裔小团队领导者的责任感，以及这对冲突后地区基于艺术的田野调查实践的意义。本文还附有七个补充文件：1个Mp4视频和6个博客帖子pdf文件。该论文的电子版本位于Ohiolink ETD中心，http：//etd.ohiolink.edu和AURA http://aura.antioch.edu/。

著录项

  • 作者

    Woodward, Alpha M.;

  • 作者单位

    Antioch University.;

  • 授予单位 Antioch University.;
  • 学科 European Studies.;Music.;Peace Studies.;Sociology Public and Social Welfare.;Health Sciences Rehabilitation and Therapy.
  • 学位 Ph.D.
  • 年度 2015
  • 页码 291 p.
  • 总页数 291
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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