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The God of War: Napoleonic Appropriation of Greco-Roman Art, Architecture, and Iconography

机译：战争之神：拿破仑对希腊罗马艺术，建筑和肖像的占有

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Napoleon and the artists of the First French Empire managed to sophisticatedly harness multiple facets of art, architecture, iconography, and culture in order to further their Imperial narrative and propaganda of validity. Each distinct element that was integrated into this movement served to promote the broader goal of aggrandizing and legitimizing the Emperor. While Napoleon's administration also employed countless tactics through philosophy, law, economics, religious practice, etc., the visual arts undoubtedly emerged as the most visceral and effective avenue of the era for establishing public credibility, and succinctly communicating the complex principles of an absolutist empire masquerading as a republic.

机译：拿破仑和第一法兰西帝国的艺术家们成功地运用了艺术，建筑，肖像和文化的多个方面，以促进其帝国主义叙事和有效性的宣扬。融入这一运动的每个独特元素都有助于促进使皇帝强化和合法化这一更广泛的目标。拿破仑政府还通过哲学，法律，经济学，宗教实践等手段采用了无数策略，而视觉艺术无疑成为了建立公众信誉并简洁地传达绝对主义帝国复杂原则的最亲密，最有效的途径。伪装成共和国。

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作者
Murphy, Thomas F.;
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作者单位

San Diego State University.;

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授予单位 San Diego State University.;
学科 Romance literature.;World history.;Geography.
学位 M.A.
年度 2018
页码 152 p.
总页数 152
原文格式 PDF
正文语种 eng
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The God of War: Napoleonic Appropriation of Greco-Roman Art, Architecture, and Iconography

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