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首页> 外文学位 >Guests At Their Own Home: Homecoming, Memory and Authorship in A Guest for the Night by S.Y. Agnon and the Yash Novels by Jacob Glatstein.
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Guests At Their Own Home: Homecoming, Memory and Authorship in A Guest for the Night by S.Y. Agnon and the Yash Novels by Jacob Glatstein.

机译：宾客在家中：S.Y.的《宾客之夜》中的归乡，记忆和著作权Agnon和Jacob Glatstein的Yash小说。

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摘要

This dissertation explores the differences in constructions of memory and of authorship in diasporic and national literature through a close reading of "A Guest for the Night" by S.Y. Agnon and the Yash novels by Jacob Glatstein. The reading is premised on a diasporic conception of Jewish literature as a cosmopolitan web of centers of production, interacting with each other. The two authors write in similar circumstances about visiting the Eastern European home in the interwar period. Both emigrated from Eastern Europe to Palestine and the United States respectively and their modernist homecoming narratives present the dilemmas of Jewish authorship on the cusp of modernity.;The discussion of memory reveals its interactions with place, language and peoplehood. The novels present a rupture in Jewish memory as a result of the upheavals of emmigration and the demise of traditional Jewish life. The authors ask questions about the continuity of Jewish narrative and life in face of changing relations to place and language. Agnon's novel grapples with the transition from Diaspora to the ancient, historic homeland and explores the possibility of reconstructing Jewish life in it. At the same time Agnon interrogates the viability of Jewish life in a diasporic place. Agnon imiplicitly offers an alternative to the Zionist vision. His historical conception allows to mend the rupture in Jewish memory. Glatstein develops an alternative, highly flexible relation between memory and place and offers modes of commemoration that are not related to fixed locations and are based on language and culture.;The discussion of authorship looks at the way the authors see their own role in the transition from tradition to modernity. Agnon's struggle with non traditional Jewish writing unfolds through his relations to different models of authorship. I explore his struggle with the romantic ideal of male authorship, and present this attempt as analogous to siring a new Jewish body in place of the dead and scattered exilic one. The discussion of Glatstein's concept of authorship reveals a highly modernist, at times post modernist and performative conception of subjectivity. He presents the writer as performing a role, while using traditional themes of Yiddish theater as subcontext.
机译：本论文通过仔细阅读S.Y.的《夜晚的来客》，探讨了散居和民族文学在记忆和作者结构上的差异。阿格农和雅各布·格拉茨泰因（Jacob Glatstein）的雅西小说读物以犹太文学的泛滥概念为前提，犹太文学是生产中心相互影响的国际化网络。两位作者在类似的情况下写过关于在两次世界大战期间访问东欧之家的情况。两者都分别从东欧移民到巴勒斯坦和美国，他们的现代主义叙事形式呈现了犹太作家身份在现代性高潮中的两难境地。关于记忆的讨论揭示了记忆与地方，语言和人情的相互作用。由于移民的动荡和传统犹太人生活的消亡，这些小说在犹太人的记忆中破裂。作者提出关于面对位置和语言关系变化的犹太叙事和生活的连续性的问题。阿格农的小说努力解决从散居到古老，历史悠久的故乡的转变，并探讨了在其中重建犹太人生活的可能性。同时，阿格农（Agnon）在流离失所的地方审问犹太人生活的生存能力。 Agnon隐喻地为犹太复国主义的愿景提供了另一种选择。他的历史构想可以弥补犹太人记忆中的破裂。 Glatstein在记忆和位置之间发展了一种替代性的，高度灵活的关系，并提供了与固定位置无关的，基于语言和文化的纪念方式。;作者身份的讨论着眼于作者如何看待自己在过渡中的作用从传统到现代。阿格农与非传统的犹太作家的斗争是通过他与不同作者模式的关系而展开的。我探索了他与男性作家身份的浪漫理想的斗争，并提出了这一尝试，就像在犹太人的新尸体中代替死者和散居的流放者一样。对格拉茨泰因著作权概念的讨论揭示了高度现代主义，有时是后现代主义和表现主义的主体性概念。他以传统的意第绪戏剧主题为次要背景，将作家呈现为一个角色。

著录项

  • 作者

    Sela-Levavi, Shirli.;

  • 作者单位

    Rutgers The State University of New Jersey - New Brunswick.;

  • 授予单位 Rutgers The State University of New Jersey - New Brunswick.;
  • 学科 Literature Comparative.;Jewish Studies.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 225 p.
  • 总页数 225
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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