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首页> 外文学位 >Art Installations In The Desert: A Participant Observation Study Of The Art Of Real Life Burning Man And Second Life Burn2.
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Art Installations In The Desert: A Participant Observation Study Of The Art Of Real Life Burning Man And Second Life Burn2.

机译：沙漠中的艺术装置：对真实生活中的烈火人和第二人生的艺术的参与性观察研究2。

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摘要

Black Rock City is a temporary city existing for one week in the harsh desert of northern Nevada. It plays host to the Burning Man festival with over 300 large-scale art installations and is considered to be the largest interactive art festival in the world. Besides the main burn, smaller local regional events have developed. These regional events encompass many of the same tenets as Burning Man including the presentation of large-scale art. Burn2 is the regional event held on the virtual world, Second Life. In 2013, both events used the theme of Cargo Cult as a stepping off point for the artists. Through the lens of spectacle, I used art criticism as a way to gain understanding of the artworks.;Art criticism is a means of interpreting and appreciating artwork and is often used in the art classroom. Edmund Feldman's method promotes a deeper understanding of art and consists of four steps: description, formal analysis, interpretation and judgment. Using Feldman's method, I analyzed three artworks from the 2013 Burning Man festival and three works from Burn2. From interviews, photographs, and personal observations I analyzed the artworks. I used external analysis to compare the literature on similar festivals and the artworks with other events held in the real life and virtual world.;I found in both events very similar concepts and themes. Artists had specific subject matter in mind when designing their installations. Artists used the theme as a stepping off point for rationalizing their content. Art made to be displayed at Burning Man was expensive; funding was a concern for all the artists. Burn2 artists were free from funding concerns even though there were expenses to making art in Second Life. Emerging themes were use of building materials and color, use of electronics and computer technology, art installations in festivals, spectacle, collaboration, and interactivity. Further implications included teaching about the engineering of structures, critical thinking about festival themes and the individual art installations, visual culture, and art making with these emerging art forms.
机译：黑石城是一个临时城市，在内华达州北部的沙漠中存在一个星期。它是“燃烧人”艺术节的主办地，拥有300多个大型艺术装置，被认为是世界上最大的互动艺术节。除了主要的烧伤外，还发生了一些较小的地方区域性事件。这些区域性活动涵盖了与《燃烧的人》相同的宗旨，包括大型艺术品的展示。 Burn2是在虚拟世界Second Life上举行的区域性活动。在2013年，两项活动均以“货运崇拜”为主题，成为艺术家们的起点。通过奇观，我将艺术批评作为一种了解艺术品的方式。艺术批评是一种解释和欣赏艺术品的手段，经常在艺术教室中使用。埃德蒙·费尔德曼（Edmund Feldman）的方法增进了对艺术的理解，包括四个步骤：描述，形式分析，解释和判断。使用费尔德曼的方法，我分析了2013年燃烧人节的三件作品和Burn2的三件作品。从采访，照片和个人观察中，我分析了这些艺术品。我使用外部分析将类似节日的艺术品和艺术品与现实生活和虚拟世界中发生的其他事件进行比较。在这两个事件中，我发现概念和主题都非常相似。艺术家在设计装置时会想到特定的主题。艺术家将主题用作合理化其内容的起点。在《燃烧的人》中展示的艺术品价格昂贵；资金是所有艺术家的关注点。即使在《第二人生》中制作艺术品也要花钱，Burn2的艺术家无需担心资金问题。新兴的主题是建筑材料和颜色的使用，电子和计算机技术的使用，节日中的艺术装置，奇观，协作和互动。进一步的含义包括有关结构工程的教学，对节日主题和个人艺术装置的批判性思考，视觉文化以及这些新兴艺术形式的艺术创作。

著录项

  • 作者

    Krecker, Linda Susan.;

  • 作者单位

    Arizona State University.;

  • 授予单位 Arizona State University.;
  • 学科 Art education.;Art criticism.;Fine arts.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 175 p.
  • 总页数 175
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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