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Beyond the boudoir: Women's poetry on travel in late imperial China.

机译：闺房之外：帝制晚期中国女性旅行诗。

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摘要

The topic of this dissertation is poetry on travel by women writers of late imperial China, especially from the mid-sixteenth century to the nineteenth century. During this period, not only was there an extraordinary florescence of women's writing, but their mobility was also greatly expanded compared to previous dynasties. As a consequence, travel, whether in the form of an actual journey or an imagined one, became a central topic in many women's poems. Despite the conventional assumption that pre-modern Chinese women were passive and confined, the travel poems discussed in this study point to a wide variety of travel experiences or, at the very least, a growing desire for physical mobility on the part of educated women of Ming-Qing China.;The subject of travel provided a larger literary space for women poets, especially elite women, to challenge the notion that their proper place was the boudoir and to question the seemingly fixed boundary between the inner and outer spheres. I study the topic of women's poetry and travel in its broader literary, social and historical contexts, and approach the topic from multiple perspectives, including the versatility of women's journeys, which were closely related to their personal circumstances and the changing social reality; women's re-inscription of "recumbent travel," a popular notion in male literati culture that symbolized artistic fashion and taste; the gendered reinvention of a traditional poetic genre roaming as a transcendent, and a case study on the excursions of a single Manchu woman poet Gu Taiqing (1799-1877), who was influenced by both Han and non-Han cultures.;In contrast to male literati's travel which was widely encouraged as a necessity of self-cultivation, women's travels were largely curtailed by gender norms. In other words, when travel was not a free choice, women had to negotiate their spaces beyond the boudoir strategically, and poems provided just such a space for enhancing and enriching their self-expression and gender consciousness as a poet and a woman. The proactive and innovative interactions with literary minds in their daily life enabled women poets to reach a wider world beyond the boudoir.
机译：本文的主题是中国晚期帝国女性作家的诗歌，特别是从十六世纪中叶到十九世纪。在此期间，不仅女性写作异常活跃，而且与以前的朝代相比，女性的流动性也得到了极大的扩展。结果，无论是实际旅行还是想象中的旅行，旅行已成为许多女性诗歌中的中心话题。尽管传统上认为前现代中国妇女是被动的和受限的，但本研究中讨论的旅行诗指出了各种各样的旅行经历，或者至少，受过教育的中国妇女对身体活动的需求日益增长中国明清：旅行的主题为女诗人，尤其是精英女性，提供了更大的文学空间，以挑战她们的适当位置是闺房的观念，并质疑内外圈之间看似固定的界限。我在更广泛的文学，社会和历史背景下研究妇女的诗歌和旅游主题，并从多种角度探讨该主题，包括妇女旅程的多功能性，这与她们的个人情况和不断变化的社会现实密切相关;妇女对“卧式旅行”的重新命名，这是男性文人文化中流行的观念，象征着艺术的时尚和品位；传统的诗歌流派的性别重塑作为一种超越，并以一名满族女诗人顾泰清（1799-1877）的旅行为例，该人受汉族和非汉族文化的影响。作为自我修养的必需品，男性文人的出行受到了广泛的鼓励，而女性的出行在很大程度上受到性别规范的限制。换句话说，当旅行不是一种自由选择时，妇女必须在闺房之外战略性地谈判自己的空间，而诗歌正是提供了这样一种空间，以增强和丰富她们作为诗人和女人的自我表达和性别意识。日常生活中与文学思想的积极主动和创新性互动，使女诗人可以超越闺房，进入更广阔的世界。

著录项

  • 作者

    Wang, Yanning.;

  • 作者单位

    Washington University in St. Louis.;

  • 授予单位 Washington University in St. Louis.;
  • 学科 Literature Asian.;Womens Studies.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 308 p.
  • 总页数 308
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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