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Emergent media technologies and the production of new urban spaces.

机译：新兴的媒体技术和新的城市空间的产生。

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This dissertation argues that emergent media technologies and contemporary urban spaces are corresponding phenomena, connected through cultural and economic emphases on personalization, mobility, and interactivity. Interrogating developments in the built environment alongside changes in media technologies --- like linking modernist urbanity with the cinema or mid-century suburbia with broadcast television --- this dissertation engages material developments and the cultural constructions that make them possible. Conceptually, emergent media technologies and spatial practices are critiqued as interactive scripted spaces that surface ideological forces of interactivity, personalization, and mass customization in spatial and technological realms. Materially, the technological scripts of network protocols and infrastructure yield new media interfaces -- like TiVo and iPod screens -- that emphasize interactivity and personalization. Similarly, the spatial scripts of urban planning and development yield new urban spaces -- such as neotraditional communities and adaptive urban regentrification -- that emphasize flexibility and customization. In everyday environments the regular and repeated articulation of networks, interfaces, and spaces yields new practices and expectations of how the world should respond to our technologically-inflected desires. Grounded in media and urban theory as well as through egagements with real-world developments -- like Playa Vista, a new urbanist community in Los Angeles, and downtown Los Angeles itself -- this dissertation argues that Networked Media Spaces are created wherever media interfaces are engaged with media networks, and the extension of interface-associated notions of personalization and customization into these spatial environment in turn yields new modes of techno-mediated thinking that shape individual and cultural imaginaries regarding the built environment. These new spatial demands have been met with substantial changes -- the establishment of revitalized downtown centers, technoburbs, neotraditional neighborhoods, wired homes, flexible work environments, and gated communities -- that are determined in part by affinities with emergent media technologies and in part by the broader economic imperatives of neo-Fordist mass customization. Perhaps most crucially, these practices are framed by changes in a cultural vision of what it means to live in a moment of significant techno-spatial development. From master planned communities to gentrifing urban cores to ubiquitous WiFi hotspots, these scripted interrelations of capital, media, and space are ultimatley negotiated on an everyday basis through a cultural logic of networked personalized mobility.
机译：本文认为，新兴的媒体技术和当代城市空间是相对应的现象，通过对个性化，流动性和互动性的文化和经济重视而相互联系。审视建筑环境的发展以及媒体技术的变化-例如将现代主义的城市性与电影院或世纪中叶的郊区与广播电视联系在一起-本论文涉及物质发展和使之成为可能的文化建设。从概念上讲，新兴媒体技术和空间实践被批判为交互式脚本化空间，在空间和技术领域中体现了交互性，个性化和大规模定制的意识形态力量。从本质上讲，网络协议和基础设施的技术脚本产生了新的媒体界面（例如TiVo和iPod屏幕），这些界面强调了交互性和个性化。同样，城市规划和发展的空间脚本产生了新的城市空间，例如新传统社区和适应性的城市绅士化，它们强调了灵活性和定制化。在日常环境中，网络，接口和空间的规则性和重复性表达产生了新的实践，并提出了人们对世界应如何响应我们的技术变化的愿望的期望。本文以媒体和城市理论为基础，并通过对现实世界发展的管理（例如Playa Vista，洛杉矶新的城市主义者社区和洛杉矶市中心本身）扎根-这篇论文认为，网络媒体空间是在媒体接口所在的任何地方创建的与媒体网络的互动，以及将与接口相关的个性化和自定义概念扩展到这些空间环境中，又产生了新的技术介导思维模式，这些思维模式塑造了有关建筑环境的个人和文化想象。这些新的空间需求已经发生了重大变化-建立了充满活力的市中心，科技园区，新传统社区，有线房屋，灵活的工作环境和封闭式社区-部分取决于与新兴媒体技术的相似性受到新福特主义大规模定制的广泛经济需求的影响。也许最关键的是，这些实践是由文化观念的变化所决定的，这种文化观念认为生活在技术空间飞速发展的时刻意味着什么。从总体规划的社区，到繁华的城市核心，再到无处不在的WiFi热点，这些脚本化的资本，媒体和空间相互联系，都是通过网络化个性化移动的文化逻辑每天达成的。

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