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An analysis of the art image interchange cycle within fine art museums.

机译：美术博物馆中的艺术形象交流周​​期分析。

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摘要

The art image interchange cycle is the procedure carried out by fine art museums in reproducing fine artwork - starting with the imaging of the original work, then digital processing, and lastly, repurposing for output to achieve a high-quality replica in a range of possible media. There are many areas of importance within this process, such as digital image processing, standardization, test targets use, and color management. This research has sought to analyze the fine art image interchange through understanding the background areas and how they apply, as well as benchmarking what museums are already doing with the intention of improving and standardizing the process.;Upon completion of an adequate background study of the literature (concentrated on color management theory, test targets use, and fine art reproduction) this research focused on four main areas. First, a review of international standards was established and how they can be used to benefit museums. Second, a review of test targets was conducted and how best they can be implemented in fine art reproduction. Third, a number of museum workflows were benchmarked and documented - a workflow experiment was created and implemented for documentation purposes (and future image quality analysis). Lastly, a case study was conducted of a local fine art museum's process of creating a fine art catalog, to better understand an average museum's fine art image interchange.;The research concluded that the practice of standardization could be improved within museums. As far as test targets, there was a large range of understanding and use. The benchmarking of three museums was completed, and it was determined that the process of documenting workflow was a difficult task to have implemented. Lastly, in the case study, much was gained through the interviews, placing a great importance on communication, planning, and standardization.
机译：艺术图像交换周期是美术博物馆在复制精美艺术品时执行的程序-从对原始作品进行成像开始，然后进行数字处理，最后重新设定输出目的，以在可能的范围内获得高质量的复制品媒体。在此过程中，有许多重要领域，例如数字图像处理，标准化，测试目标的使用和色彩管理。这项研究旨在通过了解背景区域及其应用方式以及对博物馆为改善和标准化流程而进行的工作进行基准分析来分析美术形象的互换性;在完成对博物馆的充分背景研究后文献（集中于色彩管理理论，测试目标的使用和美术复制）集中于四个主要领域。首先，建立了对国际标准的审查以及如何将其用于使博物馆受益。其次，对测试目标以及如何在美术复制品中实现最佳目标进行了审查。第三，对博物馆的许多工作流程进行了基准测试和记录编制-创建并实施了工作流程实验以用于记录目的（以及将来的图像质量分析）。最后，对当地美术馆建立美术目录的过程进行了案例研究，以更好地理解普通博物馆的美术形象交流。研究得出的结论是，在博物馆内部可以改善标准化的做法。至于测试目标，有广泛的理解和用途。三个博物馆的基准测试已经完成，并且确定了记录工作流程的过程是一项艰巨的任务。最后，在案例研究中，通过访谈获得了很多东西，非常重视沟通，计划和标准化。

著录项

  • 作者

    Andersen, Evan.;

  • 作者单位

    Rochester Institute of Technology.;

  • 授予单位 Rochester Institute of Technology.;
  • 学科 Fine Arts.;Psychology Cognitive.;Museology.;Business Administration Arts Management.
  • 学位 M.S.
  • 年度 2010
  • 页码 119 p.
  • 总页数 119
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 公共建筑;
  • 关键词

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