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Childless women in the plays of William Inge, Tennessee Williams, and Edward Albee.

机译:威廉·英格,田纳西·威廉姆斯和爱德华·阿尔比的戏剧中的没有孩子的妇女。

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摘要

This dissertation is an examination of three major twentieth-century American playwrights---William Inge, Tennessee Williams, Edward Albee---and their dramatic use of childless women characters in Come Back, Little Sheba (1950), Cat on a Hot Tin Roof (1955), and Who's Afraid of Virginia Woolf? (1962) respectively. Although the plays of Inge, Williams, and Albee have been analyzed individually by numerous scholars, they have not been studied together as works about procreation and childlessness. The study's historical focus is the post World War II era during which time the three plays proposed for analysis were written and produced. Commonly called the baby boom era, the postwar years saw a marked increase in this country's birthrate. By turning to the perceived security of domestic life and traditional family values following the upheaval of war, many Americans created a cultural mandate that emphasized marriage and parenthood as essential to success, happiness, even national patriotism.;This study argues that Sheba, Cat, and Virginia Woolf complicate the idealistic view of domesticity many Americans embraced during the postwar years by truthfully exposing the underlying anxiety and disturbing sense of tragedy that characterized much of family life in the 1950s. Through extended readings of the individual works, this study seeks to illuminate the complex ideas about gender roles and family structures that emerge from the texts of the plays by exploring the socially, culturally, and psychologically subversive and disruptive potential represented in the presence of childless women characters.
机译:本文研究了二十世纪三位主要的美国剧作家-​​威廉·英格,田纳西·威廉姆斯,爱德华·阿尔比-以及他们在《回归》,《小谢巴》(1950年),《铁皮猫》中戏剧性地使用了没有孩子的女性角色。屋顶(1955年),谁怕弗吉尼亚·伍尔夫(Virginia Woolf)? (1962)。尽管英格(Inge),威廉姆斯(Williams)和阿尔比(Albee)的戏剧被众多学者单独分析,但它们并未作为生育和无孩子的作品一起研究。这项研究的历史重点是第二次世界大战后的时期,在此期间,编写并制作了三本提出进行分析的戏剧。通常被称为婴儿潮时代,战后时期该国的出生率显着增加。在战争剧变之后,人们转向家庭生活的安全感和传统家庭价值观,许多美国人创造了一种文化使命,强调婚姻和父母身份对于成功,幸福甚至民族爱国主义都是至关重要的;该研究认为,Sheba,Cat,弗吉尼亚·伍尔夫(Virginia Woolf)真实地揭示了1950年代许多家庭生活所固有的潜在焦虑和令人不安的悲剧感,使许多美国人在战后所拥护的家庭理想主义观点更加复杂。通过对单项作品的扩展阅读,本研究旨在探索戏剧文本中有关性别角色和家庭结构的复杂观念,方法是探索存在无子女妇女所表现出的社会,文化和心理颠覆和破坏潜力字符。

著录项

  • 作者

    Winkel, Suzanne Macdonald.;

  • 作者单位

    The University of North Dakota.;

  • 授予单位 The University of North Dakota.;
  • 学科 Literature American.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 172 p.
  • 总页数 172
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I712;
  • 关键词

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