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首页> 外文学位 >Literarische Imagination und soziologische Zeitdiagnose im wiedervereinigten Deutschland. Untersuchungen zur Funktion von 'Welthaltigkeit' im deutschsprachigen Gegenwartsroman am Beispiel von Ingo Schulzes 'Simple Storys'.
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Literarische Imagination und soziologische Zeitdiagnose im wiedervereinigten Deutschland. Untersuchungen zur Funktion von 'Welthaltigkeit' im deutschsprachigen Gegenwartsroman am Beispiel von Ingo Schulzes 'Simple Storys'.

机译：统一德国的文学想象力和社会学时间诊断。以Ingo Schulze的“简单故事”为例，研究德语当代小说中“世界可持续性”的功能。

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摘要

This dissertation revitalizes the sociological approach to literature in the light of the 'cultural turn' in sociology represented by Pierre Bourdieu, Ulrich Beck, Gerhard Schulze and others - and demonstrates its potential for contemporary German-language literature. Advocating the decisive role of the social functions of cultural products, my investigation starts from the thesis that, with the electronic mass media acquiring a dominant role in the cultural sphere, a functional differentiation has taken place, forcing authors of artistic aspiration to focus on the media-specific strengths and benefits of literature as text while at the same urging them to adjust to the consumption patterns of mass entertainment - not least because literature as institution is increasingly permeated by the laws of a globalized market. The result is, as I argue, a neo-realism which appeals on the surface to readers looking for intense, authentic experiences of "reality" and shifts its more challenging artistic dimensions to a deeper level of symbolism, allusions and structural constellation.;My inquiry into the social functions of this new realistic paradigm is carried out by exposing the literary representation of the transforming East-German society after reunification, as represented in Ingo Schulze's novel Simple Storys, to a comparison with the sociological diagnosis of it. This comparison does not subjugate the novel to external, non-literary criteria; instead, it demonstrates the specific features of the literary "grip on reality" as opposed to the scientific one and relates them to the competition with the mass media.;On the individual level, two main social functions of contemporary literature-as-art finally emerge: to work through the cultural knowledge of its readers and their modes of experience, to test their limits and to transcend them partially - and to do the same with the elements of identity bound up with this cultural knowledge, thus facilitating a partial self-transcendence which gives room for suppressed needs. On a more general level, these functions keep reader's cultural knowledge and personal identities flexible enough to adjust to an ever-changing social environment. At the same time, they provide the subjective basis for critical distance and creative innovation.
机译：鉴于皮埃尔·布尔迪厄，乌尔里希·贝克，格哈德·舒尔茨等人所代表的社会学的“文化转向”，本论文振兴了文学的社会学方法，并展示了其在当代德语文学中的潜力。为了倡导文化产品的社会功能起决定性作用，我的调查从论文开始，即随着电子大众媒体在文化领域占据主导地位，功能发生了分化，迫使具有艺术抱负的作者将注意力集中在文化上。媒体作为文学作品的优势和优势，同时又敦促它们适应大众娱乐的消费模式-尤其是因为文学作为制度越来越受到全球化市场法则的渗透。正如我所认为的，结果是一种新现实主义，从表面上吸引了那些寻求强烈，真实的“现实”体验的读者，并将其更具挑战性的艺术维度转移到了更深层次的象征主义，典故和结构星座上。通过将因戈·舒尔茨的小说《简单的故事》中所代表的统一后转型的东德社会的文学表现形式与社会学诊断相比较，来研究这种新的现实范式的社会功能。这种比较不会使小说服从外部的非文学标准。取而代之的是，它展示了文学“对现实的把握”而不是科学的特定特征，并将其与与大众传播媒介的竞争联系起来。在个体层面上，当代文学艺术的两个主要社会功能最终出现：通过读者的文化知识和他们的经验模式来工作，测试他们的极限并部分超越它们-对与这种文化知识绑定在一起的身份要素进行同样的处理，从而促进部分自我超越性为压抑的需求提供了空间。在更一般的层面上，这些功能使读者的文化知识和个人身份具有足够的灵活性，以适应不断变化的社会环境。同时，它们为关键距离和创意创新提供了主观基础。

著录项

  • 作者

    Schumacher, Uwe.;

  • 作者单位

    University of Pittsburgh.;

  • 授予单位 University of Pittsburgh.;
  • 学科 Literature Modern.;Sociology Social Structure and Development.;Literature Germanic.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 511 p.
  • 总页数 511
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;社会结构和社会关系;
  • 关键词

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