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首页> 外文学位 >Melancholy and the modern consciousness of Francesco Petrarca: A close reading of melancholy, acedia, and love-sickness in the 'Secretum', 'De Remediis Utriusque Fortunae' and 'Canzoniere'.
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Melancholy and the modern consciousness of Francesco Petrarca: A close reading of melancholy, acedia, and love-sickness in the 'Secretum', 'De Remediis Utriusque Fortunae' and 'Canzoniere'.

机译：忧郁与弗朗切斯科·佩特拉卡（Francesco Petrarca）的现代意识：仔细阅读“秘密”，“德雷梅迪乌斯·乌图卢斯·福图纳”和“ Canzoniere”中的忧郁，acedia和相思病。

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摘要

The most important classical Greek heroes were believed to suffer from a physical, mental, and spiritual illness shown negatively to alter their general state of being. Attributed to an excess of black bile in the body, the earliest documented form of this ailment came to be known as "melancholy;" paramount among its effects was the emergence of a severely split being sincerely pursuing Virtue, yet markedly susceptible to the Passions that threatened to veer him off his course.;The manifestations of this malady pervade his oeuvre as a whole: repeatedly in his immense repertoire, Petrarch - at least in his proliferation of an artistic or lyrical "io" or self--surfaces as a fragmented if not strictly binary figure both tormented by his incumbent passions and resolutely determined to overcome them. Petrarch's often autobiographical figures are ruled by conflicting inner forces which leave them paralysed, indecisive, and helpless before Fortune, in a new position foreshadowing the anthropocentric and, to a degree, "bipartite" "modernity" soon to flood the continent.;Through a close reading of three of his most celebrated texts - the Secretum, De Remediis Utriusque Fortunae, and the Canzoniere, this study will seek to posit Petrarch as a fundamentally melancholic and "accidioso" writer whose condition of internal and social rupture more generally speaks to the emerging "crisis of modernity" which he perhaps first sets to the center stage of his period.;In the Middle Ages, traces of melancholy are found in the sin of acedia still today considered a rather "medieval" vice. Globally defined as a state of "general apathy," acedia was believed more egregiously to affect solitary religious figures devoted to prayer. The dawn of Humanism in Western Europe, however, saw this notion extended to the more general scholar, and featured as (arguably) its first protagonist, 14 th-century humanist Francesco Petrarca.
机译：人们认为，最重要的古典希腊英雄遭受身体，精神和精神疾病的折磨，从而改变了他们的整体生存状态。由于体内黑胆过多，这种疾病的最早记载形式被称为“忧郁”。其影响中最重要的是出现了严重分裂，他们真诚地追求美德，但明显容易受到激情的威胁，使他偏离了自己的路线。这种疾病的表现遍及他的全部：在他的全部曲目中反复出现，彼得拉克-至少在他的艺术或抒情的“ io”或自我的扩散中-表面上是零散的（如果不是严格的二元数字），既受到他在职激情的折磨，也下定决心要克服它们。彼得拉克的自传人物通常受到相互冲突的内在力量的支配，这些内在力量使他们陷入瘫痪，优柔寡断，无助，直到《财富》杂志出现在一个新的位置，以人类为中心，并在某种程度上预示着“两分”的“现代性”将很快席卷整个非洲大陆。通过仔细阅读他的三篇最著名的著作-《分泌》，《德·雷梅迪斯·乌特里斯克·福图纳》和《坎佐涅雷》，这项研究将力求使彼得拉克成为一位忧郁而“痛苦的”作家，他的内部和社会破裂状况更普遍地反映了新兴的“现代性危机”，也许他首先将其置于其时代的中心阶段。在中世纪，acedia的罪恶中发现了忧郁的痕迹，今天仍然被认为是“中世纪”的恶习。 acedia在全球范围内被定义为“普遍冷漠”状态，被认为更严重地影响了致力于祈祷的孤独宗教人物。然而，人文主义在西欧的兴起使这一概念扩展到了更一般的学者，并以（可以说）它的第一个主角，即14世纪的人文主义者弗朗切斯科·佩特拉卡（Francesco Petrarca）为特征。

著录项

  • 作者

    Zampini, Tania.;

  • 作者单位

    McGill University (Canada).;

  • 授予单位 McGill University (Canada).;
  • 学科 Literature Medieval.;History Medieval.;Literature Romance.
  • 学位 M.A.
  • 年度 2008
  • 页码 127 p.
  • 总页数 127
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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