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首页> 外文学位 >A l'ecart du visible: Anachronisme et imaginaires de l'archeologique a partir de Barthes, Bataille, Lacan et Quignard.
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A l'ecart du visible: Anachronisme et imaginaires de l'archeologique a partir de Barthes, Bataille, Lacan et Quignard.

机译：远离可见的东西：来自巴特，巴塔耶，拉康和奎纳德的考古时代和虚构的事物。

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摘要

The concept of anachronism in postwar French literature has caught little attention in contemporary scholarship. Among the scattered criticism which touches upon this question, anachronism has always been thought of within the confines of the “modern vs. anti-modern” dichotomy. My dissertation attempts to move beyond such binaries. I propose to think about anachronism not in relation to time, but to space, or more specifically, to the lack or invention of space in a late capitalist society in which literature and arts have been marginalized. I argue that archaism and the motif of heterogeneity go hand in hand in forming a critical negative apparatus which resists the homogenizing structure of society: both attempt to represent the irrepresentable, the invisible and the silent, that is, the “remainders left out by the standardizing process of civilization.;Such an operation is by definition a paradoxical one, for it points not only to a vision of nature exempt from the ravages of history, but also to an imagined nascent human community in which language has not yet become power. How are we to represent such an origin obscured by living civilizations, yet active as a hidden force with regenerative or transformative potential? The archaeological imagination provides a space that calls for exhumation of the buried and the repressed, while conserving the unknown for future inventions. By studying the relationship between anachronism and the archaeological “imaginary,” I try to detach the former from its usual association to linear historical representation and to provide it with an operational autonomy linked to space.;Anachronism, I argue, is linked to the figure of exclusion, but it transforms itself into a generative force which leads to the construction of utopian spaces. The imaginary communities and the literary spaces in Barthes’ late Collège de France public lectures, Lacan’s Écrits and his seminars, Georges Bataille and Pascal Quignard’s unclassifiable non-fictional writings allow us to see how these spaces move away from the social contract, providing a silent resistance to the “global society, a society in which technological progress and communicational transparency advocate the deletion of any forms of secrecy, obscurity and ambiguity.
机译：战后法国文学中的过时主义概念在当代学术界很少引起关注。在涉及这个问题的零星批评中，过时主义一直被认为是在“现代与反现代”二分法的范围内。我的论文试图超越这些二进制文件。我建议考虑与时代无关的不合时宜的问题，而不是与空间有关的问题，更具体地说，与在文学和艺术已被边缘化的晚期资本主义社会中空间的缺乏或发明有关。我认为，古风和异质性的主题是在形成一个抵制社会同质结构的关键否定性工具时相辅相成的：两者都试图代表无可代表的，看不见的和沉默的，即“被遗弃者遗留下来的东西”。从定义上讲，这样的操作是一种自相矛盾的操作，因为它不仅指向一种不受历史破坏的自然观，而且还指向一种尚未建立语言的想象中的新生人类社区。我们如何代表这样一个起源，它被现存的文明所掩盖，却又活跃起来，成为具有再生或变革潜力的隐藏力量？考古学的想象力提供了一个空间，可让人们挖掘被埋者和被压抑者的尸体，同时为未来的发明保存未知的东西。通过研究时代错误与考古学“虚构”之间的关系，我试图使前者脱离其与线性历史表现形式的通常联系，并为它提供与空间相关的运作自主权。排斥，但它自身转化为产生力量，从而导致乌托邦空间的构建。巴特（Barthes）晚期的法兰西学院（Collègede France）公共演讲，拉康（Lacan）的《Écrits》及其研讨会，乔治·巴塔耶（Georges Bataille）和帕斯卡·奎格纳德（Pascal Quignard）的不可分类的非虚构著作中的虚构社区和文学空间使我们能够看到这些空间如何远离社会契约，提供了沉默对“全球社会”的抵制，在这个社会中，技术进步和沟通透明性主张删除任何形式的保密，晦涩和歧义。

著录项

  • 作者

    Zhuo, Yue.;

  • 作者单位

    New York University.;

  • 授予单位 New York University.;
  • 学科 Literature Romance.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 268 p.
  • 总页数 268
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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