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The Harley Lyrics revisited: A multilingual textual community.

机译：哈雷歌词再访：一个多语言文本社区。

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摘要

During the thirteenth and fourteenth centuries, literary production in England was in three languages, Latin. French, and English. The famous manuscript Harley 2253 contains a representative cross-section of the French and English poetic elements of this trilingual literature. This manuscript is recognized as an important source for Middle English poetry, and its English contents are well known under the name Harley Lyrics. The French poems from the manuscript are less well known. This situation is representative of the state of the study of Middle English and Anglo-Norman poetry. A fresh look at Middle English and Anglo-Norman lyrics, and at the relationships obtaining between them, is long overdue. Harley 2253 provides a good place to start.;This project explores the multilingual society which produced Harley 2253, and demonstrates the advantages of reading the manuscript's French and English poems side by side. The first chapter provides an overview of the history of the three main languages used in England during the late Middle Ages and the relationships obtaining between them, and examines the aesthetic nature of the medieval lyric. The next chapter takes up the question of how the manuscript was formed and the role of language in the plan of the manuscript. Chapter three examines the opening sequence of poems in the manuscript and demonstrate ways in which the scribe deliberately arranged poems in the two vernaculars into one bilingual dialogue. Chapter four traces the affinities of one French lyric in the manuscript with many of the English poems in the manuscript. Chapters five and six examine the English alliterative lyrics, the one type of English lyric which is unlike those in Anglo-Norman, and explores the affinities of these innovative new poems with continental lyric traditions (Provinçal and Latin) and with the Welsh Bardic tradition. To see how representative Harley 2253 is in reflecting a multilingual audience in late medieval England, the last chapter explores the connections between the Middle English and Anglo-Norman song traditions and demonstrates that at least as early as 1225, songs in Middle English and Anglo-Norman formed one body of work addressing one audience.
机译：在十三，十四世纪，英格兰的文学作品使用三种语言，即拉丁文。法语和英语。著名的手稿Harley 2253包含了这三种语言文学的法文和英文诗意元素的代表性横截面。该手稿被认为是中古英语诗歌的重要来源，其英语内容以哈雷歌词为名。手稿中的法国诗歌鲜为人知。这种情况代表了中古英语和盎格鲁-诺曼诗歌的研究状态。早就应该重新审视中古英语和盎格鲁-诺曼歌词，以及它们之间的关系。 Harley 2253提供了一个很好的起点。该项目探索了产生Harley 2253的多语言社会，并展示了并排阅读手稿的法文和英文诗歌的优势。第一章概述了中世纪晚期英格兰使用的三种主要语言的历史以及它们之间的联系，并考察了中世纪抒情诗的美学本质。下一章讨论了手稿的形成方式以及语言在手稿计划中的作用。第三章考察了手稿中诗歌的开篇顺序，并展示了抄写员故意将两部白话中的诗歌安排成一种双语对话的方式。第四章追溯了手稿中一首法国抒情诗与手稿中许多英诗的亲和力。第五章和第六章探讨了英语替代歌词，这是一种英语抒情诗，与盎格鲁-诺曼语不同，它探索了这些创新诗歌与大陆抒情传统（普罗旺斯和拉丁）以及威尔士巴迪克传统的亲和力。为了了解具有代表性的Harley 2253如何反映中世纪晚期英格兰的多语种听众，上一章探讨了中古英语和盎格鲁-诺曼歌曲传统之间的联系，并证明至少早在1225年，中古英语和盎格鲁诺曼（Norman）形成了一套针对受众的作品。

著录项

  • 作者

    Maulsby, Stephen C.;

  • 作者单位

    The Catholic University of America.;

  • 授予单位 The Catholic University of America.;
  • 学科 Literature Medieval.;Literature English.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 251 p.
  • 总页数 251
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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