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Musing Sadly on the Dead: Erotic Epistemology in the Nineteenth-Century English Elegy

机译：悲哀地死去沉思：19世纪英国悲歌中的色情认识论

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摘要

This project is about what I am calling an "erotic epistemology" in nineteenth-century English elegiac poetry, a condition or event in a poetic text in which the discourses of love and knowledge are, to use a term Shelley liked to describe the experience of love, "intermixed". The persistence of this inter-discourse suggests some fundamental connection between the desire for love and the desire for knowledge. Curiously, these performances of erotic longing insist urgently in the rhetorical, formal, and somatic registers of elegiac poetry in the nineteenth century.;The confrontation with death that elegy stages is ideal for thinking about the relationship between erotic desire and poetic knowledge. As the limit case of a mind confronting an ultimately unknowable condition, the furthest expression of an impossible desire---the desire for the dead---elegies are love poems as well as death poems. This dissertation argues that Percy Bysshe Shelley's Adonais for John Keats (1821), Alfred Tennyson's In Memoriam for Arthur Hallam (1850), Algernon Charles Swinburne's Ave Atque Vale for Charles Baudelaire (1867), and Thomas Tod Stoddart's The Death-Wake (1831), perform the poetics of mourning as an erotic discourse, and allow an intimate understanding of a dead other that is an experience of pleasure.;Much scholarship on the concept of eros considers it nearly synonymous with sexual desire and bodily pleasure. This project establishes a mode of reading elegy through its figures and forms that conceptualizes eros in these poems beyond sexuality, and without the burdens of biography and history. By stepping outside the critical confines of generic convention, literary influence, and eros-as-sexual want, this dissertation reevaluates the interpretive possibilities of erotic desire and language in a genre that is not commonly read as an amorous mode of speech. For these elegists, knowledge itself is an object of amorous desire, and epistemological want is a motive force of poetic mourning. These poems arrive at the pleasure of this knowledge through verse forms and figures of speech that perform an intimate textual relationship between the living and the dead, and when these linguistic events occur, the elegies reveal themselves as love poems.
机译：这个项目是关于我在19世纪英语挽歌诗中所说的“色情认识论”，这是诗歌文本中关于爱和知识的论述的条件或事件，用雪莱这个词来形容爱，“混杂”。这种话语的持久性暗示了对爱的渴望与对知识的渴望之间的一些根本联系。奇怪的是，对色情的渴望表现在十九世纪的挽歌诗歌的修辞，形式和躯体记录中都紧迫地坚持着。挽歌阶段与死亡的对抗是思考色情欲望和诗学知识之间关系的理想选择。作为心灵面对最终不可知的条件的极限情况，不可能的欲望（对死者的欲望）的最远表达是爱情诗和死亡诗。本文的论点是珀西·比什谢·雪莱的《约翰·济慈的阿多奈》（1821），阿尔弗雷德·坦尼森的《为亚瑟·哈拉姆写的回忆》（1850），阿尔及尔尼·查尔斯·斯文本的查尔斯·鲍德莱尔的阿特·阿奎·维尔（1867）和托马斯·托德·斯托达特的《死神》（1831）。 ，将哀悼的诗学表现为一种色情话语，并让他人对死者的性情有深刻的了解，这是一种愉悦的体验。；关于“色情”概念的许多学术研究都将其视为性欲和身体愉悦的代名词。这个项目建立了一种通过其人物和形式阅读挽歌的方式，这种方式将这些诗歌中的色情概念化，超越了性欲，并且没有传记和历史的负担。通过超越一般习俗，文学影响力和色情欲的欲望的临界范围，本文重新评估了色情欲望和语言的解释可能性，这种类型通常不被视为一种多情的言语方式。对于这些立法者来说，知识本身就是多情的欲望的对象，认识论的匮乏是诗歌哀悼的动力。这些诗歌通过在生与死之间建立紧密的文本关系的诗句形式和修辞格，使人们获得了这种知识的乐趣。当这些语言事件发生时，这些挽歌便像情诗一样展现了自己。

著录项

  • 作者

    Green, Jordan L.;

  • 作者单位

    University of Oregon.;

  • 授予单位 University of Oregon.;
  • 学科 British Irish literature.;Epistemology.
  • 学位 Ph.D.
  • 年度 2017
  • 页码 167 p.
  • 总页数 167
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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