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Embodiments of difference: Representations of Vietnamese women in the U.S. cultural imaginary.

机译:差异的体现:在美国文化想象中的越南女性形象。

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摘要

This dissertation is about how the U.S.'s political and economic relationship with Vietnam produced and maintains a neocolonialist agenda through its media representations of Vietnamese women. This neocolonialist agenda began with the U.S. attempt to police global politics by intervening in the Vietnam civil war beginning in the mid-1950s and continued when in the early 1990s the U.S. normalized its relations with Vietnam in order to expand its economic interests there. Vietnamese women and their bodies are the conduits through which this agenda is communicated, facilitated, and maintained. I argue that a genealogical study of media representations of Vietnam since the Vietnam War period elucidates the heterogeneous discourses on Vietnamese women that are shaped by the shifting political, economic, and social relations. These heterogeneous discourses employ an Orientalist gaze and, thus, overlap across different historical periods and social contexts. Part of this Orientalist logic depends on the media texts' approach to Vietnamese women as objects for discovery of an authentic, yet mythic, past. Cultural production of these representations exist in different media, including news media, travel and tourist literature, generic literature, memoirs, film, and art. The images and texts on the women participate in larger discussions of embodiments of difference, the construction of cultural memory, the material consequences of those representations, and lived experience. Thus, this project tackles how cultural, economic, and political processes shape the social meanings of representations of Vietnamese women by U.S. media, of both Vietnamese descent and non-Vietnamese descent. Drawing on key U.S. news print media, travel literature, travel web sites, films, photographs, and performance artists, this project applies textual analysis, film analysis, and ethnography to study the meanings and practices produced on Vietnamese women and introduced into global circulation.
机译:这篇论文是关于美国与越南的政治和经济关系如何通过其对越南妇女的媒体报道来产生并维持新殖民主义的议程。这个新殖民主义的议程始于美国通过干预1950年代中期开始的越南内战来维护全球政治的尝试,并一直持续到1990年代初美国与越南的关系正常化以扩大其在越南的经济利益时。越南妇女及其身体是传达,促进和维持这一议程的渠道。我认为,自越战时期以来对越南媒体报道的家谱研究阐明了政治,经济和社会关系变化对越南妇女的异质话语。这些异质话语具有东方主义的注视力,因此在不同的历史时期和社会环境中重叠。这种东方主义的逻辑部分取决于媒体文本对越南妇女的态度,以此作为发现真实而神话般的过去的对象。这些代表的文化产生存在于不同的媒体中,包括新闻媒体,旅行和旅游文学,通俗文学,回忆录,电影和艺术。关于妇女的图像和文字参加了关于差异体现,文化记忆建构,这些表征的物质后果和生活经验的更大讨论。因此,该项目致力于解决文化,经济和政治进程如何塑造美国媒体在越南血统和非越南血统中代表越南妇女的社会意义。该项目利用美国主要新闻媒体,旅游文学,旅游网站,电影,照片和表演艺术家的作品,运用文本分析,电影分析和人种志方法研究越南妇女产生的意义和做法,并将其引入全球发行。

著录项

  • 作者

    Bui, Diem-My Thi.;

  • 作者单位

    University of Illinois at Urbana-Champaign.;

  • 授予单位 University of Illinois at Urbana-Champaign.;
  • 学科 American Studies.;Mass Communications.;Sociology Ethnic and Racial Studies.;Womens Studies.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 235 p.
  • 总页数 235
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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